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  • Help Find The Wicker Man!

    Help Find The Wicker Man!

    Studiocanal, with the endorsement of director Robin Hardy, have launched a world-wide public appeal to locate original film materials relating to legendary horror classic ‘The Wicker Man’, originally released in 1973, in celebration of the cult film’s 40th anniversary.

    The now widely lauded film was released with minimal promotion in 1973 as second feature of a double bill with Don’t Look Now. The version exhibited to audiences was significantly shorter than director Robin Hardy’s original vision. In what has now become an apocryphal episode in British film history, the negatives disappeared from storage at Shepperton Studios, were then allegedly used as landfill in the construction of the nearby M4 motorway, and are considered lost forever.

    Director Robin Hardy comments: “I never thought that, after forty years, they would still be finding lost fragments of my film, we thought all of The Wicker Man had gone up in flames, but fragments keep turning up and the hunt goes on!”

    A special Facebook page has been created to serve as a forum for the search to continue. For further updates and to join the conversation with any news please visit: https://www.facebook.com/WickerManAppeal

    Join in on the debate to help us conserve, restore and release one of the best British horrors of all time!

  • Computer Chess!

    Computer Chess!

    The groundbreaking, Alfred P. Sloan Prize-winning, and fiercely independent “artificially intelligent” comedy from Andrew Bujalski (Funny Ha Ha, Mutual Appreciation, Beeswax), which continues to collect raves on the festival circuit, is slated for a national UK theatrical release from Eureka! Entertainment and a home-video release as part of Eureka!’s The Masters of Cinema Series.

    Eureka! Entertainment are thrilled to announce that they have acquired all UK/Eire rights to Andrew Bujalski’s Computer Chess, which had its debut in January at the Sundance Film Festival. Computer Chess is the fourth feature film from the brilliant and maverick American filmmaker Andrew Bujalski, whose previous works include Funny Ha Ha (the early ‘00s film that arguably kicked-off the so-called “mumblecore” movement of American independent cinema), Mutual Appreciation (an acclaimed comic portrait of love and longing in the milieu of the Brooklyn indie music scene), and Beeswax (which among its principals starred Alex Karpovsky, the indie filmmaker and actor who has gone on to great renown for his role in Lena Dunham’s cultural-phenomenon and hit TV series Girls). Prior to final completion of Computer Chess, Bujalski was awarded a Tribeca Film Institute Sloan grant in 2012. Directly following Bujalski’s newest and long-anticipated film’s Sundance premiere, Computer Chess was given the prestigious Alfred P. Sloan Award, which honours a film based around the theme of science and/or technology. The film went on to have its International Premiere at the latest Berlin Film Festival, and will be presented as part of the distinguished BAMcinémafest this June in Brooklyn for its New York premiere, before moving on to a major UK festival debut in anticipation of a UK theatrical run coordinated by Eureka! Entertainment in late autumn, and an early-2014 Blu-ray and DVD release as part of the highly esteemed and awarded-winning Masters of Cinema Series.

    A boldly intelligent ensemble comedy with a feel and atmosphere that surpass easy comparison, Computer Chess takes place in the early-1980s over the course of a weekend conference where a group of obsessive software programmers have convened to pit their latest refinements in machine-chess and the still-developing field of artificial intelligence (AI) against an assembly of human chess masters. Computer Chess is a portrait not only of the crazy and surreal relationships that come to pass between the abundance of characters who participate in the weekend event (and among whose ranks include Wiley Wiggins, the revered indie-game developer and star of Richard Linklater’s classic Dazed and Confused), but of the very era of early computing itself – and of the first, rudimentary video games – and (if that weren’t enough) of the hopes and insecurities that persisted through the film’s “retro” digital age into the present-day — that semi-virtual, hyper-social, maybe-kind-of-dehumanised landscape that, let’s face it, is our very own 2013. If that still weren’t enough: it’s also one of the wittiest, most shift-and-cringe-in-your-seat, and entirely LOL-hilarious movies of recent times.

    “The UK has been great to me and my films in the past,” states Computer Chess director Andrew Bujalski, “and I couldn’t be more delighted to be bringing Computer Chess there with the (intimidatingly named!) Masters of Cinema Series. I hope that means that THEY’VE mastered cinema — I’m still, uh, working on that… And my education certainly wouldn’t be complete if I didn’t try to make at least one bizarre, left-field, mindbender movie — Computer Chess is that. I’m eager to get it to British audiences.”

  • Dogwoof’s First Ever Blu-ray Release Is Chasing Ice

    Dogwoof’s First Ever Blu-ray Release Is Chasing Ice

    Dogwoof is delighted to announce the release of the multi-award winning breathtaking feature documentary Chasing Ice on DVD and as their first ever Blu-ray release.

