Conceived as a companion piece to 2012's The Act Of Killing, this picks up where Joshua Oppenheimer's doc on the '60's Genocide under an

Thomas Cailley's assured debut is a weirdly self-aware yet self defeating affair, seemingly looking to take on the tropes of the trite and tested

Pernicious fits comfortably into the low-budget schlock horror market, where the script and performances tend to count for a lot less than the buckets

Considering the scope of the story presented in Jessi Shuttleworth’s FEBRUARY, the short-form of the film—and its use within of brevity versus relative-elongation, incident

After being told about an "Iranian/Vampire/Romantic/Drama" movie doing the festival rounds, my interest was piqued, you don't hear many of them knocking about .