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  • DVD Review: Memphis Heat – The True Story Of Memphis Wrasslin’

    DVD Review: Memphis Heat – The True Story Of Memphis Wrasslin’

    It’s hard to resist a film that has the word “wrasslin’” in the title. Actually it could be pretty easy. Depends on how much you like wrestling and wrasslin’. Like a great deal of men who grew up in the late 80’s/early 90s I was at one stage a die hard WWF fan. I stopped watching before it swapped the F for an E. We’re talking pretty full on fandom, I could have ended up like the guy in the “It’s real to me dammit!” video you can find on YouTube – if you haven’t seen it look it up… after you’ve read this though.

    Even though I have long since stopped following the sport entertainment, and whenever I catch it now it’s filled with strange unfamiliar faces much like tuning back into a soap opera after being away for a while, I still enjoy documentaries about the subject. Wrestling it turns out is usually much more interesting behind-the-scenes then in the arena. Previous docs on the subject like Beyond The Mat and Forever Hardcore have shown the dark-side of the sport to profound effect. Seeing the physical and psychological damage the wrestlers inflict on themselves in the name of entertainment goes to show just how messed up this form of entertainment can be.

    Memphis Heat takes a rather more rose-tinted view of it’s subject matter. Before the WWE monopolized the wrestling industry, promoters ran specific territories. One of the biggest of these territories was Memphis. Covering the period of the 1950s-70s Chad Schaffler’s film assembles many of the big name stars of the time along with promoters and managers to reminisce about this golden age. The reason I mention my own interest in wrestling is because it really helps to have at least some vague knowledge of it to find any basic enjoyment from the film. Whilst it’s interesting to see some familiar faces that would later turn up in the shiny world of WWF such as Jimmy Hart, Jerry Lawler, Ric Flair and Kamala the majority of the wrestlers are long retired. Many wrestlers are spoken about with hushed tones but with only a few clips to show their sporting prowess their impact doesn’t come across so much. Watching the old promo spots is quite amusing if only to see how ludicrous they were back then and have only become 100% more ridiculous. As with many documentaries like this, the most interesting parts come from finding out which athletes didn’t care for each other and they have no problem saying it.

    Anyone who has seen Milos Forman’s biography of Andy Kaufman, Man On The Moon will remember that for a period Kaufman wrestled as a heel in Memphis. It is the films highlight to see the actual footage of the Kaufman/Jerry Lawler fight that is re-enacted in the Hollywood bio. We also get to see the performer butt heads with other wrestlers in promo shoots. It feels almost like bonus footage that should have been on a Man On The Moon DVD. Lawler in particular discusses at great length how Kaufman was one of the best things to ever happen to the sport whilst the more old-school, hardcore wrestlers see as nothing more than a gimmick that rung a final death bell before the advent of the WWF. Which is where the comes to a seemingly abrupt end. With the golden days of the Memphis scene dealt with it feels as though it should move on to the next chapter in a wider documentary, leading to a somewhat unsatisfying conclusion.

    The fact that this is a very niche subject for a niche crowd. Fans of the sport entertainment may find novelty and nostalgia in the promo clips and old talking heads but the story feels like it’s cut short just as it’s picking up. In short it will do little to convert wrestling skeptics.

  • Four Horsemen Trailer

    Four Horsemen Trailer

    Here is the brand new trailer for Four Horsemen which opens at cinemas from 14th March 2012 and is released on DVD from 2nd April 2012.

    Featuring such amazing people like Noam Chomsky, Max Keiser, Joseph Stiglitz, Prof. Herman Daly, Dr. Ha-Joon Chang, Simon Johnson, Michael Hudson, Colonel Lawrence Wilkerson, John Perkins, Tarek Al Diwany, Camila Batmanghelidjh, James Turk, David Morgan, Hugo Salinas Price and more…

    PRESS RELEASE – 

    Four Horsemen is a cinematic feature documentary that lifts the lid on how the global economy really works. Coming to cinemas from 14th March 2012 this is essential viewing for anyone seeking to investigate how and why the current system has failed.

    After the greatest financial heist in history, the modern day “Four Horsemen Of The Apocalypse” continue to ride roughshod over the people whom can least afford it. One – a rapacious financial system, Two – escalating organized violence, Three – abject poverty for billions and Four – exhaustion of the earth’s resources, online slots gallop unchallenged because we are not encouraged to question the accepted norms.

    Consumerism has put us on an unhappy crash course for disaster and many people, perhaps even the majority of people, sense innately that something is wrong. Arguably, almost everyone is now at the end of the benefits of economic growth and younger generations are facing a future without the opportunities or the quality of life enjoyed by generations passed.

