Author: BRWC

  • Another Take On That Ghostbusters Film

    Another Take On That Ghostbusters Film

    By Jay Connors.

    Whenever a beloved movie franchise is rumoured or confirmed to be in the process of remake or reboot, there’s always a mist of controversy and outrage. Whether it’s modern Asian cinema given a localisation like ‘Infernal Affairs’ (remade as ‘The Departed’) and ‘Oldboy’, or essential parts of growing up like ‘The Karate Kid’ or ‘RoboCop’, panic often sets in before a frame has even been shot.

    There’s usually cause for concern, with most films of this type often being cheap cash ins to a film series that has worn itself out, or simply failing to make its own unique mark which asks the question – why bother? But remakes have always had their part to play, ironically in the 80s with films like ‘The Fly’ and ‘The Thing’ being favourites that were remakes themselves, and most likely without the backlash we see today now 80s movies are ripe for the picking. With the concept of ‘rebooting’ a franchise now generally more accepted, with cheeky references to the original and cameos galore for fans to spot and geek out over, it’s no wonder ‘Ghostbusters’ was picked up for a fresh lick of paint.

    Despite the 2nd film not having the same cultural impact as the original, much like ‘Predator’ which had its own reboot to some success only a few years ago, fans have been clamouring for a new instalment for so very long, and it looked to be on the table for years. Multiple scripts that didn’t meet the cut, along with an ageing cast (including the sadly departed Harold Ramis), meant the only chance for the 3rd film to go ahead would be to undergo a whole new direction. With Paul Feig (‘Bridesmaids’) at the helm, naturally the changeup would mean a female cast at the centre of things.

    And so the internet exploded.

    With ‘Bridesmaids’ and ‘Spy’ both being massive critical hits, with ‘The Heat’ also scoring respectable points in its own right, there’s no doubt that Feig is able to produce a movie that people like. Allowing him to create a new ‘Ghostbusters’ film should have been cause for celebration, as we otherwise could’ve ended up with a music video director and a handful of unknowns from MTV shows to appeal to the youth market. Does that really sound more pleasing?

    Yet this is the situation we’re in, as it feels I can’t even talk about the quality of the movie without addressing this multiple year attempt to poison the well that came before release. Even as we speak, over 10,000 accounts (let’s not say people) have voted it a 1 on popular movie cesspool IMDb, despite the fact the vast majority haven’t seen it. We didn’t get this reaction when ‘Point Break’ was given a remake a mere 7 months ago (for reasons nobody understands to this day), so sadly we have to assume this is down to this new wave of anti-women hatred that has oozed itself so vocally out of the anonymous depths of the web in the last few years. “It’s destroyed my childhood!” simply doesn’t stand up, unless you want to be viewed as someone who hasn’t grown up one bit in 30 years.

    And that’s one of several reasons that ‘Ghostbusters’ is important, if simply to challenge this viewpoint where it hurts them. And while it isn’t, and never was going to be, as ‘good’ as the original, its existence is welcome to so many.

    It’s a positive thing that girls, who were so horribly represented on screen during the golden years most 30 something males enjoyed  while we grew up, are now shown they can be equally billed on a beloved franchise. The same people who were sad that the only character they were supposed to relate to in the classic version were a secretary or the ‘gatekeeper’, are now able to be the heroes. For a man or woman to be able to take their daughter to a big summer blockbuster where women kick ass with science, and have people to believe in and look up to is objectively a good thing.

    The plot, now we’ve got all that out the way, revolves around the reunification of Erin (Kristen Wiig) and Abby (Melissa McCarthy) who went different paths in their science careers. Having confronted Abby over publishing a long forgotten and potentially embarrassing ghost theory book, Erin discovers their original beliefs were in fact true as New York City begins to be inundated with the undead. Together with fellow scientist Holtzmann (Kate McKinnon) and Patty (Leslie Jones), an MTA worker with an equally useful knowledge of the city, the pair form a society dedicated to proving the existence of ghosts.

    And so it’s a shame, but not necessarily a problem, that ‘Ghostbusters’ isn’t a five star, absolute riot of a movie. It’s for the most part humorous rather than hilarious, and sometimes relies on aforementioned callbacks and cameos too much to get a (warranted) reaction from the audience, but has enough it gets right that it doesn’t matter. The plot borrows enough from the original while carving its own path, and both character design and equipment styling has been given a lot of care and thought. For fans of the original, it’s a fresh enough origin story with a very different cast and approach that should entertain, while younger audiences will be able to go in unbiased and understand why the world loved the Ghostbusters originally.

