Author: Alton Williams

  • Viral Reviewing Of Flicks


    I know this film came out a while ago, in relative terms, but that’s not why I’m posting it here. This brief review was one that I sent to close friends and family, and was intended as a complete joke.


    Now, this quick comedy of a review has been, I am told, passed onto Warner Bros. marketing director and has been used in training cinema/bar owners in “consumer driven sales marketing.”


    I wonder what you will all think?


    ____________________________________________________________________


    Ok, so I saw Inception last night. It was amazing! The best way I can describe it is as follows.


    Imagine sitting in a cinema eating your sweet popcorn and sipping on a large Pepsi through a bendy straw, without a care in the world, watching your average trailers waiting for your film to start, totally unaware of what is coming.


    Then, approximately 7 minutes and 12 seconds in having the top of your head removed, Sylar style (from Heroes), and then having Gordon Ramsey assault your brain with an electric whisk as your jaw falls and your eyes peel themselves open for the duration.


    And then, at the end, not really knowing if anything is real or what had just happened.



    Go and see it now!!

    © BRWC 2010.

  • The Decade Of The Superhero Film


    Found this recently, thought it would be nice to share 🙂


    Click here for a link to blog post by Ben Skipper about superhero movies (exactly what it says on the tin).

    Alternatively, copy and paste this 🙂

    http://benskipperlovesfilms.wordpress.com/2010/07/27/the-decade-of-the-superhero-film/

    © BRWC 2010.

  • BRWC Is 2 – The 50 Most Successful Second Movies of All Time


    BRWC is 2 – The 50 Most Successful Second Movies of All Time

    These are the 50 most successful second movies ever made based on international box office gross, the box office totals listed next to the titles representing the entire amount made at the global box office. Accompanying them are brief reviews based on my viewings of the films. There are a few films that I haven’t seen in some time and some others that I haven’t seen at all so I am less able to comment on these ones.

    1) Pirates of the Caribbean: Dead Man’s Chest – $1,066,179,725

    While the Pirates of the Caribbean franchise took a major downturn after this film with the somewhat poorly received third instalment (which I actually liked), this first sequel came at the height of the popularity of the series, being a superb follow up to the first film and a tremendously enjoyable film in its own right.

    2) The Dark Knight – $1,001,921,825

    Easily one of the best sequels ever made, The Dark Knight was able to better the already fantastic Batman Begins in almost every regard, even if the action didn’t fare quite as well in some areas, the Batpod scene of this sequel falling short of the Batmobile sequence from the first film.

    3) The Lord of the Rings: The Two Towers – $925,282,504

    While not a huge fan of The Lord of the Rings, even I must admit that this film is a tremendous achievement. Really, it can’t be considered a sequel though, as it more the second chapter of one massively long film, a true epic in every sense of the word. Not the finest chapter in the series but still a film that shows that sequels can be good as well as doing great box office.

    4) Shrek 2 – $919,838,758

    Most people consider Shrek 2 to be an improvement over its predecessor but I have to disagree. While I must confess that I wasn’t the biggest Shrek fan to begin with, this sequel just couldn’t match the level of laughs found in the first film, although it is still massively better than the mediocre sequels that have come since.

    5) Harry Potter and the Chamber of Secrets – $878,643,482

    The weakest entry in the Harry Potter series in my eyes, this couldn’t quite recapture the magic of the first film and it came before the films began to be really good thanks to directors far more capable than Chris Columbus.

    6) Transformers: Revenge of the Fallen – $836,297,228

    One of the worst reviewed films of 2009, this is a film that demonstrates why I think some critics need to lighten up a bit. Sure, Transformers: Revenge of the Fallen isn’t an example of filmmaking at its very best but it is certainly a very enjoyable and spectacular popcorn movie. That said, it was a massive step down from the first film.

    7) Spider-Man 2 – $783,766,341

    Another example of how the second instalment in a superhero franchise is often better than the first, Spider-Man 2 could easily rank highly amongst the best superhero movies at all time, truly upping the stakes over the first film and being a frankly amazing film on its own terms.

