Author: BRWC

  • The Costumes: Reservoir Dogs (1992)

    The Costumes: Reservoir Dogs (1992)

    By Marie Brammah.

    On the surface, the costumes in Reservoir Dogs serve to affiliate the characters to their particular subculture. The heist members’ suits unify them, and indicate their separation from the outside law-abiding society. However, each suit is different, and I believe these subtle differences give us insights into the individual characters.

    The Costumes: Reservoir Dogs (1992)
    The Costumes: Reservoir Dogs (1992)

    Mr Blonde’s suit is well-tailored – arguably the best tailored to the body of them all. This seems to work on a symbolic level for the character, as he seems to be the only member to fit the bill for the heist. This neat fit, alongside the narrow and pointed shoulders, suits his slick and smooth persona.

    Contradictory to his well-pressed and fitted suit jacket, is his rather baggy and creased shirt. Perhaps this juxtaposition works to highlight the different sides of Mr Blonde that we witness, as he expresses a sense of coolness and collectedness, but also psychotic and wildness. The choice of a well-tailored outer appearance, which often evokes togetherness and professionalism, assists in the concealment and shocking reveal of Mr Blonde’s psychotic actions.

    The Costumes: Reservoir Dogs (1992)
    The Costumes: Reservoir Dogs (1992)

    His wild side is however hinted at through the use of black cowboy boots, which alongside their typical connotations, are different to the plain black shoes worn by the other members. This tells us he is a character who doesn’t follow the rules and is instead confident in getting things done his own way.

    The other well-tailored suit comes from Mr White. His fitted wool suit, crisp white shirt and silk tie complement his professionalism and the sense of this character being an experienced criminal. Perhaps the wealth needed for such a look was generated from previous successful heist missions with Joe? His well-kept clothes highlight the pride and confidence he expresses within himself and his appearance, which is also seen as he combs his hair throughout the film. Mr White, unlike other characters such as Mr Brown or Eddie Cabot, is a quietly confident professional.

    We can see this not only in the natural shoulder line of his suit jacket (no need to over pronounce) and his accessories. His watch consists of a thin, black leather strap, which is much subtler than the bold silver watches worn by the others. His costume, and its presentation, could help to place him above the other members of the heist, bringing him more in line with Joe in this criminal hierarchy.

    The Costumes: Reservoir Dogs (1992)
    The Costumes: Reservoir Dogs (1992)

    Another element of Mr White’s costume which highlights his closer affiliation with Joe could be his pants. His pants sit higher on the waist and have a wider fit – just like Joe’s. Perhaps this helps us view this character as the older, wiser and more experienced member of the team. Maybe Mr White’s dressing is similar to Joe because he looks up to him and strives to live up to his image?

    If we compare Mr White’s and Mr Blonde’s suits to that of Mr Brown, there are many differences to be found, which speaks for the differences in character. Mr Brown wears an oversized suit jacket with pronounced shoulders, and with a close eye you can even see where his natural shoulder line ends.

    The Costumes: Reservoir Dogs (1992)
    The Costumes: Reservoir Dogs (1992)

    In comparison to Mr Blonde’s sharply tailored suit which matches his smoothness and seemingly togetherness, it could be suggested that Mr Brown’s baggier style reflects his inability when it comes to the heist. I think choosing a larger jacket with heightened shoulders could also reflect his loudness and desire to appear tough and cool. He wants to look the part and be noticed.

    Mr Pink’s suit jacket is also oversized, which seems to highlight different notions. The looser fit of his jacket and shirt emphasise his skinny physique, which could add to our surprise of witnessing him make it to the end – the last one standing. An ill-fit, especially when stood next to those in tailored garments, suggests he has bought this from a thrift store, and so highlights his lacking of wealth and need to become involved in the heist. It therefore highlights his desperation – he needs the money and will do whatever it takes to get it.

