Author: BRWC

  • AI In The Film Industry

    AI In The Film Industry

    AI in the Film Industry. By Maggie Potter.

    Science fiction has a rich history of utilizing artificial intelligence (AI) as a storytelling device. We’ve seen everything from robotic aliens who have come to test humanity in The Day the Earth Stood Still to superheroes who employ advanced technology to save the world. AI is also often depicted in villainous roles, reflecting our society’s suspicion of advanced machinery, but we have also explored the nature of what it is to be human through lifelike robotic characters.  

    We have reached a point where AI is no longer simply fodder for big-screen narratives; it is quickly becoming part of our contemporary life. As such, Hollywood is starting to utilize it in ways that have the potential of enhancing the commercial and creative aspects of the film industry while still presenting it as part of our rich storytelling lexicon.   

    How is the movie industry making practical use of this sci-fi mainstay, AI, in real life? How does reality compare to the popular depictions in film? Are there dangers evident in relying upon this technology in our entertainment?

    Business Decisions

    In film, AI is often depicted as an omnipotent presence in a computer system. The Terminator franchise’s Skynet is an example of faceless, deep learning software that makes cold and inhumane decisions. This speaks to one of the great fears presented by AI: its autonomy. Its ability to manipulate and control systems without moral boundaries. This doesn’t just apply to military tech with worldwide consequences; we have seen this apply to business, too. 

    In Tron (1982), the MCP (Master Control Program), embodied primarily by a menacing digital voice, not only takes control of its owning corporation but also enacts physical defense mechanisms against members of staff who attempt to interfere. While “real” Hollywood is not yet at risk of AI making all business decisions, its use is currently being explored to help executives make choices that are believed to more likely result in success. Warner Brothers recently signed a deal with an AI startup Cinelytic who has designed a system to predict what elements should be included in movies in order to guarantee box office returns. 

    Such AI systems rely upon useful data to make accurate predictions. In this case of Cinelytic, it includes what actors connect best with audiences in which territories, what brands should make an appearance, and whether certain projects could produce merchandising. This approach has been treated with some skepticism because it ignores the artistic and cultural worth of movies in favor of financial returns. There is also the question of whether AI bias could affect diversity in an industry that already has significant problems in that area. In 2018, Amazon had to dump its AI recruiting tool because it proved biased against women when searching for engineering candidates.  

    Production

    AI is often depicted in film as the very antithesis of humanity. While computers are able to undertake inordinate calculations and control machinery across the planet, the robotic characters in movies often struggle with activities that exemplify human nature, including creative and artistic pursuits. 

    In I, Robot (2004), we get a glimpse into a future that is not too distant from our own. While today’s conversations about self-driving cars are dominated by topics of their safety and security with testing still very much in its early stages, the movie shows autonomous vehicles maneuvering intricately on busy roadways. The movie’s protagonist Detective Spooner, played by Will Smith, shows disdain and suspicion for this kind of AI-guided technology. At one point he poses the question of AI creativity: “Can a robot write a symphony? Can a robot turn a canvas into a beautiful masterpiece?”  

    Can real-life AI contribute to the creative aspects of film? Visual effects are becoming much more prevalent in movies, and much of the artistic work is still undertaken by human animators and programmers. Much of the work of assembling digital effects takes a long time, however, and producers have found that incorporating AI software into computer graphics(CG) artwork creation can help speed the process. In the Avengers franchise, producers used the AI platform Digital Domain to capture actors’ faces and swiftly recreate them on CG characters, but it still remains the case that the most effective results come from a collaboration between artists and AI. 

    Security 

    Security is a significant concern in our contemporary world. Whether it’s protecting ourselves against potential terrorist threats or cybercrime, we have begun to implement technologies that could assist us. Movies have often depicted AI systems designed to stand guard against a variety of perils, though these are also often shown to go horribly wrong.  

    In some movies, this plays into our reckless embrace of technology. Disney’s Smart House (1999), showed how a home automation system, which initially proved helpful, takes on a life of its own and becomes somewhat despotic. Our reality is slightly less dramatic. Smart homes are becoming a feature of our contemporary world, with automated security systems working in the internet of things (IoT) helping to control surveillance systems, door locks, and automated lighting, none of which is likely to turn evil. 

