By Carys Dennison. In recent years, it has seemed to have almost become horror film protocol that characters are always moving into new suburban houses. These houses, of course, always seem to have a closet that should permanently remain untouched under all circumstances. In the newly released Spanish-Canadian paranormal horror Mama,

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*Spoliers ahoy*   Federico Fellini is a name synonymous with lyrical, almost ethereal film making. La Dolce Vita, 8 1/2 and Amacord (to name but a few classics) delved deep into everything from politics to sexuality to psychology, sometimes wrapped up in a demented bow, specifically Satyricon. Throughout the 1960s & 70s

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