A married couple and their adult son reveal surprising truths about themselves during the course of an evening dinner in a smart restaurant.
Based around a basic and familiar concept, as the title suggests, one may feel a slight apprehension as to just how imaginatively constructed and engaging it could be. Such rudimentary concerns can often make or break a short film with limited time in which to make an impact.
The interest of the scenario lies in the juxtaposition of the emphasis of the revelations themselves and the somewhat incongruous situation in which they take place. The trivial versus the high-flown. It is a comic device which works well. Not only does it set the tone, it also allows one to settle into the drama as it plays out, to derive the humour on one’s own terms instead of having the gags signposted.
Out of the three family members the wife (Felicity Montagu) is the most convincing. She shows an extra level of depth to her character which the others lack, although that is not to do disservice to the son (Hugo Chegwin) and husband (David Schaal) who both give solid performances.
In this way director James Kibbey wisely plays the comedy straight and the humour deadpan. It keeps the tone fairly neutral, neither too light nor too heavy, making it possible to judge the balance between absurdity and severity on equal terms.
Due to its short running time, the film essentially plays out as a short sketch, or vignette. No backstory is necessary, and the few references to the past, weaved into the dialogue, are never distracting.
Being largely a script based piece, well written and comfortably naturalistic, it could be easy to overcompensate by trying to communicate too much visually, a consideration Kibbey clearly understands. Instead he uses simple, functional shots and unobtrusive camerawork, so as not to draw attention away from the narrative. It is an enjoyable and entertaining watch. Amusing, witty, it keeps you wanting to know what each new confession, and subsequent reaction, will be.
Top-tier actors charge large sums for acting. Their checks may imply dozens of millions. Do you want to know who receives the largest payments in the industry? Continue reading the post and discover who are the highest-paying Hollywood stars.
Dwayne Johnson
Dwayne takes first place in this list for the second time. He also was at the top of the most high-paying stars last year. This actor switched from wrestling to the film industry and gained his popularity very fast.
The forthcoming film Red Notice from Netflix helped him to get a $23.5 million check. Also, Dwayne is succeeding with his sporty apparel line, ‘Under Armor.’
Moreover, according to the rumors, 2020 isn’t the last year when Dwayne leads the most-paying artists. He is planning to act as a DC superhero next year.
Ryan Reynolds
Ryan is a very popular actor, thanks to ‘Deadpool’ and other films. This year, he acted in the ‘Six Underground’ and ‘Red Notice’ movies and earned up to 50 million dollars. Also, he will get another eight-figure check for starring in the ‘Christmas Carol’ movie.
If you’ve never seen movies with this highest of actor, you definitely should fill this gap. Being a student with a large number of assignments, feel free to reach the Essay Pro, a paper writing platform, and ask expert writers to help you.
Mark Wahlberg
It’s hard to find a person who doesn’t know Mark Wahlberg. He’s in the industry for a while. Since most of the movies where he starred became very popular, he is a very demanding actor.
The comedy ‘Spenser Confidential’ has grown to be the third most-watched on Netflix. Also, he starred in the ‘McMillions,’ ‘Wahl Street,’ and the upcoming ‘Infinite.’
Ben Affleck
Ben is a unique actor who played different roles extremely convincingly. Thanks to his talent, Ben was invited to act in the ‘The Last Thing He Wanted’ and ‘The Way Back’ films. These films helped earn roughly $55 million, which allows him to take the fourth stage in the list.
Vin Diesel
This fast-cars lover has lost a lot of money due to the COVID-19 outbreak. The ‘F9’ movie announcement was postponed to April 2021. However, he still got a lot of earnings for acting as a producer at ‘Fast & Furious Spy Racers’ from Netflix.
Anyway, if you’re a fan of the movies about fast cars and fearless drives, there is nothing better than watching all the films from the media franchise. Being an undergraduate with a lack of time, find a reliable essay writing platform to delegate your assignments, and free your schedule.
