The classic tearjerker is often so much more now. The psyche of sadness has become much more of a focus, and the grand melodrama that made countless tears fall for decades are becoming rarer and rarer. Of course, they still exist, they’ve just been enhanced. Take Lulu Wang’s The Farewell (2019) or
The Night House Synopsis: Beth (Rebecca Hall) is left alone in the lakeside home her husband built after her husband's unexpected death. As she continues to mourn, disturbing visions of a presence in the house beckon towards her. But the harsh light of day washes away any proof of a
Anne Fedder (Barbara Crampton) is the wife of Pastor Jakob Fedder (Larry Fessenden) and that’s all that she feels she’ll ever be. She used to have dreams and aspirations, but life had other plans and she finds herself stuck in a rut where her husband takes her for granted. Then
What did you do during the coronavirus pandemic? A lot of us waited it out by watching every streaming show known to man or finally get around to reading those books you kept putting off getting around to. A band of special effects artists from Japan, under the stewardship of
Short films are shocking by nature. With a running time of only a few minutes, they need to make an immediate and lasting impression on audiences in order to stick in viewers minds and give the film and its makers longevity. This is something we have come to expect from