    The Costumes: Reservoir Dogs (1992)
    The Costumes: Reservoir Dogs (1992)

    Perhaps this notion of shopping for a suit at a thrift store suggests a sense of frugality, which is complimented in the opening scene when he refuses to tip the waitress. Mr Pink is also wearing black denim jeans, not suit pants, which adds to the notion of him lacking the necessary wealth to purchase a new and full suit.

    The Costumes: Reservoir Dogs (1992)
    The Costumes: Reservoir Dogs (1992)

    Betsy Faith Heimann was the Costume Designer.

  • Cult Franchise Sharknado Making America Bait Again

    Cult Franchise Sharknado Making America Bait Again

    With Sharknado 5: Global Swarming now hitting the DVD and Blu-ray shelves, we take a look at this unlikely hero of the made-for-TV movie world.

    Sharknado is a series of movies, or a franchise as the industry likes to call it, which tackles the most important question in life: what would happen if an epidemic of giant tornados sucked all the angriest sharks out of the oceans and then spat them out of the sky? But it does not just ask this question once, it asks it again and again and again, suggesting that there are no shortage of angles from which the Sharknado questioned can be approached. Or more pertinently, that there are no shortage of fans willing to pay good money to watch endless grumpy-sharks-spat-out-of-tornado-themed movies.

    So what is it about of this particular premise that has spawned a cult phenomenon? Well, it’s not really that hard to comprehend. Even the most serious-minded movie buffs must admit that there is something appealing about the thought of seeing killer sharks being dumped into the most unlikely of scenarios. What’s more, the series never takes itself too seriously, while giving a poke in the ribs to a whole host of other movies along the way.

    So far in the five-movie series, we have seen sharks in aeroplanes, sharks in subways, sharks on freeways, sharks in houses and even sharks in casinos – a scene that perhaps inspired the videoslots game of the same name now available on Betsafe. The fact that the movie has its own video game ranks it alongside the likes of Game of Thrones, Jurassic Park and Back to the Future as big screen productions that have hit the gaming market. That’s how well-loved these movies are.


    So, what happens in Sharknado 5? Oh, you mean you want to know the plot? Well, to explore the complexities of the story, we need to consider exactly where Sharknado 4: The Fourth Awakens left off. Well, in what was a real cliff-hanger, the film ended with the world on course for annihilation, while the Eiffel Tower had been relocated to Niagra Falls, a scene that gave us a clue to the shark’s last whereabouts. That’s right, they had been causing havoc in Europe. And that’s where some, but not all, of the action takes place in what might loosely be described as a Sharknado origin story.

    Other countries to suffer from severe shark-based weather systems in the movie include Japan, South Africa and Mexico. And, of course, it is up to our surfing hero Fin and his wife April to save the day in this tale of teleportation, mutation and destruction.

    To makes things even harder for the protagonists, they also have to deal with the acting talents of former model Katie Price, who makes a brief cameo, along with a few other surprise guests! She joins the likes of Jedward, David Hasselhoff, Kelly Osbourne and Jerry Springer on the previous list of celebrities who have popped up in the franchise, only to be gruesomely devoured.

    The movie has already aired on the Syfy, but it can also be found on top streaming sites such as Netflix and YouTube, and is out on DVD and Blu-ray disc format just in time for a Great White Christmas. Ouch!

  • A Christmas Night In With Butterkist!

    A Christmas Night In With Butterkist!

    It’s freezing outside, prices at the multiplex cinema are going up and the traffic and road rage is crazy out there.  So it’s that time when you want to stay in the ol’ gaff, lie and relax on your comfy sofa and stick on your favourite films.  And as it’s the most wonderful time of the year the standards are there to be enjoyed: Edward Scissorhands, Die Hard, Home Alone, the usual suspects (not the film).

    A Christmas Night In With Butterkist!
    A Christmas Night In With Butterkist!

