Whether it’s the dark brooding mystery of Momento, the persistent mind-throb of Inception or the unrelenting, heart-squeezing tension of Dunkirk, Christopher Nolan remains a master of atmosphere. Usually in films of this nature we witness the visceral, hellish nightmare of war but here, Nolan horrifies with cacophonous chaos which intermittently assaults
Neil Gaiman’s incomparable novel, ‘American Gods’, tells the story of Shadow Moon, a small-time thief newly released from prison and recast as a grieving husband who soon finds himself in the employ of the irascible Mr Wednesday. Beloved by fan and critic alike, the novel has now found its way to
Visionary Czech filmmaker Karel Zema’s timeless fantasy gets a hi-definition re-release through Second Run. This unconventional romantic adventure follows an intrepid explorer from earth that lands on the moon only to find it already occupied by a bizarre cabal of wine-swilling gentlemen, whose members include Cyrano de Bergerac and the titular
By Orla Smith. Christopher Nolan doesn't deserve his fan base. That's not because he isn't great - it's because there isn't a film director in the world that deserves a fan base as intensely rabid as his. His supporters have been known to visit IMDB and spam his movies with ten star
Thirty years, you say? Inconceivable! Yes, we do know what that word means. And it truly is astonishing that the evergreen romantic comedy The Princess Bride is 30 years old, initially released in 1987 without being a huge box office hit. With home media editions such as DVD and Blu-ray
