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  • Can You Smoke On Screen?

    Can You Smoke On Screen?

    Image – Source: Pixabay.

    Films made today differ from those made in the past for many reasons. While technology obviously means things can be done faster, sleeker, and better, there are some things that remain untouched since the inception of cinema. One of those is smoking on-screen.

    Forward-thinking Netflix made a vow to cut down the depictions of smoking on-screen in its productions after reports indicated that Stranger Things (set in the 1980s) had a high amount of tobacco-related content on-screen. Smoking is still a contentious topic, and while advertisements and packaging have been curbed, there is an interesting discussion to be had: should actors be seen to smoke on-screen?

    What if the Character Smokes?

    Some argue that certain films require actors to be seen to be smoking. Indeed, when playing certain characters who smoke or who are based on real people who smoke, it would ruin the illusion if the actor never lit up. For instance, Joaquin Phoenix won the Best Actor Oscar for his role as the Joker in 2019. The actor smoked so many times as the character, that there is a two-minute compilation video of all the times the character puffed on a cigarette. Smoking was integral enough to the role, and clearly it impressed some people and added to the character as he won the gong.

    James Bond, yet another example, was seen to smoke in many of his films – including in Sean Connery’s initial ‘Bond, James Bond’ introduction. In fact, lighting the cigarette and putting the lighter away is integral to the delivery of the line. Rules came into force from 1995’s Goldeneye onwards meaning that Bond would never be seen smoking cigarettes. Partly due to Pierce Brosnan’s own aversion to cigarettes, and partly because the cigarette product placement was coming to an end and the producers didn’t want Bond to lead to impressionable people taking up the habit.

    Do Non-Smoking Actors Have to Smoke for Roles?

    Indeed, there is a slew of actors who have had to smoke for roles despite being non-smokers in real life. Emma Watson’s role in The Bling Ring (2013) was based on a smoker, so she had to light up for it. Despite refusing to smoke for his role in Rounders (1998), Edward Norton lit up for Fight Club (1999) opposite Brad Pitt.

    On the small screen, rumours spiralled that the cast of Mad Men smoked for their characters, despite many not smoking in real life. The smoking certainly added to the atmosphere of Madison Avenue going into the 1960s, but should this compromise the health of the actors? Many did smoke herbal cigarettes, which are a nicotine-free alternative.

    What Could Actors Do Instead of Smoking?

    Could we see some onscreen alternatives to smoking? Snus, for example, is a high-nicotine alternative to tobacco that is placed under the lip and not smoked. When looking for character-specific habits, this could be one that gave a new dimension to a character or gave an actor something to focus on during scenes.

    This could also reflect the rise in the availability of snus itself and could help popularise the tobacco alternative. Indeed, those looking for one of the highest-nicotine level types of snus, the Siberia variety, found them here. The tobacco-free nicotine product boasts a similar flavour level to the weaker varieties and maintains a texture that isn’t too wet or too dry.

    Smoking on screen does add a certain element to the film, but is it a harmful depiction? While it does provide a background to characters and add to the mise-en-scene, it may also be sending out a message that doesn’t resonate with modern audiences as well as it used to.

  • Julie Hauptmann: A Quick Chat

    Julie Hauptmann: A Quick Chat

    Julie Hauptmann is a lifestyle blogger based in Orange County, California. Today we had the pleasure of chatting with her! By Eleanor Klein.

    How did you get into blogging?

    I have been always passionate about capturing special moments even when I was young. I started documenting and sharing my lifestyle, outfits, and travels over the internet as early as 2011. It started with a famous app called “Friendster” which became popular in Asian countries, particularly the Philippines where I grew up. At that time, everyone was only sharing their photos with their friends and relatives.

    Then, Friendster slowly faded away, when Facebook had launched its website and took over the social media world. I switched to Facebook and continue posting my lifestyle photos until Instagram was released. On Instagram, I started to focus more on sharing photos of my bag collection styling them with different outfits for every destination. I became more active on social media after I quit my full-time job at a CPA firm. I launched my blog in 2018 when I gained some amount of audience and brand collaborations.

    What has been your favorite brand to work with and why?

    Revolve – I love their amazing clothes. Their collection fits my style and just happy to be one of their ambassadors. They have the outfits that I need to incorporate into my lifestyle content, from workout, formal, dressy, and casual looks.

    What advice would you give to someone aspiring to be a blogger?

    Find your niche, be consistent, be authentic and post high-quality photos.

    What advice would you give to a brand looking to hire influencers?

    Work with micro-influencers not only with the big names. Micro-influencers have stronger and established relationships with their audience. Start paying for posts and defer from gifting. Digital creators or influencers work hard and long hours to come up with good content, and you should value their time and effort.

    A lot of people hate influencers, what kind of feedback do you get from the industry? 

