Isabel Sandoval’s Lingua Franca is a semi-autobiographical picture, and it’s worth noting that she directed, wrote, produced, edited and starred in the film all by herself; a commendable feat by anyone’s standards, but it’s not… Lingua Franca: BRWC LFF Review
Rian Johnson has received critical acclaim for his work in the past, most notably for Brick and Looper, but sadly his brilliant and daring take on Star Wars: The Last Jedi has become so buried… Knives Out: BRWC LFF Review
James Mangold’s latest picture is not without its flaws, but it’s so impeccably well-made that it’s hard to spot them. When it comes to good, old-fashioned Hollywood entertainment, Le Mans ’66 is the film that… Le Mans ’66: BRWC LFF Review
Not to be confused with Netflix’s Beats that also released this year, Brian Welsh’s new film is a celebration of 1990s rave culture, marked by the end of an era amid the passing of the… Beats: DVD Review
Alison Klayman, the award-winning filmmaker behind Ai Weiwei: Never Sorry, has returned with new film The Brink, an observational documentary offering a one-of-a-kind look at one of the most significant and dangerous figures in world… The Brink: The BRWC Review