    Smart security also has a role to play in movie production. Cybercrime is increasingly becoming a problem, particularly in keeping details of movie productions safe from hackers who seek to leak details and even the content itself. AI is quickly becoming a useful tool for companies that need robust cybersecurity. Innovative developers are producing deep learning software that analyzes threats in real-time and works with other systems to counter possible breaches. 

    Conclusion

    For the last few decades, AI has been depicted in movies in a negative light — a soulless, logical villain with designs on overthrowing humanity. Despite that, in recent years it has proven to be a useful tool to Hollywood, in all areas from production to business management. There is also potential for AI to have a greater impact, but we must continue to ensure that its use is a collaboration with human operators and not given complete autonomy.   

  • The Complex: The BRWC Review

    The Complex: The BRWC Review

    The Complex: The BRWC Review. By Wormatron.

    Confronted with the horrors of the world, for which I can only be held partially responsible, I find myself almost entirely isolated, save for one other person with whom I have to endure this struggle.  Granted, the use of technology allows us to seek guidance and demand answers from a wider group, although exactly whom, and what information I can trust isn’t always entirely clear. The brutal reality of the current situation is, as with most things in life, the decisions I make will have very real consequences, most of which I am unable to even begin to imagine.  And so, I do what I have to, I accept personal responsibility and I decide.

    The parallels are stark, really, between the near-real-world in Wales Interactives’ The Complex and the year of our Lord two thousand and twenty-twenty.  It feels entirely apposite that this play/decide interactive movie should release but a week after a very real lockdown was enacted across our lands.

    And so to the thing itself…

    Wales Interactive’s website describes the plot as “Having treated the victims of a chemical attack in the totalitarian state of Kindar, Dr Amy Tenant is a leader in the advancement of Nanocell Technology. Now, in London, news breaks of a blood-vomiting civilian whose identity is far from coincidental. Reunited with an old friend, Amy is trapped in an impenetrable HQ of laboratories—a womb of scientific advancement with a perilous secret.”

    The intention of this work is to set the player as the protagonist of the plot, to take you on a journey through various plot routes while you, as Amy, are forced to make a series of decisions that impact your journey.  These resolutions allow you to navigate through eight different outcomes, each a result of relationship status tracking that influences the story as you play and real-time personality trait tracking that evolves based on your choices.

    In the mould of Bandersnatch and Late Shift, neither of which I have ‘played’, the reality is that the product feels too on-rails to sit comfortably as a game, and does not have the narrative depth or scope to unravel as a film before you.

    Billed as a sci-fi thriller, all the hallmarks of the genre are certainly present, unfortunately, this correspondent, at least, wasn’t moved by the action at all.  For all the polish, and there certainly was a lot of that, the narrative felt fairly derivative, perhaps a result of trying to fit the plot of a feature-length into something playable in one sitting. 

    And this, I fear, is the rub.

    There is much to like about The Complex.  From the attempted scope of the project to the overall quality of what is delivered, serious time and effort has been put into the idea.  On paper, this has all of the qualities needed for a hit. As the adage goes, however, games aren’t played on paper (alright, many games are played on paper and this is the weakest part of a fairly labouring review…).  The execution just misses, not by much, but enough to leave you feeling disappointed, regardless of the denouement.

    I played through twice but came to fairly similar endings, almost certainly a result of my decisions, and certainly no comment on the breadth of conclusions available across the stated eight resolutions.  I attempted to try for a third, completely different journey but ran out of steam after the first decision and exited the ‘game’.

    Perhaps, as with much in these trying times, this ‘thriller’ is as much a victim of current world events as everything else. Sitting too close to reality at its time of release almost certainly does it no favours.

    I really wanted to enjoy my time at Kensington Corp., I really did, decisions, however, all felt too binary, a little simplistic, perhaps.  And maybe this is where we come to the cruces of it all. Maybe what was attempted, like the world around us at present, was just too complex…

    The Complex
    The Complex

    THE COMPLEX a live action, interactive Sci-Fi thriller is out now worldwide through PC, PS4, Xbox One and Nintendo Switch.

    Wormatron is a near middle-aged misanthrope who, like everyone else in the world, streams games as a hobby.  You can find them at twitch.tv/wormatron. They are no better at streaming than they are at writing reviews.  Be forewarned…

  • 5 Of The Weirdest Things You Can Stream During Self-Isolation

    5 Of The Weirdest Things You Can Stream During Self-Isolation

    The Weirdest Things You Can Stream During Self-Isolation: As the world rapidly approaches 1 million active cases of the coronavirus, just under half of the world’s population is currently living under some form of restriction. With over 2 billion people under government-ordered stay-at-home orders, the majority of you are relying on streaming services to keep you entertained.

