Author: Ben Gummery

  • Review – B&B

    Review – B&B

    B&B is a new LGBT-themed thriller from writer director Joe Aherne (Doctor Who) in a Hummingbird Films production; funded by Creative EnglandFilm Cymru, and Pont Neuf Productions. The film id being distributed in the UK by Peccadillo Pictures.

    ‘Marc (Tom Bateman) and Fred (Sean Teale) return to bait the owner (Paul McGann) of a remote Christian B&B who they had successfully sued him for not allowing them to share a bed. Events take a deadly turn when another guest arrives, who they think might have something sinister in mind’

    Perhaps sitting comfortably in the suspenseful thriller/horror genre this film at it’s heart is a dark comedy in the vein of Shallow Grave, In Bruges & Blood Simplehowever this film has it’s own unique conceit which comes from a world which will seem very real to anyone who has read a newspaper in the last few years. The plot presents itself as being very straightforward to begin with but don’t let it fool you; there are several twists and turns that will leave you asking questions about right & wrong and viewing the film from different perspectives.

    McGann plays homophobic B&B owner Josh who is on one level battling with the gay couple that have targeted him and on another level his own beliefs & fatherhood of son Paul (Callum Woodhouse); it’s a very subtle, understated performance from McGann as we see the character follow his own path through the story while never really faltering. It could be seen as a despicable character but it is left to the story and the audience to decide what he is rather than being exaggerated. McGann continues to show his excellent range (having recently played a Nazi general on-stage). This plays well against Bateman as Fred; who essentially plays ‘the other side of the coin’ as the more protagonist part of the couple and it is the tension between these two that provide some of the best moments in the film.

    Review - B&B
    B&B

    It’s a small, claustrophobic film with an excellent ensemble cast and almost perfect pacing which to me was very reminiscent of ‘Shallow Grave’. The cinematography is simplistic and deliberately bland and with a subtle scoring which allows the story and performances to be powerfully effective. It questions your beliefs and flirts with stereotypes and tropes without ever distracting from the core of the story.

    4/5 – Highly recommended.


    The film is released on on DVD and VOD in the UK on October 23rd (already available in USA).

    B&B DVD Sleeve
    B&B DVD Sleeve

    To find out more about B&B, upcoming screenings, and its creators, please check the film’s official website www.bnbfilm.co.uk.

  • Review – In Pursuit Of Silence

    Review – In Pursuit Of Silence

    In Pursuit of Silence is a documentary from director Patrick Shen.

    “…a meditative exploration of our relationship with silence, sound and the impact of noise on our lives. Beginning with an ode to John Cage’s ground-breaking composition 4’33”, In Pursuit of Silence takes us on an immersive cinematic journey around the globe– from a traditional tea ceremony in Kyoto, to the streets of the loudest city on the planet, Mumbai during the wild festival season – and inspires us to experience silence and celebrate the wonders of our world”

    From the offset, it’s clear this film is high-concept, broad & avant-garde in it’s scope and presentation right from the off as we open with 4’33” of silence and imagery (an ode to the John Cage piece 4’33”). I’m sure this would play great at a screening (as the original piece was designed with an audience in mind) but this may be considerably less effective on home media.

    There is some really breath-taking imagery here; but also some far more mundane shots (a static shot of some trees for example) that are held for far too long in my opinion. A challenging balance to be made between visuals and sound here; clearly a lot of attention has been paid to the sound design which employs long stretches of silence, subtle background noises and light scoring to great effect.

    Boldly, the film makes no attempt to set it’s store at first….letting it’s intentions & subject matter dawn on us more slowly. Acting as a study of silence in all it’s forms (and solitude as a bi-product) and it’s effects on the human psyche; with some inclusion of scientific views with an end-result that is truly thought-provoking.

    As an art film this is a success but if you are hoping for any form of story telling or structure that is lacking here.

  • Adam Green Unveils Hatchet Surprise!

    Adam Green Unveils Hatchet Surprise!

    Last night at Hollywood’s ArcLight Cinema at an event billed as a ’10th Anniversary’ fan screening of his 2006 slasher masterpiece ‘Hatchet‘ writer/director Adam Green took everyone by surprise and premiered an unannounced new instalment to the franchise titled ‘VICTOR CROWLEY‘!

    The film is set a decade after the events of the first three hatchet films films and sees Kane Hodder return as Victor Crowley with Parry Shen (Better Luck Tomorrow) for an all-new, horrifying journey into the haunted, blood-drenched bayou.

