How I Came to The Work of Actor RUSS RUSSO (or rather, how it came to me) by Pablo D’Stair Like much of the art that has come to mean so much to me in life—from the work of Joyce and Mamet, to M...
As the conclusion to his uber-bright, uber-gory Teen Destruction trilogy, Nowhere is a feast for the eyes. The highly stylized sets, trippy characters and theatrical gore are even more hyperbolised th...
A Christmas Carol with no muppets and a lot of pain. Leonard Cohen’s ‘A Thousand Kisses’ deep will always hold a place close to my heart. Whilst watching the fedora wearing troubadou...
“I had to rearrange their faces And give them all another name” a freeform analysis of Paul Schrader’s THE CANYONS by Pablo D’Stair A Brief Introductory Note: I was a Kickstarter contributor to this f...
The Birth of a Nation begins with a title card reading, ‘A PLEA FOR THE ART OF THE MOTION PICTURE’, a statement arguably apt for a film that, despite pioneering huge advancements in the hi...