    While there’s no doubting this is a great time to catch up on those epic drama movies or intense thriller boxsets, watching the same types of programs over and over again can soon wear thin.

    So why not break up the monotony by watching some of the weirdest, strangest movies and TV shows the streaming world has to offer? Trust us when we say that these pictures have to be seen to be believed.

    Here are five of the weirdest things you can stream during your period of coronavirus self-isolation.

    1. The Room

    Widely seen by many as the worst movie of all time, this 2003 release was so bad that it has developed a cult following. Littered with dead-end subplots (such as one character revealing that she has breast cancer, only for it never to be mentioned again), continuity errors, and bizarre green-screened rooftop scenes, the movie is supposed to tell a story of a banker who is betrayed by his friends.

    The film was the brainchild of Tommy Wiseau, who wrote, produced, directed, funded, and starred in the movie. One of the other stars, Greg Sestero, chronicled his experiences during the making of this movie in his memoir The Disaster Artist, which was later made into a golden globe-winning movie by James Franco in 2017.

    The TV-14/DSLV version is available to stream on YouTube.

    2. Rubber

    If you find The Room’s nonsensical, weirdest scene structure and dialogue unbearable, then how about dipping in a movie that’s more solidly put together. The catch? It’s possibly the strangest premise for a movie ever.

    It’s not for us to say too much as to ruin the story, but in basic terms, the movie follows a homicidal tire (yes, tire), which has destructive psionic powers. It’s set in a quiet desert town, upon which it wreaks havoc during its relentless chase of a mysterious woman. Intrigued? You should be! Once you wrap your head around the insane plot, this is an enjoyable horror/comedy movie and has a solid 69% score on rotten tomatoes.

    It’s available to stream now on Amazon Prime Video.  

    3. Robo Vampire 3: Counter Destroy

    Don’t be fooled by the cover or the title; this movie has absolutely nothing to do with RoboCop, even though a version of him appears in all of the marketing materials for this movie. So, what is it? Well, this movie is actually an Asian martial arts film. The plot revolves around a screenwriter named Joyce, who seems to attract trouble wherever she goes. When she escapes to an isolated island with her secretary, she soon finds herself under attack from an army of mysterious vampire zombies.

    Not interested yet? Just wait until you see the dubbing in this film. Somehow the word horrendous doesn’t quite do it justice, with motionless faces often having full-blown conversations. This is a movie that falls into the category of being so bad that it’s hilarious, and therefore well worth watching.

    You can do so on YouTube here.

    4. Elephants Dream 

    From the hilariously awful to the downright trippy, Elephants Dream is a strange copyright-free Dutch animation that was meant as nothing more than a test for Netflix’s internal systems. It’s a short film that tracks the protagonists Proog and Emo, who find themselves in some kind of infinite machine. Proog acts as a tour guide for Emo, until they both start to slowly realize that the device may have a more sinister purpose.

    If you need to sort out your speeds for your Netflix session, Broadband Genie’s helpful how-to guide is the place to start.

    This extremely strange animated short is not easily found within Netflix, so it may be the case that you need to access it via logging into your Netflix account using the link below. Be prepared to be creeped out!

    Watch on Netflix here.      

    5. Example Show 

    It doesn’t get any more left-field than this short “TV show.” The Example Show for Netflix was 11 minutes of test footage for Netflix’s “instant watch” feature. It predominantly shows a montage of moving backgrounds, with a particular focus on running water (no, we don’t know why either). Things then suddenly get interesting when a random man starts to dash around the Netflix campus inexplicably.

    He proceeds to moonwalk (laptop in hand) and play with various pieces of sports equipment, before descending into a Shakespearian rant. The episode wraps up with more dynamic backgrounds and a series of test screens before fading to black. Despite the total and utter randomness of this TV episode, it’s hard to stop watching. Unfortunately, Netflix removed this one, after it developed yet another cult following. Thankfully, it’s been gracefully preserved on YouTube.    

    Watch Example Show on YouTube here.   

    Image via Dreamstime.com
    Image via Dreamstime.com

    This new world we find ourselves in can feel quite scary, so it’s healthy to have a little bit of fun by streaming some of the weirdest and most bizarre movies and TV shows you can find. It will undoubtedly provide at least a temporary distraction from the chaos going on in the outside world.