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Akshay Kumar
This actor isn’t widely known in North America, even though he’s a Canadian. Akshay is a huge Bollywood star, which helped him to earn $48.5 million this year. These days, Akshay is working on the ‘The End’ show, which will make him more popular. However, most of his profits come from advertisement contracts.
Jennifer Lopez
Jenifer is the first lady on the list. This year, she made more than $47 million thanks to the prior year’s ‘Hustlers’ movie. Also, she is working on the ‘Marry Me’ film that will bring more money. Besides, she earns money from endorsements.
Will Smith
Will is a trendy actor who got a lot of money from the ‘Bad Boys for Life’ movie. He’s also acting on ‘King Richard’, which portrays Serena and Venus Williams’ dad. Will Smith is also getting a lot of money from his YouTube, Instagram, and TikTok accounts.
In case you also want to become a social media influencer, you have to invest a lot of time into gaining your accounts. If you’re a learner who has no spare time due to homework, get some help online. Also, feel free to hire some expert writers online.
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Final Words
Even though this year was tough for most actors, the most popular ones could earn dozens of millions. Unfortunately, a lot of great movies’ release dates were postponed due to the COVID-19 spread. However, it means that we will enjoy a lot of great films soon when the number of cases goes down.
The BRWC Xmas 2020 Gift Guide! Put that kettle on, get the biscuits out and chill on the sofa. We’re going to help you with your Christmas present shopping for the film and TV lovers in your life. Links are in the titles.
You call the shots when you lounge in this comfy Directors Chair. The folding chair’s sling-style seat and backrest are made of sturdy canvas and available in a rainbow of colours. Painted wood frames come in classic black, white and natural. The sturdy metal hinges let you easily fold this chair and tote it anywhere you want.
Celebrate your unique romance in cinematic style with this creative movie marquee art. Featuring the “co-stars” (your names) and a special date, you can include your own title or pick one of three inspired by popular romantic films. Choose from full colour, film noir-inspired black and white, or classic sepia.
Featuring posters from several countries, the diverse imagery for films like Breathless, Fahrenheit 451 and Le Mepris is accompanied by biographies on over 100 artists, photographers and designers – the first time many of those responsible for promoting and portraying this movement have been properly recognized.
Acclaimed artist Andrew DeGraff has created beautiful hand-painted maps of all your favourite films, from King Kong and North by Northwest to The Princess Bride, Fargo, Labyrinth, Pulp Fiction, even The Breakfast Club – with the routes of every major character charted in meticulous cartographic detail.
County Lines’ introductory scene impressively sets the tone of the entire film, sat in a one-to-one counsellor meeting, Tyler (Conrad Khan) is asked to define the term acceptable loss, unable to understand the question, or simply just dismissive of it, the young man is ultimately informed that the acceptable loss in his current profession is his own life.
Stepping in the footsteps of BFI greats such as Saul Dibb’s Bullet Boy (2004), County Lines is a tragic and cruel coming of age story, revealing the underbelly of London’s drug trafficking crisis and the exploitation of vulnerable teens. Dark and emotional, it bears all of its scars with It’s shocking and terrifyingly realistic violence making it heartbreaking and difficult to digest, made even more brutal by the protagonist’s young age.
Tyler (Conrad Khan) is a quiet 14-year-old attending a rough inner-city school in London. After his single mother Toni (Ashley Madekwe) loses her job, the teen gets coerced into becoming a pawn for a county lines drug operation to provide for his mother and younger sister.
The job forces the young man to travel out of London with a stash of heroin, meeting up with dangerous individuals connected to the drug trade to help create drug networks in smaller towns and suburbs connected to London via train links.
It’s a sombre story all too relatable for many young teens within the UK, County Lines is triumphant at shining light on a far-reaching yet lesser-known crisis which is ruining the lives of many families and young adults.
The performance of Conrad Khan playing Tyler is incredibly moving. An absolute gem of the film, Khan manages to encapsulate a confused young-man reaching out for a guiding father figure. Displaying a full rainbow of emotions, caring for his younger sister yet menacing and malicious towards his mother, his metamorphosis into a low-end street thug has you internally screaming for him to get on the right path as he ignores the constant offers of help.
