Final Girls Berlin Film Festival 2020

8th January 2020

The fifth edition of Final Girls Berlin Film Festival will take place between February 6 – 9, 2020 at City Kino Wedding continuing to raise the bar by showcasing horror written directed, and/or produced by women and non-binary filmmakers.

Festival co-director Eli Lewy calls this year’s festival edition the “most expansive and international yet, presenting a wide array of films by visionary filmmakers that represent the diversity and originality that can be found in the current horror landscape.”

The exciting program features eight curated short blocks and nine feature films, a horror-inspired self-defense workshop, an exhibition, a festival party with multimedia drag performances, and specialist talks on horror martyrs, made-for-TV horror, ‘female monsters,’ and ‘bad mothers’ in Mexican horror cinema.

“Horror is a very elastic term,” adds fellow co-director Sara Neidorf, “and we’re excited to discover films that make us question and expand our conceptions of what horror can be, both in ways that are distant from and uncannily near our own realities.”

TWITTER: @finalgirlsfest

INSTAGRAM: @finalgirlsfilmfest

FACEBOOK: www.facebook.com/finalgirlsberlin

EMAIL: finalgirlspress@gmail.com

WEBSITE: finalgirlsberlin.com

Final Girls Berlin Film Festival showcases horror cinema that’s directed, written, or produced by women and non-binary filmmakers. We are committed to creating space for female voices and visions, whether monstrous, heroic or some messy combination of the two, in the horror genre. We’ve seen more than enough representations of women as beautified victims and constructions of male fantasies or anxieties, and are working towards the primacy of women as subjects and storytellers in horror.

The “final girl” horror trope refers to the last woman standing in a horror film, who manages to escape or defeat the film’s villain/monster (e.g. in ALIEN and HALLOWEEN). While “final girl” is an ambivalently feminist figure in film criticism, often desexualized and tainted with the male director’s moralization and punishment of other female characters’ behavior, the festival utilizes this figure as a starting point for carving out space for new and undiscovered positions of power for women in horror, not only in front of but also behind the camera.

** Our definition of women includes anyone with female experience –past or present– and is trans-inclusive. Anyone who feels addressed by the term is welcome to submit their films to the festival. **

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