  • Extra Ordinary: The BRWC Review

    Extra Ordinary: The BRWC Review

    By Heidi Sharpley.

    Its official – the world’s gone crazy. Novel Coronavirus or Covid19, or whatever you are calling it, has us all unnerved and anxious.   Self-isolating is uncomfortable and quarantining is frightening. Fear abounds in these unprecedented times.  Not knowing what to expect has many trying to effect some control by hoarding toilet paper and tinned tomatoes. 

    Everyone just needs to keep calm and have a laugh.   So my advice is grab your favourite snack, grab a friend (not literally, keep a safe distance which I believe is 1.5 meters) and quarantine yourself with the movie Extra Ordinary. 

    This absurdly ridiculous story is perfect for now. It’s a frenzy of the unexpected and these straight faced characters deal with extraordinary situations without flinching.  They roll with it, head-on, in a relatively calm yet pro-active way. Taking everything in their stride. Take note society, we can all learn from this movie. 

    The plot? Where do I start?  Let’s just say this is an Irish paranormal romcom.  Not a category you see often.  There’s the widow raising his teenage daughter while the spirit of his dead wife helps him around the house by letting him know the dog has worms with a message on the toast. 

    There’s the washed up rock star who believes a satanic ritual can help restore his career.  Then there’s the lovely Rose Dooley the psychic whose just trying to lead a normal life, running her driving instructor business and looking for love on the way. Her heavily pregnant sister never far when Rose needs support.

    Writing parters Mike Ahern and Enda Loughman must have had so much fun directing this movie.  It starts a little slowly and you wonder where this could possibly be heading but surrender your need to predict and just enjoy the silliness and stupidity.  You’ll find yourself smiling (perhaps for the first time in weeks).

    The credits list both Mike and Enda as the bin man and belly flop man respectively, confirming for me these guys don’t take life seriously.  Shout out to George Brennan’s music and Martin Pavey’s clever sound.  

    “Turns out taking a ghost into your body and puking up his ecto plasm when your daughter is under a satanic elevation spell, can take it out of you,”  Martin Martin.

    The last ten minutes of this film are more hectic than the times we are currently living through.  Check your stresses at the door and just lose yourself in 1 1/2 hours of good quality stupidity.  And share this with your friends.  Extra ordinary, it is not. Make sure you see Extra Ordinary.

  • And Then We Danced: The BRWC Review

    And Then We Danced: The BRWC Review

    And Then We Danced: The BRWC Review. By Heidi Sharpley.

    “There is no sex in Georgian Dance”, shouts the dance master to his students.  Reminds me of the minster in Footloose who announces there is no dancing in Bomont.  But we know better, there is dancing and there is sex.  This is not a lighthearted dance movie. 

    You won’t be singing along with Kenny Loggins at the end but you will be moved by this personal journey in a very constrictive and old fashioned society.

    Mereb, played by Levan Gelbakhiani is a dancer in training committed to making it into the national dance company in Georgia.  He is disciplined and hard working and trying so hard to be good – a good dancer, good son, good to his girlfriend, responsible financially and even polite on public transport.  There’s a lot of tension building and pressure to be strong as the tradition of Georgian Dance conveys the spirit of the nation.  

    When Gelbakhiani is on the screen you don’t really need to read the subtitles, his face conveys all the emotion necessary and tells Mereb’s story beautifully.  His eyes show the determination of a dancer trying to compete with himself and please others and when he smiles in rare moments of happiness you feel the sun radiating on you. 

    Like all dancers he tells the story with his body and when his shoulders slump with disappointment you feel the weight of it.  He has a tough life, in a very judgemental environment.

    I don’t want to give too much of the story away but to understand the importance of this movie, you first must know that in Georgia, being LGBTQ+ only became legal in 2000.  Society is very much traditional, patriarchal, conservative and homophobic.  When this movie premiered in Georgia, ticket holders had to pass through protesters to enter the cinema.

    “And Then We Danced”, is a very beautiful movie about finding yourself.  It’s a familiar story told in a new environment that really reaches you.  It’s a wake up to the western world that we have come so far but the battle for acceptance of sexual diversity really has such a long way to come in many societies.

    Spoiler alert, just like in all dance movies, the dance scene at the end is strong and powerful and you will cheer him on.