    8) The Matrix Reloaded – $742,128,461

    A film that produced many mixed feelings when it was released, The Matrix Reloaded certainly upped the scale over the first film and delivered some truly spectacular action and effects but lost something in its overabundance of effects, not to mention its confusing techno babble filled climax.

    9) The Twilight Saga: Moon – $709,826,790

    The Twilight franchise – evidently you either love it or hate it. For a short time I could have considered myself to be in the former camp. While New Moon lacked the beautiful simplicity of the first film, it still proved to be a very well made follow up that has also turned out to be the height of the franchise as the rushed through production third film proved completely underwhelming (despite many critics hailing it to be the best film in the series – what’s with that?) and pushed me considerably closer to the latter camp.

    10) Ice Age: The Meltdown – $655,388,158

    The second Ice Age essentially delivers more of the same rather than upping the stakes but here it works, the film never pretending to be more than what it is – an enjoyable family movie that kids can love and adults can get some enjoyment out of too without being anything especially memorable. Blue Sky know they can’t keep up with Pixar so why even try?

    11) Iron Man 2 – $621,214,666 (still on release)

    The only 2010 second movie in this list, I consider Iron Man 2 to be another superhero movie that offers an improvement on its predecessor but not everyone agrees with me on this. Regardless of whether you consider it to improve on the first film, however, it is hard to deny that this is one of the finest Marvel superhero movies to date.

    12) The Lost World: Jurassic Park – $618,638,999

    This follow up to Jurassic Park may not have quite lived up to the brilliance of the first film but still proved to be a truly worthy blockbuster and certainly was a whole lot better than the frankly unnecessary third instalment in the series.

    13) Madagascar: Escape 2 Africa – $603,900,354

    This film may not have improved much on the first trip to Madagascar but, in this critic’s eyes at least, still fared better than a certain other DreamWorks Animation sequel. I’m not really sure whether or not we need the third movie that has already been announced though.

    14) Quantum of Solace – $586,090,727

    Both a huge disappointment and a brilliant movie at the same time, this sequel to the Bond reboot Casino Royale suffered simply from a case of too much expectation. Having been following the Bond movies for years, prior to the reboot of the franchise, I had gotten used to each new film outdoing the last. But there has to be a point when you just can’t get any better and the fantastic Casino Royale truly set the bar sky high. Nonetheless, on a second viewing, I was able to view Quantum of Solace for the brilliant film it is in its own right.

    15) Mission: Impossible II – $546,388,105

    Despite a very promising start, Mission: Impossible II descends into a mess of a movie. Despite having seen this film on several occasions, I simply have developed no appreciation for what is without a doubt one of the most underwhelming action blockbusters I have ever seen. For once, the finest entry in a film franchise is not the second film but the third – now that film was amazing.

    16) The Empire Strikes Back – $538,375,067

    The least financially successful movie in the Star Wars film series yet undoubtedly the best, this much darker follow up the original movie beats the rest by fully embracing the dark side and delivering a film where for once good doesn’t triumph over evil. These things may not have won over a lot of the moviegoing audience as evidenced by the lower box office takings, but great battle sequences, one hell of a surprise twist and a terrific story have made this a firm favourite with fans.

    17) Terminator 2: Judgement Day – $519,843,345

    Long before Avatar came along, James Cameron was already breaking boundaries and pushing the limits of filmmaking technology in his movies. His follow up to the small scale and low budget The Terminator boasted what were at the time the most advanced visual effects ever seen and, while they don’t quite stand up by today’s standards, they still prove quite spectacular even now.

    18) Meet the Fockers – $516,642,939

    A hilarious follow up to the a hilarious movie, the genius casting of Dustin Hoffman and Barbara Streisand as the titular Fockers made this film a true comedy gem. Here’s hoping that the third film, coming this December, can follow in this one’s footsteps.

    19) Angels & Demons – $485,930,816

    A superior sequel to a critically maligned first film but still not exactly a critical success in its own right, this follow up to The DaVinci Code, actually based on a book which came before, was a well made and enjoyable if not earth shattering piece of cinema.

