Author: Rosalynn Try-Hane

  • The BRWC Review: Wonder

    The BRWC Review: Wonder

    Wonder won’t fill you totally with wonder but it will leave you feeling slightly warmer than when you walked in on a cold winter’s night! It is Christmas after all and its all about kindness and families, in whatever form they take, that’s the take home message of Wonder. Here’s the single biggest issue with Wonder, if you don’t like it then you’re officially heartless.

    Auggie (Jacob Tremblay) is born. We romp through his life – a lille boy wearing an astronaut’s helmet jumping on his bed, telling us how shoes can tell you a lot about people. He has endured 27 operations in his very short life and was homeschooled by his mother  Isabel (Julia Roberts). This year is the first year of first grade Auggie will be going to school and whilst that is huge for all children add facial disfigurement and it takes it to a whole new level.

    Choose Kind is the measure of the film which is good. For some of us, we will think back to Mask with Cher which had a  gritty and multi layered narrative. This is not that film, it is sanitised and the central character and his family are resolutely middle class living in a New York Brown Stone house so a lot of issues that might have come along with having so many operations such as medical expenses are swept under the carpet.

    It is a lovely film that doesn’t feel overly long, does what it says on the tin and delivers a timely film in this age of the selfie that it’s not about what you look like but how you act.  It does try to pay homage to other coming of age films such as Stand By Me but frankly, that is a blink and miss it. What’s good about the film is that it tells the story from three different points of view. The performances are ok – Julia Roberts smiles and cries in equal measure. The issue with films with child actors is the film’s success rests on how convincing they are. I liked Jacob Tremblay’s performance in Room however, in this film it is a little too much. I actually think the stand out performances were from the supporting child actors.

    It’s a great family film for this Christmas season based on the best selling book. Wonder is one of those films that you can go, enjoy and discuss the moral of the film on the way home. Oh, if you cry easily take some tissues, there were other critics who could have filled a couple of empty jugs!

    Wonder opened on Friday 1 December in cinemas across the UK.

  • Hyper-Reality Star Wars Experience Coming To London

    Hyper-Reality Star Wars Experience Coming To London

    Lucasfilm, ILMxLAB and The VOID today announced that the first-of-its-kind hyper-reality experience, Star Wars™: Secrets of the Empire, is coming to London this December.

    This ground-breaking immersive experience will open to the public at The Atrium, Westfield London (Shepherd’s Bush) from 16th December for 12 weeks, giving Star Wars fans the opportunity to step beyond reality and into a galaxy far, far away. Tickets are available now at www.thevoid.com/london for £32.50 per person.

    Star Wars: Secrets of the Empire will transport guests deep into the beloved Star Wars™ universe allowing them to walk freely and untethered in real-time hyper-reality that combines interactive sets, real-time effects and innovative technology.

    Under the orders of the budding rebellion, teams of four will travel to the molten planet of Mustafar. Their mission is to recover Imperial intelligence vital to the Rebellion’s survival. Alongside the pragmatic droid K-2S0, teams must navigate through an enemy facility walking into danger at every turn. Disguised as stormtroopers, with blasters in hands, they’ll solve puzzles, and fight giant lava monsters in an effort to fulfil their team’s orders.

    Cliff Plumer, chief executive officer at The VOID said: “Hyper-reality experiences allow us all to fully immerse ourselves within worlds that were beyond our reach until now.  The power of The VOID will allow guests to step into Star Wars: Secrets of the Empire and not only see this spectacular world, but also hear, feel, touch and even smell as they realize they are a part of this incredible story”.

    Anna Hill, Chief Marketing Officer, Disney UK & Ireland, said: “Star Wars: Secrets of the Empire will bring much-loved characters and stories, and the sheer exhilaration of Star Wars to life for UK audiences in a spectacular and immersive way, and we can’t wait to have people experience it at Westfield London”.

    Myf Ryan, Chief Marketing Officer, Westfield UK & Europe said: “We are delighted to host Star Wars: Secrets of the Empire, in collaboration with The VOID and Disney at Westfield London this Christmas. We know our shoppers crave premium multi-sensory experiences, and this magical journey will transport visitors to experience the Star Wars galaxy in a truly unique and realistic way.”

  • Must See: Jan Nemec Retrospective

    Must See: Jan Nemec Retrospective

    The 21st Made in Prague Film Festival showcases the first UK retrospective of the classic filmmaker of East European avant-garde cinema and enfant terrible of the Czechoslovak New Wave Jan Nemec (1936 -2016). Featuring two of the best films of the 60s as voted by the New York Times critics, Diamonds of the Night and The Party and the Guests (banned ´for ever´ by the Czechoslovak government) and Oratorio for Prague, unique coverage of the 1968 invasion of Czechoslovakiascreened in the UK for the first time, 11 features and shorts provide a testimony to Nemec’s work and the constant reinvention of his style. Selected films punctuate different stages of his career and reflect his adventures as he re-enacts them in his work. Never sentimental or nostalgic, endlessly ironic and self-mocking, Nemec´ films radiate his energy and fascination with film. 

