Catherine O’Hara Edition: Bits & Pieces

Catherine O'Hara Edition: Bits & Pieces

Catherine O’Hara Edition: Bits & Pieces – BEING GORDON RAMSAY is a new documentary series following one of the world’s most famous chefs in the lead-up to his biggest restaurant ventures to date: the opening of five culinary experiences in one of London’s tallest buildings, 22 Bishopsgate. This is Gordon as we have never seen him before as he opens the doors to his home and businesses. Over a 6 month window, the expansion of his restaurant empire begins to take shape and, with the official launch fast approaching, we see Gordon balance the challenges that come with it with his life as a husband to Tana, and father to their six children.

From Academy and BAFTA Award–winning filmmaker Paolo Sorrentino, LA GRAZIA is a sweeping exploration of love, duty, and personal freedom. Toni Servillo – winner of the Best Actor Award at the 2025 Venice Film Festival – stars as Italy’s outgoing fictional president, Mariano De Santis, navigating moral and personal crossroads with the help of his confidante and daughter, Dorotea (Anna Ferzetti). With Sorrentino’s signature poetic vision and an evocative soundtrack, this heartfelt masterwork is an intimate meditation on fatherhood, conscience, and the enduring question: who owns our days? 

A rising pop star navigates the complexities of fame and industry pressure while preparing for her arena tour debut.



Filmmaker Hannah (Olivia Colman) takes her trans nonbinary teenager Frances (Aud Mason-Hyde) to Amsterdam to visit their gay grandfather, lovingly known as “Jimpa” (John Lithgow). When Frances expresses a desire to stay with Jimpa for a year abroad, Hannah is forced to reconsider her parenting beliefs and the stories she has long told about her family. As Jimpa faces the difficulties of aging as a gay man in a generation that never expected to grow old and Frances grapples with the disappointment of heroes falling short of their ideals, Hannah learns to navigate the differing perspectives of her father and her child.

In MASTERS OF THE UNIVERSE, Director Travis Knight brings the legendary franchise back to the big screen in this epic live-action adventure. After being separated for 15 years, the Sword of Power leads Prince Adam (Nicholas Galitzine) back to Eternia where he discovers his home shattered under the fiendish rule of Skeletor (Jared Leto). To save his family and his world, Adam must join forces with his closest allies, Teela (Camila Mendes) and Duncan/Man-At-Arms (Idris Elba), and embrace his true destiny as He-Man — the most powerful man in the universe.

A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They’re searching for Mar — daughter and sister — who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

Fresh from winning the Orizzonti Award for Best Short Film at the 2025 Venice Film Festival, Without Kelly (Utan Kelly) arrives at Sundance as the latest film by writer-director Lovisa Sirén, continuing her long-standing exploration of motherhood and female intimacy.

Astronaut Eileen Collins was the first woman to pilot and command an American spacecraft. Born on the other side of the tracks in upstate New York, she smashed many glass ceilings in the US Air Force and at NASA in her career, culminating in four increasingly dramatic and dangerous space shuttle missions. With an incredible set of archival materials, intimate interviews, and a moving score by Marcelo Zarvos, Hannah Berryman’s nail-biting film shares the emotional journey experienced by Eileen’s family, and explores what level of risk is acceptable in human endeavour.

Unexpected, irreverent, and absurdly funny, ANDRÉ IS AN IDIOT is a wildly life-affirming film about death. When André, a brilliant idiot, learns he’s dying from a disease he could have detected with a colonoscopy, he decides to document his final journey. As an iconoclastic ad man, he had defied convention throughout his life. True to form, André approaches mortality with his trademark humour and curiosity, determined to learn how to die both happily and ridiculously.


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