Kung Fu Panda 4: The BRWC Review

Kung Fu Panda 4: The BRWC Review

Kung Fu Panda 4: The BRWC Review.

In the pantheon of animated franchises, Kung Fu Panda has carved out a niche that’s as delightful as it is deep, blending rib-tickling comedy with surprisingly profound philosophical musings. It’s a series that’s as much about martial arts excitement as it is about the journey of self-discovery. Now, with its fourth installment, Kung Fu Panda 4 helmed by director Mike Mitchell and co-director Stephanie Ma Stine, the franchise takes a daring leap, introducing new characters and a new challenge for our ever-lovable and eternally hungry hero, Po, voiced by the inimitable Jack Black.

Kung Fu Panda 4 resumes Po’s journey, this time setting him on a quest not for his own identity, but for the next bearer of the Dragon Warrior mantle. It’s a premise ripe with potential, echoing the first film’s themes of destiny and worthiness, yet it feels freshly invigorated here by its inventive narrative twists and the introduction of new characters. Among them, Zhen, a fox bandit voiced with mischievous charm by Awkwafina, proves to be a standout, offering a dynamic foil to Po’s buoyant optimism.



The plot centers on Po’s confrontation with a new villain, The Chameleon, masterfully voiced by Viola Davis. The Chameleon is a shapeshifter, a being who can become anyone, bringing a level of psychological intrigue to the fore that the franchise has only flirted with previously. This antagonist is not just another obstacle for Po to punch; she is a genuine existential threat, pushing Po and his friends to their limits, and challenging their understanding of identity and trust.

Returning cast members including Dustin Hoffman as the ever-wise Master Shifu, James Hong as Po’s doting father Mr. Ping, and Bryan Cranston and Ian McShane, further enrich the film with their well-established characters, creating a sense of continuity that fans of the series will appreciate. The new additions, such as Ronny Chieng, Lori Tan Chinn, and Ke Huy Quan, infuse the film with fresh energy and humor, enhancing its vibrancy and expanding its world.

One of the film’s most commendable aspects is its animation. DreamWorks Animation once again pushes the envelope, blending a stunning palette of colors with fluid, dynamic action sequences that are both visually arresting and charged with emotion. The battle sequences, choreographed with a precision and creativity that would make real-life martial artists nod in approval, are thrilling without being overly frenetic, allowing viewers of all ages to follow and get invested in the outcome.

The humor, a hallmark of the series, remains ever-present and genuinely funny, ensuring that despite the high stakes and moments of genuine peril, the atmosphere never becomes too heavy for its younger audience. Yet, the script by Darren Lemke, Jonathan Aibel, and Glenn Berger, manages to weave in layers of introspection about leadership, legacy, and self-acceptance that will resonate with older viewers.

The direction by Mike Mitchell and Stephanie Ma Stine balances the action and the comedy deftly, with a particular flair for timing that amplifies both. They craft scenes that are visually dynamic and full of heart, ensuring that the emotional beats hit just as hard as the kung fu punches. Their handling of the narrative, however, does show occasional signs of struggle in the latter half where the pacing stumbles slightly, struggling to integrate the vast ensemble and their myriad character arcs into the main storyline. This is perhaps where Kung Fu Panda 4 falters slightly, its ambition stretching the film’s coherence a tad too thin in moments, though it never fully detracts from the overall enjoyment.

Another area where the film slightly misses the mark is in its resolution with The Chameleon. While Viola Davis delivers a performance that is nothing short of captivating, imbuing the villain with both menace and pathos, the climax feels somewhat rushed. The final confrontation, while visually spectacular, wraps up in a manner that seems a bit too neat, glossing over the complex emotional groundwork laid throughout the movie.

Kung Fu Panda 4 is a robust and welcome addition to the franchise, balancing the comfort of familiar characters and themes with the excitement of new challenges and faces. It offers a compelling narrative, stunning animation, and the kind of heartwarming messages about friendship, identity, and courage that have made the series beloved by many. Despite minor pacing issues and a somewhat tidy conclusion, the film remains an engaging and enjoyable experience, standing as a testament to the enduring charm and depth of Po’s journey. With its mix of laugh-out-loud moments, awe-inspiring martial arts action, and genuine emotional depth, Kung Fu Panda 4 solidifies the franchise’s place not just in the annals of great animated films, but great films, period.


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Ever since the age of nine, film and the art of filmmaking has been Caillou's number one passion. It all started when his parents took him to see Finding Nemo. Afterwards, Caillou had become heavily intrigued by film and some of his favourites include Coraline, The Empire Strikes Back and Hereditary.

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