    20) Toy Story 2 – $485,015,179

    At a time before Pixar had fully established their reputation as the best in the computer animated family film business, and were still finding their feet after their weakest film A Bug’s Life, Toy Story 2 demonstrated just how masterful they are at their art, improving on the first film exponentially and, in this critic’s opinion at least, being the finest of the trilogy.

    21) National Treasure: Book of Secrets – $457,364,600

    Not everyone will agree with me on this but I thought this movie was great. Unashamedly a popcorn movie whose only purpose was to entertain, this thoroughly enjoyable follow up to the first National Treasure film was one great rollercoaster ride from start to finish, featuring one very entertaining performance from star Nicolas Cage.

    22) Alvin and the Chipmunks: The Squeakquel – $443,139,070

    A squeakquel no one ever really wanted and that most definitely doesn’t improve on the already unspectacular original. But the kids love it and they are the target audience after all.

    23) Men in Black II – $441,818,803

    Five years of debate about who would replace Tommy Lee Jones in a sequel to Men in Black only for them to bring him back – a bit of a cop out in some ways but it was still very enjoyable to see the duo of Smith and Jones back together, especially with a slightly changed dynamic. Not necessarily an improvement on its predecessor but still a sequel I am very glad that they made.

    24) The Mummy Returns – $433,013,274

    Widely regarded as one of the worst sequels ever made, this unspectacular sequel to The Mummy suffers from director Stephen Sommers’ over-reliance on CGI for effects. An okay popcorn movie but never anything more than just watchable.

    25) The Chronicles of Narnia: Prince Caspian – $419,651,413

    A huge box office underperformer, many wrongfully blame the film itself for its commercial failings but in actuality it suffered from a combination of factors – it was based on the least popular of the Narnia books, it was released in the summer when Christmas would have been more appropriate and the film was woefully under marketed, among other things. Despite being very well made from a number of levels, the film’s tendency towards a more battle orientated approach than the first film meant that much of the magic of its predecessor was lost and consequently this is an inferior movie by comparison to the first Narnia movie but by no means inferior on its own merits.

    26) Night at the Museum 2 – $413,106,170

    A somewhat unnecessary sequel to a film that was enjoyable but unspectacular, Night at the Museum 2 obviously didn’t live up to its predecessor but still proved to be an enjoyable family movie with plenty to make it worth seeing.

    27) X2: X-Men United – $407,711,549

    Another example of a second superhero movie that improves upon its predecessor, X2 brought in a distinct element of the politics that run through the world of X-Men franchise, providing an almost philosophical element to go along the mutant action, something that was largely absent from the almost entirely action orientated third movie.

    28) Ocean’s Twelve – $362,744,280

    A decent but somewhat underwhelming sequel, Ocean’s Twelves frequent use of conman lingo that no one really knows or understands, combined with a tendency towards bizarre cinematic experimentation, makes for a film that is enjoyable but hardly a worthy follow up to its predecessor. The third entry into the series made things right again though.

    29) Home Alone 2: Lost in New York – $358,994,850

    I know I have seen this film at some point during my childhood but my memory of it is faint at best. Nonetheless, this second Home Alone film, which sees Macaulay Culkin’s character finding himself alone in New York City, was a huge box office smash, incidentally achieving the kind of takings that it probably couldn’t even dream of were it to be released now.

    30) Rush Hour 2 – $347,325,802

    More of the same – this statement is pretty much true of both Rush Hour sequels and personally I can’t identify one that really stands out from the rest. Number two, just like the first and third instalments, is an entertaining but largely forgettable action comedy that is funny but never manages to be as hilarious as it clearly could be.

    31) Indiana Jones and the Temple of Doom – $333,107,271

    A second movie that is actually a prequel rather than a sequel, The Temple of Doom most stays in my memory for its disgusting banquet scene, something I would rather forget. While not my personal favourite entry in the series, this film is perhaps one of the most iconic, easily the darkest (and grossest) entry really pushing against its frankly questionable PG rating.

