Francis Lee, who first impressed audiences with his 2017 Bafta-nominated debut God’s Own Country, never quite creates the same magic with his sophomore feature Ammonite, a well-produced yet flawed rom...

Ultraviolence: LFF Review

It’s been almost twenty years since Ken Fero’s highly controversial documentary Injustice was released (a film that was banned from television and effectively banished Fero from the mainstream), but h...

Cicada: LFF Review

Matt Fifer’s feature debut (co-directed with Kieran Mulcare) is a deeply personal one; a semi-autobiographical story about a bisexual man who struggles with intimacy due to a traumatic childhood exper...

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