Director Henry Blake succeeds in his attempt to create a hard-hitting problem piece, it’s barbaric and arduous, yet vital in its portrayal of realistic gang violence and drug trafficking within Britain’s borders.
In August the world learned of the tragic and untimely death of actor Chadwick Boseman to colon cancer. Boseman, one of the most interesting actors working in mainstream cinema, left behind a legacy of incredible performances. Perhaps the role he will be best known for, though, is that of King T’Challa in Ryan Coogler’s excellent Marvel superhero epic, Black Panther.
Boseman’s death left uncertainty over the future of that particular franchise, with his performance in the film being key to the movie’s success, and the character’s iconic status across modern cinema. The question regarding the franchise moving forward was how could it be done without the man himself, and, perhaps even more importantly, should it be?
We can now report that the sequel will place its focus on T’Challa’s sister, Shuri, who has been played in previous movies by the charismatic Letitia Wright. Wright became a fan favorite after her appearance in the first Black Panther film, and in both Avengers: Infinity War and Avengers: Endgame. The character of Shuri has previously taken on the mantle of Black Panther in the comics, so this move is not unexpected.
The original film’s director, Ryan Coogler, is also returning to direct the second outing, as are other Black Panther cast members, including Angela Bassett, Lupita Nyong’o, and Winston Duke, but we also know that the film has several new characters joining the ensemble, including Narcos: Mexico actor Tenoch Huerta as one of the main antagonists.
An actor who is no stranger to Marvel superhero movies is Nicholas Cage, who starred in two Ghost Rider films and also appeared in the absolutely fantastic Spider-Man: Into the Spider-Verse. While Cage’s filmography has always been interesting, to say the least, one upcoming project sounds like it could be just about the weirdest thing the actor has ever done.
The Unbearable Weight of Massive Talent is being billed as a dark comedy in which Cage plays himself. The film involves a wealthy Nicholas Cage super fan, played by Pedro Pascal of The Mandalorian and Game of Thrones fame, who hires the actor to perform highlights of his various movies when Cage is in desperate need of some extra cash. It’s one of those delightfully silly meta-narratives that gives new meaning to the idea of life imitating art and one that is rather tantalizing.
The film will be titled 21 Jump Street: Now For Her Pleasure, and will be written by the sister team of Wendy Molyneux and Lizzie Molyneux-Loeglin, who made the news last week for signing on to write the much anticipated Deadpool 3. Lord and Miller will reportedly remain on as producers, but it certainly seems that the intention is to move the franchise in a new direction.
Speaking of Lord and Miller, the duo who seem to turn everything they touch into a sure-thing, no matter how absurd it may sound (21 Jump Street, The LEGO Movie, Into The Spider-Verse…) are also busy with their own projects. Alongside the upcoming Jump Street threequel, they will also be producing a comedy thriller written by Reid Carolin, who wrote both Magic Mike and Magic Mike XXL, which is being described as “a modern-day tongue-in-cheek thriller inspired by Universal’s classic monster legacy”.
What that means I’ve no idea, but given both Lord and Miller and Carolin’s involvement, it is perhaps no surprise that Channing Tatum has signed on to appear. This project seems to be part of an on-going attempt by Universal to wash away the bad taste of the Tom Cruise starring Mummy: Impossible and revamp their classic monsters for modern audiences. So far, this has been going well, with Leigh Whannell’s The Invisible Man, starring Elizabeth Moss, being one of the best movies of the year so far, and horror studio Blumhouse planning on taking on yet more of the classic monsters in the future.
Given the lack of movement on this project, you’d be forgiven for thinking that it had died a death (I know I did), but as it turns out the film is still very much on the slate, with news coming this week from the original game creator Scott Cawthon, that Columbus had finished the script and plans to begin shooting the project in Spring of 2021.