    32) Back to the Future Part II – $331,950,002

    A true cinematic classic from the late 80s, Back to the Future Part II is almost an extension of the original film, rather than just a sequel. A brilliant film doesn’t quite better the original film because that one is so brilliant too.

    33) Austin Powers: The Spy Who Shagged Me – $312,016,858

    The first Austin Powers sequel is probably the height of Mike Myers’ popularity. Voicing Shrek aside, Myers’ work since has seen him using many of the same gags again and again, gags that originally seemed quite innovative when they appeared in this film. A pretty funny sequel, if not a film for all tastes, this was both the best and most successful entry in the trilogy.

    34) Rambo: First Blood Part II – $300,400,432

    A somewhat different kind of movie to its predecessor, this film sees the Sylvester Stallone’s titular character turn from the antihero of the first film into a more conventional kind of action hero without losing any of his edge. Rambo: First Blood Part II is the perfect example of 80s action movie making at its very best.

    35) Beverly Hills Cop II – $299,965,036

    Personally I wasn’t overly impressed by any of the Beverly Hills Cop films but still have to admit that they showcased Eddie Murphy at his best, working far better in the tougher kind of role he plays here as opposed to the more family orientated characters we have seen in his lacklustre recent films.

    36) Fantastic Four: Rise of the Silver Surfer – $289,047,763

    Yet another superhero sequel that betters the original, this one didn’t have to go as far to achieve that, given that the first Fantastic Four film was hardly a critical success or that great a film. Nonetheless, I personally loved every minute of it.

    37) The Bourne Supremacy – $288,500,217

    The film that began Jason Bourne’s ascent from being a good spy to being a great one, The Bourne Supremacy brought in director Paul Greengrass who took the franchise to true greatness with the third movie. Suffice to say, this second movie is not the best in the ‘Bourne’ series but easily wins the runner up prize.

    38) American Pie 2 – $287,553,595

    I can honestly say that I have never seen this film and have absolutely no desire to. This kind of lowest common denominator humour simply does not appeal to me.

    39) Sex and the City 2 – $283,876,280

    A solid sequel until the girls leave the city to go to Abu Dhabi, at which point smart and glamorous is replaced by stupid and ridiculous.

    40) Bad Boys II – $273,339,556

    Great action sequences, shame about the rest of the film. This pretty much sums up Bad Boys II, a film which features one of the best car chases I have ever seen but fails because the best action sequence comes too early in the film, making everything else seem anticlimactic, and because of a virtually non-existent plot and humour that really pushes against the boundary of taste and decency. Whenever I watch it, I just watch the action sequences and forget everything else.

    41) Batman Returns – $266,822,354

    Another superhero movie outdoes the original, this is also the second Batman movie to appear in this list – Confused? Given that the franchise was rebooted, technically The Dark Knight is also a second movie. Batman Returns is easily the most bizarre of the Batman movies, being perhaps the most Tim Burton-esque of Tim Burton movies, the complete creative control awarded to him by the movie studio being utilized to create true gothic fantasy that is as wondrous as it is creepy, even if it isn’t exactly what you think when you think of Batman or even Batman’s movie really.

    42) Bridget Jones: The Edge of Reason – $262,520,724

    Another film that I have not yet seen and thus cannot comment on.

    43) Charlie’s Angels: Full Throttle – $259,175,788

    Another film that delivers more of the same, this sequel falls short of its predecessor, if only because of Bill Murray being replaced by Bernie Mac. Still, for simple leave
    your brain at home entertainment this was perfectly enjoyable popcorn blockbuster.

    44) Die Hard 2: Die Harder – $240,031,094

    If Rambo was the iconic action film series of the 80s then the 90s probably belong to Die Hard and Die Harder, while not exactly having the most original of titles, managed to improve on its predecessor on a number of levels.

    45) Crocodile Dundee II – $239,606,210

    Another film that I have not yet seen and thus cannot comment on.

    46) 2 Fast 2 Furious – $236,350,661

    More of the same but also less, this is probably the weakest entry in The Fast and The Furious film series, offering up some perfectly enjoyable car chases but not a whole lot else. Okay, that’s pretty much true of most of the film but still this was my least favourite of the films.