    But sometimes, like I did the other night, you want to stray away from those festive movies and watch some films you haven’t seen in a while, or you fancy revisiting, like Punch Drunk Love, Mean Streets and Where The Wild Things Are in my case.

    The lovely folk at popcorn purveyors Butterkist kindly provided some bags of the world’s favourite film snack for us to enjoy while we chill out on sofa watching movies.  How very nice of them!

    A Christmas Night In With Butterkist!
    A Christmas Night In With Butterkist!

    Tonight though, it’s all about Christmas movies!  There are so many festive classics to choose from.  But here’s a couple of eighties treats you should watch while munching your popcorn.  I’ve still have a bag left to consume!

    Trading Places

    1983 was a great year.  A snobbish investor and a wily street con artist find their positions reversed as part of a bet by two callous millionaires.  This is not your typical cheesy Christmas film.  It’s a funny and even touching film, with Eddie Murphy in his prime and Dan Ackroyd partly as a drunken, bad Santa, way before Billy Bob Thronton.

    Gremlins

    A year later comes this treat!  A boy inadvertently breaks three important rules concerning his new pet and unleashes a horde of malevolently mischievous monsters on a small town.  Gremlins: a Christmas tradition at BRWC Towers, where we watch it every year and always have a good time.  It’s so much fun!

    These, and many others are ones we have to watch every year at BRWC Towers.  We recently got a NowTV monthly movie pass and pretty much all of them are on there!  Result!

    A Christmas Night In With Butterkist!
    A Christmas Night In With Butterkist!

    I find sitting down to watch a Christmas movie is the perfect way to get into the festive spirit!  Hopefully you do too!

    Thanks again to Butterkist.

  • Stephen Woolley: A Life In Film

    Stephen Woolley: A Life In Film

    For the best part of 35 years, Stephen Woolley has been a driving force in British film, responsible for bringing a dizzying array of films to the silver screen.

    His formative years were spent tearing tickets at the Screen On The Green in London before going on to own the celebrated Scala cinema. He subsequently formed Palace Video with Nik Powell, a partnership that delivered films as diverse as The Evil Dead and When Harry Met Sally to UK audiences, and it was in this period that his producing career really began to take off. A true champion of Brit cinema, 2017 has proved a very successful year for Woolley, with Their Finest proving a critical smash.

    His latest offering is a full-blooded adaptation of Peter Ackroyd’s acclaimed novel, The Limehouse Golem, starring Bill Nighy, Douglas Booth and Olivia Cooke (available digitally on Christmas Day before arriving on Blu-ray and DVD on December 26th), a release that gives us the perfect opportunity to delve into Woolley’s past and call out some of the highlights from a career with too many to mention:

    The Company Of Wolves (1984)

    One of a number of pairings with long time creative partner Neil Jordan, The Company Of Wolves is a wonderful fairy tale cult movie that rivals 1981’s An American Werewolf In London for sheer special effects magnificence.

    The story focuses on a young woman who drifts into a nightmare-filled sleep populated with lycanthropic threats realised spectacularly long before CGI could help, but this is a curio that gives in a variety of ways, not least of which being Angela Lansbury’s winning performance as Granny and genre stalwart David Warner thrown into the mix for good measure. Co-written by Angela Carter, the film picked up four BAFTA Award nominations.

  • Surviving Christmas Deserves Another Watch

    Surviving Christmas Deserves Another Watch

    By Jack Ford.

    With so many Christmas films (turn to the Christmas24 channel and see for yourself), and a lot of them ultimately the same, the fleeting nature of the non-genre means a lot of them will pass us by before we can give them their fair dues – which could arguably the case with the 2004 Mike Mitchell comedy Surviving Christmas.

    Released in late 2004, Surviving Christmas opened quietly to largely negative reviews, as was the standard for films starring Ben Affleck at the time. It was dismissed as a low comedy without charm, and before you decide it’s not worth reading any more about a forgotten film that was panned on release, just wait. The finer points of this festive comedy were potentially lost on those who initially dismissed it.