    Really? Maybe because some influencers want everything literally for free even their hair cut and nails. I do not fall into that category.

    Where do you see yourself in five years’ time? 

    Retired! With 8 homes from different countries, we have a total of 6 right now. Traveling the world and mingling with locals and diving deep into different cultures and documenting our journey via my social media platforms like YouTube, blog, and most likely write a book.

    You can follow Julie on Instagram https://www.instagram.com/jules_cali/

  • The 24th: Review

    The 24th: Review

    Writer/director Kevin Willmott has aptly analyzed unjust racial conditions through his deft viewpoint. Working as a co-writer to the great Spike Lee, efforts like Da 5 Bloods and BlacKKKlansman have extracted a searing portrait that highlights vital elements of black livelihood while portraying complex character dynamics. Willmot’s latest project The 24th, which he directed and co-wrote with star Trai Byers, struggles to unearth a substantive experience from its relevant slice of history.

    Set amidst the Houston riot of 1917, The 24th follows Boston (Byers), a promising army recruit who ignores his pathway to command in favor of making a daily impact on his peers. While training in Texas during WWI, the black army regiment deals with the cruel conditions of the Jim Crow south, displaying the gradual build towards the units’ cathartic revolt.

    Willmott’s exploration of the Houston Riot’s ooze with pertinent observations on systematic racism. Along with unearthing a seldomly told chapter of American history, Willmott and Byers’ script confronts the conditions of the regiment’s demonstrative actions, empathetically portraying how years of prejudicial behaviors led to an emotional breaking point. It also helps that Byers’ onscreen portrayal of Boston injects the character with gravitas and confliction, soundly exploring the character’s complex sentiments towards patriotism and the gapping racial divide. Mykelti Williamson, Bashir Salahuddin, and Aja Naomi King round out a strong supporting cast, with King displaying a natural onscreen charisma as Boston’s love interest.

    The 24th is clearly crafted with noble intentions, yet its simplistic design severely undercuts the bounty of timeless ruminations. The script aims to tell its story through Boston’s idealistic mindset, showing the character’s uphill battle as he tries to evolve the black image in a prejudicial environment (his regiment is forced to show pristine kindness to their superiors despite the circumstances). The flawed perceptions and the imbalanced rules are exceedingly relevant to our world today, a connection that the script befuddlingly doesn’t take advantage of. Wilmott and Byers’ straddle their characters with thinly-conceived archetypes, with clumsily drawn dialogue over-explaining every conflict with a severe lack of grace. I appreciate the vital platform the duo gives to these soldiers’ trials and tribulations, but it’s that boundless potential that makes the rigid delivery so frustrating.

    Unlike Spike Lee, his verbose writing partner who enhances every project with a lively stylistic identity, Willmott struggles to infuse much urgency into his direction. The 24th has a stale, made-for-TV visual style that it can never quite shake, rarely creating a lived-in world for audiences to be entrenched into. It all feels relatively flat, resting on the laurels of biopic conventions rather than conveying the urgency of its weighty material.

    The 24th’s relevant slice of history deserves better than the film’s stale History Channel treatment. 

  • Chadwick Boseman, Blumhouse, Disney: Weekly Round Up

    Chadwick Boseman, Blumhouse, Disney: Weekly Round Up

    Chadwick Boseman, Blumhouse, Disney: Weekly Round Up – So, we have to begin this week with a dedication to the legendary Chadwick Boseman. After a four-year fight with cancer, the actor best known as King T’Challa in Marvel’s Black Panther, tragically died. He will be sorely missed, and my thoughts are with his friends, family, and the thousands of fans out there who are mourning his loss.

    There is no denying that he was an incredible presence on screen, and he seemed like a genuine, down to earth guy in real life. His biggest contribution will no doubt be bringing a black superhero to the screen, but let’s not forget his other incredible performances in the likes of Da Five Bloods and 21 Bridges.

    It is a real shame that we won’t get to see where his career would have gone next. Rest In Peace Chadwick Boseman.

    In other news this week we have some rather tantalizing announcements. The one that really sticks out for me revolves around horror movie studio Blumhouse, who have been consistently bringing us funhouse horror type movies for several years now.

    In 2018 Blumhouse brought us Halloween, a sequel to John Carpenter’s classic slasher movie which, rather bafflingly, chose to reboot the entire continuity back to one and ignore everything beyond the original film (to its detriment, in my opinion). None the less, the film was a huge success, and we’re getting two sequels over the next couple of years, both filmed back-to-back, called Halloween Kills and Halloween Ends.

    It’s clear that Blumhouse aren’t done mining the works of John Carpenter just yet though, and who could blame them, the guy is an absolute legend in filmmaking and is the man behind one of my absolute favourite movies, The Thing.