    47) Mr. Bean’s Holiday – $229,736,344

    It took them ten years to make a sequel to Bean: The Ultimate Disaster Movie and this was the best they could come up with!? A watchable but rather lame comedy that proved big at the box office but small in the laughs department, lacking the simple comic genius of the earlier TV episodes that preceded the first film.

    48) Lethal Weapon 2 – $227,853,986

    Another 80s action sequel, Lethal Weapon 2 may appear to have a slight political agenda in its inclusion of South Africans as the baddies at a time when Apartheid still ruled but didn’t forget what it was really all about – action and lots of it.

    49) Ghostbusters II – $215,394,738

    Another classic, it may not live up to the first film but it is still great popcorn entertainment.

    50) Ace Ventura: When Nature Calls – $212,385,533

    One of the characters I most think of when I think of Jim Carrey is undoubtedly Ace Ventura and When Nature Calls was an enjoyable sequel that may not be as iconic as some films on this list but still featured Jim Carrey doing what he does best.

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    Article by Robert Mann BA (Hons)

    © BRWC 2010.

  • Film Review with Robert Mann – The Sorcerer’s Apprentice


    The Sorcerer’s Apprentice ****

    The latest blockbuster to come out of the partnership between Disney and Jerry Bruckheimer finds its inspiration loosely in source material that is somewhat obscure, to today’s children at least. It’s not based on a theme park ride a la Pirates of the Caribbean or even a video game like Prince of Persia but rather one sequence from the Disney animated classic Fantasia and face it, it is unlikely many of today’s children will actually have seen it. The sequence in question, easily the most famous in that film, is the one featuring Mickey Mouse as a sorcerer and a load of mops performing a dance number (a sequence which is recreated in this film). Sadly, a lack of awareness among younger viewers of this source material has already contributed towards The Sorcerer’s Apprentice becoming a pretty big disaster at the US box office. The film, however, seems to have been cursed for some time with two completely difference car chase related accidents having occurred during filming – a bad omen for the film’s chances perhaps? Such superstition aside, however, the film’s credentials are pretty encouraging. While Nicolas Cage doesn’t always have the best taste in projects to appear in he is generally pretty good when it comes to popcorn blockbusters and here he has reunited with director Jon Turteltaub, whom he previously worked with on (his most commercially successful films to date) National Treasure and National Treasure: Book of Secrets, two films that showcased Cage at his performing best, even if his performances in them were hardly among his very best as an actor. Additionally, the film co-stars up and coming star Jay Baruchel as the eponymous Apprentice, even though this isn’t proving to be quite the breakout year that studios had expected for the young star, his previous film She’s Out of My League having turned out to be something of a non factor at the box office. The promising credentials have translated into a very good popcorn movie though.

    Balthazar Blake (Nicolas Cage), Maxim Horvath (Alfred Molina) and Veronica (Monica Bellucci) were once apprentices to the great sorcerer Merlin (James A. Stephens).When Horvath betrayed them to Merlin’s rival, the evil Morgana Le Fay (Alice Krige), Merlin just barely managed to trap them both, being killed in the process. Before he died Merlin made Balthazar promise to search for the one young sorcerer who will be capable of destroying Morgana once and for all and Balthazar spent the next hundred years on this very search until he encountered a young boy named Dave Stutler (Jay Baruchel). Their first encounter doesn’t go so well as Dave accidentally unleashes Hovarth. Balthazar just about manages to trap him but finds himself trapped as well until ten years later when both are freed from their imprisonment. Dave is now a slightly neurotic but genius physics student who has tried to put that fateful encounter with Balthazar behind him but once again he crosses paths with the sorcerer and this time is enlisted as his somewhat reluctant apprentice. At the same time, Dave reencounters old crush Becky Barnes (Teresa Palmer) and the two form a connection. Suddenly, his whole world is changed forever as he falls in love and must learn to utilize the magic within him so that he can not only stop Hovarth but take on Morgana herself.