    The film opens with a sequence of wholesome Christmas scenes you could put on a card, only for them all to start taking darker turns. For example, an old woman takes a roast turkey from the oven, and then puts her head in. The film could be summed up in this one juxtaposition: behind the sheen and purity of Christmas iconography there is a dark reality the season forces us to hide.

    We soon meet the central character of the film, advertising executive Drew Latham (Affleck). He’s a man not moved by Christmas, so much so he has booked a trip to Fiji over the festive period for him and his girlfriend, Missy, to get away from it all. She’s outraged and insists they spend Christmas with family. When pushed, Drew is mysteriously reluctant to let her meet his family, which is the final straw for their relationship.

    Drew’s vast and spacious apartment starts to feel more and more empty, and his isolation leads him back to his childhood home. It’s here he comes to terms with his problems with Christmas, and realises what he wants is to have the same warm, happy feeling he got from the holiday as a kid. He meets the current residents of the house, the Valcos, after patriarch Tom (James Gandolfini) mistakes him for a vandal and hits him on the head with a snow shovel. Instead of pressing charges, Drew asks if he can act as their son for Christmas. It’s a strange offer, but it comes with the promise of $250,000. The Valcos accept.

    It quickly becomes apparent the Valcos are not the most festive family, after seeing how short-tempered and curmudgeonly Tom and his wife Christine (Catherine O’Hara) are, and it’s no surprise given the discovery that they are soon to divorce. Elsewhere, their teenage son Brian (Josh Zuckerman) has no time for family but plenty of time for his computer (you can probably guess what for), and elder daughter Alicia (Christina Appelgate) just finds the whole thing too weird.

    Drew tries to get his newly-adopted family into the spirit by taking them Christmas shopping, decorating the house and making them dress in seasonal attire, much to the Valcos chagrin. Despite this, something’s still not working. No one’s feeling the cheer of Drew’s ideal Christmas. He steps up his effort by writing a script to be adhered to at all times, bringing in his elderly ‘Doo-Dah’ (or rather, a local actor he has paid to play Doo-Dah), even recreating a cherished childhood memory of Alicia.

    Though he means well, Drew soon comes to realise all of this is artifice – he can bring the image of the perfect family Christmas to life, but with that does not come the feeling Christmas inspired in him, and in all of us, as kids. That same feeling won’t come to him again because he’s not a kid anymore, and he can’t have the perfect Christmas he wants because it’s something that doesn’t exist. It’s the same for all of us as well.

    Surviving Christmas is not that cynical and downbeat, though. Instead, it takes a more realistic view of how the commercialized idea of the perfect Christmas and the expectations that come with it are unobtainable. It’s a reminder that the images of happy families we see in every shop window, catalogue and commercial at the end of the year are there just to get us to consume.

    Advertisers tug at our heartstrings in the hope that doing so will also open our wallets, to get us all to think we can have that too once we have all the right components. Drew works in advertising, he knows its all a trick, but the idea even penetrates his mind. The increased tension he causes in the Valco household is the film’s surprisingly subtle way of saying that advertising is ruining Christmas, with the final shot serving as a reminder that it can be whatever you make of it. If you would be happy to spend Christmas with friends in a pancake house, then that’s fine.

    As for the film itself, it’s aware of itself enough to know the scenario it’s presenting is an unusual one and never acts like the events of the film could ever happen in real life. In doing so, it takes away the discomfort we would feel seeing a grown man paying a family to take him in as their son, and gives us more room to laugh at the absurdity. It’s nowhere near perfect – there are some subplots that range from obvious to inexplicable – but it’s a fine farce with a sound message behind it.

    More than a decade on, Surviving Christmas deserves another look. For anyone seeking an alternative Christmas film, one that is free of sentimentality, speaks to the part of them that feels that materialism and comemrcialisation has robbed the holiday of any meaning, all while making them laugh of course, look no further.