    Adam Green said:

    “I couldn’t be happier to partner with Dark Sky Films and bring Victor Crowley back to horror fans around the world. Resurrecting the series for its tenth anniversary was our way of saying thank you to everyone in The Hatchet Army and beyond who have supported this series since its inception. This bloodbath is for all of you.”

    Green had in-fact been teasing an unnamed project for over a year on his podcast ‘Movie Crypt’ that he hosts with fellow writer/director Joe Lynch.

    VICTOR CROWLEY screens at Horror Channel’s FrightFest on Saturday 26 August at Cineworld Leicester Sq.

    Book tickets here: http://www.frightfest.co.uk/tickets.html

  • Support Indie Film – Harvest Moon (2017)

    Support Indie Film – Harvest Moon (2017)

    Savage Beast Films has launched pre-production of its latest feature HARVEST MOON; and has launched a Kickstarter campaign to raise additional funding for the thriller, set to shoot in Telluride, Colorado. The cast list  includes, Robert Englund (A Nightmare On Elm Street), Lance Henriksen (Aliens), Jamie Bernadette (The 6th Friend), Betsy Baker (The Evil Dead), Milo Ventimiglia (Rocky Balboa), Yvonne Strahovski (Dexter), Maria Olsen (Paranormal Activity) and Delpaneaux Wills (NCIS). The project also has on-board SFX legend Robert Kurtzman and composer Harry Manfredini (Friday the 13th)

    ‘After witnessing a murder in the Colorado Wilderness, travel photographer Kyle Williamson seeks out local law enforcement only to find that the small mountain town is not what it seems’

    Harvest Moon is the second feature film from directing/producing team Chris Majors (writer/director) & Meredith Majors (producer). Their debut feature was the psychological horror Lake Eerie which starred Lance Henriksen, Betsy BakerMarilyn Ghigliotti & Al Snow has been well received and picked up several awards during its festival one. We look forward to seeing their latest work.

    According to the film-makers the vision for Harvest Moon is to create tension through atmosphere. The mountainous landscape of Telluride, Colorado will become a character within the story itself, and will provide a haunting backdrop for a psychological thriller and was inspired by Stanley Kubrick’s ‘Eyes Wide Shut and Robin Hardy’s ‘The Wicker Man; where the terror is brought to life though the inner demons of real human behaviour.

    Please support Harvest Moon on Kickstarter
    http://www.HarvestMoonMovie.us 

  • The BRWC Review – My Life As A Courgette

    The BRWC Review – My Life As A Courgette

    My Life as a Courgette is a 2016 Swiss and French stop motion ‘adult animated comedy-drama’ film directed by Claude Barras and based on a novel by Gilles Paris. 

    Following a successful festival run, the english-dubbed version of the film features a stellar cast including Will Forte, Nick Offerman, Ellen Page and Amy Sedaris. While the film speaks for itself, this casting and the performances really bring it to life for the english medium. Nick Offerman’s ‘cop that cares’ is instantly lovable but also has his own depth.  

    Don’t let the title fool you; the story at the heart of this film is completely serious; although there is some comedy and light-hearted moments in the re-telling.

    After losing his mother, a young boy (with the titular nickname ‘Courgette) is befriended by a police officer, Raymond (Nick Offerman), who accompanies him to his new foster home filled with other orphans his age. At first he struggles to find his place in this often strange and hostile environment. Yet with Raymond’s help and his newfound friends, Courgette eventually learns to trust and love, as he searches for a new family of his own.

    We start off by seeing some of his troubled child-hood and alcoholic mother inter-twinned with the ‘normal’ life of a child (in this case; his toys are beer cans) and then move on to his interaction with other misfortunate kids of similar but varied backgrounds and we get to see their naive views of several adult themes (i.e sex and drugs) which are woven into the story which is quite frankly charming but important.  The animation here is similar in style to the studio Laika (BoxTrolls, Paranorman, Coraline) and similarly deals with ‘adult’ issues through a childs eyes. It also continues. the great tradition of French stop motion and animation such as The City of Lost Children and The Triplets of Belleville. I really appreciated things like little details they added into backgrounds (i.e. Courgettes drawings) which help tell the story in their own way.

    A subtle and understated score from Sophie Hunger compliments the picture beautifully which is in some ways melancholic but always moving forward.

    My Life As A Courgette
    My Life As A Courgette

    This is an easy 5/5  Moving, beautifully real and thought-provoking for children and adults alike. Go see this film!

    My Life As A Courgette is distributed in the UK by Thunderbird Releasing (Formerly Soda Pictures) and is on limited theatrical release in UK from June 2nd – catch it while you can!