    Anyone who has seen the National Treasure movies will know exactly what to expect from The Sorcerer’s Apprentice – a film that may not be sophisticated or subtle but that delivers pretty much everything you could want from a popcorn movie and that is just a fun movie going experience. It boasts impressive visual effects that combine elements of magical wonder such as dragons, statues coming to life and mops doing a dance routine (a scene straight out of Fantasia and even set to the tune of the original music by Paul Dukas) with moments of scientific spectacle such as lightning bolts being emitted by a Tesla style electricity machine and creating music as they do so. It features action sequences that are both exhilarating and exciting including magical duels and car chases. It is packed full of very very funny humorous moments with both physical gags and one liners that are sure to make you laugh. And, perhaps most importantly of all, it features a series of thoroughly entertaining performances from its cast members. What we get here is Nicolas Cage the performer rather than Nicolas Cage the actor but while he is not quite a perfect fit for his role, his natural charisma makes it hard not to enjoy every minute of his terrific performance and his interactions with co-star Jay Baruchel are very amusing. Baruchel is a more spot-on fit for his role, being suitably neurotic and sharing a good chemistry with co-star Teresa Palmer, who herself is a decent romantic interest even if she is little more than that. Alfred Molina is a full on pantomime villain and an enjoyable one at that, even if his performance proves somewhat underwhelming when compared to other past roles and, despite her limited screen time, Alice Krige is a perfectly sinister villainess. The only weak link among the cast is Monica Bellucci, whose screen time is so limited as to render the casting of a major actress in the role almost pointless. The writing isn’t as wholly successful as some other aspects of the film, the plot occasionally being a tad incoherent and the dialogue sounding a bit too silly at times with its sorcerer lingo, but the story has enough heart and adventure to make you generally care what happens and the central characters are sufficiently developed so as to really make them more relatable and engaging. All in all, director Jon Turteltaub has done a very good job in translating the story to the big screen and making a film that is exciting, funny and magical. The Sorcerer’s Apprentice is a truly magical movie going experience and a piece of entertainment that is not to be missed. Nicolas Cage has said that he did this movie because he believes in magic and after seeing it you just might believe in magic too.

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    Review by Robert Mann BA (Hons)

    © BRWC 2010.

  • Film Review with Robert Mann – The Last Airbender


    The Last Airbender 3D **
    The Last Airbender 2D **

    Already being touted as the worst movie of writer, director and producer M. Night Shyamalan’s somewhat less then illustrious (if you discount his brilliant breakout features The Sixth Sense and Unbreakable) career, The Last Airbender arrives in UK cinemas preceded by some of the year’s worst reviews from across the pond. Clearly, the film that was supposed to see Shyamalan return to form (wait, wasn’t that also the case with The Happening?) has only further damaged his already fragile reputation rather than see him return to greatness. The negative fallout surrounding The Last Airbender, even prior to its release, however, is not entirely the fault of Shyamalan’s filmmaking abilities (or lack thereof if you fall into the Shyamalan hating camp). There has been much controversy surrounding the casting of Caucasian actors in roles intended for Asians and understandably so, especially given that the roles have been cast with actors who, with the possible exception of Slumdog Millionaire star Dev Patel, have less than stellar track records to date and that the title role of the Avatar (the full title of the animated series upon which the film is based is Avatar: The Last Airbender but the Avatar part had to be dropped for the film because the studio would have been sued by James Cameron had it remained) hasn’t even gone to an actor but rather a newcomer whose experience in martial arts won him the role off the back of a homemade DVD showing off his black belt standard tae kwon do moves. There has also been something of a backlash over the decision by the studio to convert the film to 3D in post production, a measure made merely so that they can charge more to see it rather than because the film was designed to be in 3D, even though the filmmakers claimed that plenty of sequences lent themselves particularly well to 3D and that they had sufficient time to convert the film properly. But, is the film really as bad as many critics are making it out to be? After all, many critics trash films because they fail artistically, seemingly ignorant of the fact that some movies are meant to be entertainment not art. For once, however, I have to say that the majority of critics are spot on with their scathing comments.