    Understanding that we will never return to “business as usual”, filmmakers Ross Ashcroft (Writer/Director) and Megan Ashcroft (Producer) decided to do something and Four Horsemen is the result – a documentary feature, made out of outrage, out of incredulity, out of necessity.

    Why with all the knowledge and technology in the world do we fail to distribute wealth fairly? How can we live in a society that benefits the few at the expense of the many? Is it because of us, or is it actually something more systemic? Four Horsemen seeks to answer these kinds of questions and strips away all the complex language and terminology from our banking and economic practices to show how simple it really is.

    Four Horsemen doesn’t get involved in banker bashing, criticising politicians or conspiracy theories. The film puts the entire system up for discussion and ultimately ignites a debate about the ways we could change it.

    Four Horsemen is an independent, self funded, and employee owned film. The young team of filmmakers made it so we could begin to think about ushering a new economic paradigm into the world that would dramatically improve the quality of lives across all countries. The filmmakers believe that Four Horsemen will have succeeded if, in a decade, the idea of running our economies as we do today seems nothing short of tyrannous.

     

  • Sand Sharks – Review

    Sand Sharks – Review

    The American film industry spends too much money on crap and this film is a prime example of how wrong they can get it.

    Normally I’m pretty easy to please when it comes to films. If it’s funny, I’m happy. If it makes me question my outlook on life, I’m happy that a film has had that effect on me. If it’s got a good storyline that keeps me on tenterhooks, I’m happy. If it has Tom Hardy in, I’m especially happy. Unfortunately, this film had none of these qualities and I was certainly not happy.

    Directed by Mark Atkins (Battle Of Los Angeles) this film is well and truly awful. The acting is stilted, rigid and uncovincing, featuring an all star cast which includes no-one I have ever heard of. The CGI is low budget and unsubtle about it. The storyline is laughable (not in a good way) and the film is confused. I think the director was aiming for a parody but instead managed to create a film with cringeworthy ’emotional’ scenes, cliché monologues and badly acted thoughtful stares into the distance.

    If you’re sitting there with a spare 91 minutes free, let me recommend something. Stay away from this film.

  • Demons Never Die – Review

    If I’m honest I wasn’t expecting much from Arjun Rose’s urban slasher film. Maybe that’s because of the title, maybe the fact I’d never heard of it despite it’s relatively high profile maybe its because the film boasts ‘Tulisa off of N-Dubz’ and ‘Reggie Yates off of Radio One’ as members of it’s supporting cast.

    The main issue isn’t the cast members, its more that the film doesn’t know what it wants to be. In the first half we’re introduced to a number of teens at a London comprehensive who are in the process of making a suicide pact. Despite the casts’ best efforts I don’t believe for one second that any of these kids seriously wants to commit suicide and lightness of touch with which the subject is handled is incredibly off putting or at worst offensive. No where is this more evident than in the soundtrack. Full with the latest in ‘cool’ British alternative music from the likes of Chase and Status and Ed Sheeran, it hints at a far more hedonistic and relaxed youth culture than is actually on display. I’m not saying I don’t like this music but its use in the film is completely out of place with the subject matter. When a group of teens are getting ready to go out for the evening to get together and discuss their collective suicide, ‘You need me, I don’t need you’ by Ed Sheeran may not be best choice of track.

    While the suicide aspect of the film doesn’t work the film makers attempt to fix the issue by switching genres entirely half way through from ‘teen suicide drama’ to ‘urban slasher film’ as an unknown masked assailant begins to pick off the kids one by one. Whether the fact that the characters concerned wanted to die before they started being murdered renders the entire plot irrelevant or provides a nice bit of dramatic irony depends on your outlook but for me it was probably the former. While Rose tries his best to inject some innovation to proceedings by shooting the obligatory ‘creep around the huge house in the dark’ scene towards the end in the style of a found footage/blair witch rip off, the slasher potion of the film is still incredibly formulaic and contains some fantastic clichés that would make Randy from Scream proud. We even get a moment when the popular girl, hosting the party, runs away from the knife wielding murder, not into the well lit room full of teenagers playing twister but instead decides to hide in the pitch black wooded area behind her house.

    Through the genre mashing mess the only Robert Sheehan (aka Nathan from Misfits) comes out relatively unscathed but you can’t help but wonder, did you really leave Misfits for this?

     

  • Top 10 Films Based On Real-Life Crimes

    Top 10 Films Based On Real-Life Crimes

    Here’s one…

    Summer of Sam (1999)

    Spike Lee’s crime drama Summer of Sam is based on the real-life Son of Sam serial murders that took place in New York City during the summer of 1977. The film follows one tight-knit Italian-American neighborhood that has grown fearful for their lives and begins to suspect one another of being the killer.

    The rest are here.