    The Thing, for those of you who didn’t know, is actually a remake of the Howard Hawks’ classic The Thing From Another World. Although, admittedly, it bears little resemblance to that film. Both films are adaptations of the John W. Campbell novella, Who Goes There?. A longer version of the novella was discovered recently entitled Frozen Hell, and Universal have been busy working on an adaptation of this version of the story.

    This week we also learned that Blumhouse are working with John Carpenter on an update of his 1982 The Thing, although whether this is the same as the previously announced Frozen Hell adaptation, or an entirely new project remains unknown. It is also unknown whether the film will be set in the 80s, or updated to a contemporary setting.

    I’m willing to take a guess and say Carpenter won’t be returning to direct, however, and will take on a role similar to the one he did with 2018’s Halloween, producing and potentially composing the score. Either way, if they focus on the practical effects, and try to capture that same sense of suspension, isolation, and paranoia that the Carpenter original does, then I am 100% here for it.

    And while we’re on the subject of mysterious updates whose connection to the original we know little about; you guys remember The Nutty Professor?

    Starring Eddie Murphy, The Nutty Professor was the biggest comedy of the 1990s (no pun intended, shame on you for thinking it) and even spawned a sequel, The Nutty Professor 2: The Klumps. Well, this week we learned that the folks behind the upcoming Scream 5 are also hard at work on an update of the classic comedy.

    The 90s Nutty Professor was itself also a remake of a 1963 Jerry Lewis comedy. Whether this new movie will be an entirely new story with a similar premise or whether it will be a continuation of the Murphy films remains to be seen, but given the recent trend of stealth reboots via belated sequels (see also Star Wars) I wouldn’t be surprised if this turns out to be the threequel nobody wanted.

    Admittedly, the fact that it comes from the guys behind Scream 5 is interesting, though. Could we be going down a body horror route? It could work…

    Our final story this week is about a Disney Princess.

    Disney have been on something of a gold streak with their animated output recently (the less said about their live action stuff the better), and their Princess brand has had a complete overhaul in recently years, with the likes of Tangled, Frozen, and Moana all proving that the fairy tale stories that made Disney the powerhouse they are today are capable of growing and changing with the times.

    The studio is obviously hoping to pull off that trick for a fourth time (I don’t count Frozen 2 because it is literally just Frozen 1 with slightly different songs) with Raya and the Last Dragon.

    The film was pushed back from its original release date of November 2020 to March of 2021, and Disney have used that time to recast the lead role and put different directors in charge of the project.

    Kelly Marie-Tran, who is best known as Rose Tico in The Last Jedi, and who got totally shafted by J J and his mystery box in The Rise of Skywalker, has been cast as the titular hero, replacing Cassie Steele, while Don Hall, of Big Hero 6 and Moana fame, and Carlos Lopze Estrada have been given the reins. – Chadwick Boseman, Blumhouse, Disney: Weekly Round Up

  • Robin’s Wish: Review

    Robin’s Wish: Review

    Few comedic actors have endured the test of time like Oscar-winner Robin Williams, leaving behind a lasting legacy of laughs after his shocking death in 2014. The latest documentary Robin’s Wish takes an intimate look at his storied career, offering a warmly-drawn tribute that packs a gentle emotional punch.

    Robin’s Wish takes a detailed look at Robin Williams’ final years of life. Told from the viewpoint of friends, family, and medical experts, the film analyzes how his undiagnosed Lewy Body Dementia altered the actor’s lifestyle, while also reflecting on his sizable impact.

    Drawing from the wide-eyed affability of its titular subject, Robin’s Wish revels in the actor’s distinct ability to brighten the world around him. Director Tylor Norwood adoring viewpoint feels justified in its eschewing of the tabloid-fodder headlines that dictated the star’s image, taking a detailed look at his taxing battle with a misunderstood disease. It’s an emotional journey through the star’s immense struggles, one the imbues a greater appreciation for the effervescent actor’s ability to glow even under dire circumstances.

    The melody of interviewed subjects aptly work to connect the puzzle pieces of his life, sharing emotionally-charged memoirs that depict an endlessly kind spirit who always put everyone before himself (stories of his experiences with military veterans were especially touching). Some may criticize the documentary for an overly-tender approach, yet the sentimentality is conveyed with enough sincerity and nuance to leave a positive impact.

    Robin’s Wish will certainly move most, but its craftsmanship leaves something to be desired. Norwood’s structure lacks grace, with his film often dancing between time periods without a cohesive fact-based narrative. I think the film also missed a huge opportunity to examine the conditions of celebrity culture, where fictionalized narratives about a figure’s life often dominate headlines over truthful reveals (a doc like Amy more pertinently examined the judgemental sentiments of media outlets).

    Robin’s Wish leans upon its subject’s beloved image to construct a heartfelt tribute to Robin Williams.