    The world is divided into four kingdoms, each represented by the element they harness, and peace has lasted throughout the realms of Water, Air, Earth, and Fire under the supervision of the Avatar, a link to the spirit world and the only being capable of mastering the use of all four elements. When young Avatar Aang (Noah Ringer) disappears, the Fire Nation launches an attack to eradicate all members of the Air Nomads to prevent interference in their future plans for world domination. 100 years pass and current Fire Lord Ozai (Cliff Curtis) continues to conquer and imprison anyone with elemental ‘bending’ abilities in the Earth and Water Kingdoms, while siblings Katara (Nicola Peltz) and Sokka (Jackson Rathbone) from a Southern Water Tribe find a mysterious boy trapped beneath the ice outside their village. Upon rescuing him, he reveals himself to be Aang, Avatar and last of the Air Nomads. Swearing to protect the Avatar, Katara and Sokka journey with him to the Northern Water Kingdom in his quest to master ‘waterbending’ with the help of Princess Yue (Seychelle Gabriel) and eventually fulfil his destiny of once again restoring peace to the world. But as they inch nearer to their goal, the group must evade Prince Zuko (Dev Patel), the exiled son of Lord Ozai who cannot return home until he has captured the Avatar, Commander Zhao (Aasif Mandvi), the Fire Nation’s military leader, and the tyrannical onslaught of the evil Fire Lord himself.

    If there is one thing in The Last Airbender that doesn’t disappoint it is the visuals. The visual effects on display here truly are eye-popping – we wouldn’t expect anything less than from the wizards at Industrial Light and Magic – and the film is frequently quite beautiful to look at, many of the action sequences looking quite amazing. Looks, however, can be deceiving. You see, the film does look great but M. Night Shyamalan’s ineptitude in this particular kind of filmmaking hampers most of the action sequences, making them barely passable rather than truly exciting like they should be. Sure, younger viewers – who are the target audience really – may get some enjoyment out of them but anyone else will feel completely underwhelmed, particularly by the ‘spectacular’ and ‘epic’ siege at the end which is missing one crucial ingredient – thrills. Despite having the potential to be an exciting action packed movie, the film will instead come across as one big bore to anyone who appreciates good action. What’s more, the 3D conversion is absolutely pathetic. For much of the duration, it doesn’t actually make any difference whether or not you where the 3D glasses, the 3D doing little more than adding a very slight layering effect and applying a polish to some of the visuals, no real depth even being created and nothing even coming close to coming out of the screen – both the 3D trailer that actually featured good 3D effects and the TV advert promising stuff coming out of the screen are clearly a big con. If your cinema is showing the 2D version opt for that instead because the 3D version is just a big rip off. This, however, is not the real failing of the film. Combined with the mediocre action sequences, what really lets the film down is the writing which sees Shyamalan reaching a whole new low. It really is hard to believe that this is the same guy who made great movies like The Sixth Sense and Unbreakable as what he delivers here is simply abysmal. The plotting is weak and often rather incoherent (particularly to those unfamiliar with the show upon which the film is based), character development amounts to little more than characters introducing themselves, plot exposition is presented in the tired forms of voiceover narration and scrolling text at the start of the film, humour often emerges clearly unintentionally, and the dialogue is clunky and obvious. The acting is also poor although this is likely as much due to the awful dialogue that actors have to speak as anything to do with their acting ability. The only half decent turns come from Dev Patel, who proves suitably sinister, and Nicola Peltz, who is quite adorable, but even they aren’t much to speak of. As for the title role, Noah Ringer certainly looks the part and masterfully handles himself in the action sequences but his lack of acting experience is clear from the start. Overall, The Last Airbender is very much a case of all flash and no substance. It looks great and even boasts a fantastic music score by James Newton Howard but what Shyamalan has created here is simply not deserving of either. Shyamalan has stated that this is the first part of a planned trilogy – this film being subtitled Book One: Water – and there is definitely potential for sequels…provided that Shyamalan has no involvement in them. Otherwise, this would be better off being the last Last Airbender.

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    Review by Robert Mann BA (Hons)

    © BRWC 2010.