    The retrospective opens with the UK premiere of Jan Nemec’s The Wolf from Royal Vineyeard Street (2016), the final film of his career in which he recapitulates and reimagines his life. Beginning at the 1968 Cannes Film Festival when his film, The Party and the Guests was competing for the Palm d’Or the film follows the trajectory of Nemec’s life – filming the Russian invasion, escaping from Czechoslovakia, life in California and his eventual return to Prague after obtaining a visa for ‘the funeral of communism’. Each filmed as a separate section in contrasting style it presents a multi-faceted, complex film which mixes documentary, re-enactments and fiction to create a cinematic collage which received the Jury’s special mention at the 2016 Karlovy Vary International Film Festival.

    The Wolf from Royal Vineyard Street together with Late Night Talks with Mother (2001) made with small personal cameras, present the pinnacle of Nemec’s deeply personal, intimate films which he started to make after his return from political exile. Late Night Talks with Mother, a Golden Leopard Award winner at Locarno 2001, is Nemec’s stylized selfportrait consisting of his imaginary dialogue with his deceased mother, inspired by Kafka’s Letter to his Father. Set in Prague and presented via fish-eye panoramic shots, the film is full of originality and poetry providing an insight into Nemec’s life and the history of the 20th century. The complex relationship between a mother and her son is complemented by the screening of Nemec’s short film Mother and Son (1967), the winner of the Grand Prix at the Oberhausen International Short Film Festival.

    For more information on the Made in Prague Film Festival and to book tickets click here.

  • November Events: BAFTA Screenwriters Lectures

    November Events: BAFTA Screenwriters Lectures

    The British Academy of Film and Television Arts (BAFTA)  announced that the latest in their prestigious series of lectures by the world’s leading screenwriters will feature screenwriters Mark Boal, Sean Baker, Edgar Wright, Dee Rees and Anthony McCarten in November. 

    Even if you aren’t a screenwriter but just a passionate cinemagoer you should consider attending. These lectures are informative and shine a spotlight on the person who took a simple idea and turned it into a screenplay.

    Now in its eighth edition, the Screenwriters’ Lecture Series exists to celebrate screenwriters’ authorial contribution to film, and gives esteemed writers a platform to share highlights and insights from their careers with an audience of film-lovers and their peers. The series is funded by JJ Charitable Trust, one of the Sainsbury Family Charitable Trusts. The creator of the series is BAFTA-winning screenwriter Jeremy Brock.

    This year’s lectures will begin with BAFTA and Oscar-winning American screenwriter, producer and journalist Mark Boal (The Hurt Locker, Detroit) at BAFTA 195 Piccadilly in London on Friday 17 November.

    American writer-director Sean Baker (Tangerine, The Florida Project) will then take to the stage at BAFTA on Saturday 18 November.

    BAFTA-winning British screenwriter, director and producer Edgar Wright (Shaun of the Dead, Hot Fuzz, Baby Driver) will deliver his lecture on Sunday 19 November at BAFTA.

    American writer-director Dee Rees (Bessie, Pariah, Mudbound) will give her lecture on Thursday 23 November (venue to be announced).

    Concluding the series, BAFTA-winning New Zealand-born screenwriter and producer Anthony McCarten (The Theory of Everything, The Darkest Hour) will deliver his lecture at BAFTA on Saturday 25 November.

    Marc Samuelson, Chair of BAFTA’s Film Committee said: “BAFTA’s Screenwriters’ Lecture Series offers a rare opportunity for practitioners and enthusiasts alike to gain insight into the craft of screenwriting. We’re thrilled to welcome such a fantastic line up of stellar talent to the stage this year.”

    For more information click here.

  • Pop Up Screens: Snow Programme

    Pop Up Screens: Snow Programme

    Trade in your sofas and Terry’s Chocolate oranges this Christmas for popcorn, snow and a festive screening in the iconic Pop Up Screens’ Christmas grotto.

    Muppet Christmas Carol!
    Muppet Christmas Carol!

    The Legendary Pop Up Screens that saw Londoners enjoying blockbusters throughout summer is back to see us through the Christmas period from the 8th– 24th December. Hackney Showroom in East London will be unrecognisible after it undergoes the Pop Up Screen Christmas treatment.  Doors are done away with, instead the audience will enter through a magical wardrobe and arrive in a winter wonderland lined with fir trees, dusted with snow and mulled wine on tap.

    This year’s repertoire aims to bring the wonder of Christmas to people of all ages in an unforgettably festive surrounding. Classics include the likes of The Lion, the Witch and the Wardrobe, Home Alone, Love Actually, Miracle on 34th Street, and of course Elf.  These will be interspersed with the more recent Oscar approved La La Land, Disney’s hugely popular Frozen and the comically acclaimed Bad Santa.

    Pop Up Screens
    Pop Up Screens

    In this snow filled winter wonderland, audiences will of course find popcorn from Drum and Kernel, as well as handmade brownies, craft beer, pimped hot chocolate and lovely festive mulled wine (It’d be rude not to). Pop Up Screens founder David Leydon said: “Christmas is our chance to do something special and to build an experience for our audience.  When you were 5, you wanted to climb into your wardrobe and find something amazing at the back of it – now you finally can!”

    Children’s ticket prices start from £5 and adults from £10. Click here to buy tickets.