    In the spring of 2005, National Geographic photographer James Balog headed to the Arctic on a tricky assignment: to capture images to help tell the story of the Earth’s changing climate. That first trip north opened his eyes to the biggest story in human history and sparked a challenge within him that would put his career and his very well-being at risk. Chasing Ice is the story of one man’s mission to change the tide of history by gathering undeniable evidence of our changing planet.

    The film gained huge critical acclaim on its cinematic release and helped convert even the most hardened climate change sceptics and now it comes to DVD and on Blu-ray, so its amazing imagery can be seen in its high-definition glory, on 10 June 2013.

  • I Love Veep

    I Love Veep

    What does the Vice President of the United States of America actually have to do besides the duties the President chooses to avoid? Find out when VEEP: The Complete First Season is released on Blu-ray and DVD on 3 June 2013 from HBO Home Entertainment.

    Starring Julia Louis-Dreyfus (Curb Your Enthusiasm, Seinfeld) in her recent Emmy® award-winning turn as Vice President Selina Meyer (Outstanding Lead Actress in a Comedy Series), VEEP is an up close and politically (in)correct look at the daily successes and disappointments of being second in command. VEEP follows former Senator Meyer and her staff as they attempt to make their mark without getting tripped up in the day-to-day political games that define life on Capitol Hill.

    Meyer’s inner circle includes her Chief of Staff Amy (Anna Chlumsky; My Girl, In The Loop), long time press spokesperson Mike McClintock (Matt Walsh; Ted, The Hangover), right hand and body man Gary (Tony Hale; Arrested Development, Stranger Than Fiction) and secretary Sue (Sufe Bradshaw; Star Trek, Dance Flick) – all of whom often do battle with ambitious interloper Dan Egan (Reid Scott; My Boys, Amusement) and smug White House liaison Jonah (Tim Simons; Days Together).

    Created by BAFTA® award winning writer Armando Iannucci (The Thick of It, In the Loop), this eye-wateringly hilarious comedy is shot in an improvisational style giving a very candid look at what it’s like to hold the least effectual post in the most powerful office in the world.

    Get a dose of power when VEEP: The Complete First Season is released on Blu-ray and DVD on 3 June from HBO Home Entertainment.

  • DVD Review: Konga

    DVD Review: Konga

    Well, Peter Jackson this ain’t.

    Not that I was a particularly big fan of his overly long and bombastic King Kong “reboot” (as the cool kids call it nowadays), but I have to admit it did, technically, soar head and hairy shoulders above this 1961 Kong edition. Still, although Jackson wins out in terms of minor details like acting, special effects, plot and dialogue, I can’t help but think Konga trumps him in terms of laughably camp charm.

    Konga opens as it means to go on, with a ridiculous shot of a plane suddenly exploding in mid-air, the blurry orange flames appearing like a sticker being thrown at the screen by a drunken child. We learn that the plane contained Doctor Decker (Michael Gough), a famous botanist who, having been presumed dead in the crash, suddenly arrives in London a year later with an adorable baby chimpanzee clutched to his chest. This chimp – as you may have guessed – is Konga.

    Dr Decker has spent the year in the Ugandan jungle learning the ways of a witch doctor and is now ready to bring his pseudo science to London. Apparently “merging plant and animal DNA” can bring about a sudden growth spurt (err, ok). Cue the cute chimp transforming (via some squiggly lines across the screen) into a man in a twenty quid gorilla suit, destined to do the bidding of the egomaniacal and psychopathic Dr Decker, who begins disposing of his enemies through ape asphyxiation.

    I’ll be blunt: this movie is generally terrible. The special effects are appalling, the acting is wooden, plot holes are covered with overly deliberate dialogue (“incidentally, I was lucky enough to save my camera from the plane crash, which is how I got this footage”), and the finale is dull. Whoever is inside Konga’s gorilla costume has apparently never seen either an angry gorilla or any preceding King Kong movies, as his supposedly dramatic rampage through London looks more like a gentle, lumbering stroll.

    In fact, I’d say that Konga has but two redeeming features. Firstly, Michael Gough (Alfred in the 1980″s Batman movies) is actually pretty believable as the deceitful, sleazy, egotistical Dr Decker, switching with ease between the character’s suave public persona and private psychopath. Secondly, there are quite a few so-bad-it’s-good moments – I snorted with disbelief when Decker shoots his cat in the head for lapping up some of the growth serum, and guffawed at the stilted dialogue between Decker’s college students (including the hilariously pathetic Bob, played by Jess Conrad, who introduces this DVD). Not to mention the NSFW carnivorous plants that fill Decker’s greenhouse.

    Essentially, this is cult, ridiculous nonsense. It will never reach the peaks of a classic Kong movie, but it might just win you over with its nostalgic 60’s cheek.

    Konga (1961) is released on DVD today by Network.