    2016’s ‘Ghostbusters’ is very much a film of its time, with frequent references to technology and the backlash it provides that the original movie simply couldn’t comment on. It feels enough time has passed that society’s attitudes have shifted in a way that allows a different viewpoint to essentially the same base story.

    While some more characterisation and relationship between the characters wouldn’t have gone amiss, the four leads work well together and feel natural picks for the role. Feig and Katie Dippold did solid work with giving us new characters that aren’t simply replicants of the classic cast, but have a bit of familiarity at the same time. Stand out star is Kate McKinnon, who for several years has been a fan favourite on ‘Saturday Night Live’, who might be quite divisive amongst viewers due to just how ‘out there’ her character is, but you simply can’t not be drawn to her whenever she’s on screen.

    Outside of an appropriately SNL themed set of lead and side characters (Wiig is an ex-cast member, McCarthy has hosted several times, while Leslie Jones and Cecily Strong are current cast members) the under-utilised Neil Casey makes for a great villain, while Chris Hemsworth gets to show off his comic chops in an attempt to steal the crown from Channing Tatum in heartthrob-turned-funnyman roles.

    Overall, ‘Ghostbusters’ is simply fun. Tune out the whining of people who insist this is all about attacking straight males, and enjoy the fact we get to bust some ghosts again for the first time in decades.

    *** 1/2

  • 8 Times Angela Bassett Was A Total Boss

    8 Times Angela Bassett Was A Total Boss

    After successfully portraying countless female characters known for holding their own in male dominated environments, it’s no surprise Angela Bassett shines as White House Secret Service Director Lynn Jacobs, first in Olympus Has Fallen and now again in its sequel London Has Fallen, available for digital download now and on Blu-ray & DVD from 18th July, 2016.

    In London Has Fallen, Bassett is just as we expect; fierce as ever, and ready for action.  Along with President Asher (Aaron Eckhart), the President’s Chief Security Detail Mike Banning (Gerard Butler), and Vice President Allan Trumbull (Morgan Freeman), Jacobs travels to London to help save the world from impending disaster, AGAIN.

    A multiple award-winning actress with a stunning resumé, from Rosa Parks to Betty Shabazz, and Katherine Jackson to Tina Turner; bodyguard and limo driver, to stockbroker and Voodoo Queen; Angela Bassett is not only a bad-ass B in real life, she’s no stranger to playing one on screen.

    To celebrate Bassett’s triumphant return to the screen as Lynn Jacobs in London Has Fallen, here is a list of 8 times Angela Bassett was a complete and utter boss!

    London Has Fallen & Olympus Has Fallen | Lynn Jacobs

    In the event of a global crisis, Lynn Jacobs is your girl.  The only female member of President Asher’s cabinet, White House Secret Service Director Lynn Jacobs is a valued advisor to all her male peers.  She is calm, cool, and collected in the face of danger, and she always makes the right call. It is clear that Bassett is very comfortable in this role, and executes it beautifully.

    The Rosa Parks Story | Rosa Parks

    In 2002, Bassett landed the role dozens would dream to play, the African American civil rights heroine, Rosa Parks.  When asked to give up her seat for a white passenger on a full bus, Rosa Parks declined, and was subsequently arrested.  On the day of her trial protesters started a boycott that lasted 381 days, and eventually caused the ruling that declared bus segregation unconstitutional.  Bassett won her first NAACP Image Award for best actress in this role.

    Malcolm X | Betty Shabazz

    In the 1992 film Malcolm X, Bassett played opposite Denzel Washington as Malcolm X’s wife Betty Shabazz.  Like her husband, Betty Shabazz was a respected civil rights activist.  After Malcolm X was assassinated, Betty took a job as a professor at Medgar Evers College in Brooklyn and raised their six daughters all on her own.

    The Jacksons: An American Dream| Katherine Jackson

    Ever heard the term Mom-ager?  It probably originated from Katherine Jackson, wife of Joseph Jackson, and mother of the children that comprised the popular 60’s band The Jackson 5.  Based on an autobiography by Katherine Jackson, The Jacksons: An American Dream followed the life of Joseph and Katherine and their talented children, exploring how this family made themselves into a business.  Bassett was encouraged not to take the role due to some criticism of the Jackson family at the time, however the actress insisted.  The show subsequently became one of the most popular and successful music-biography mini-series of the 90s.

    What’s Love Got to Do with It | Tina Turner

    What’s Love Got to Do with It is the moving story of pop legend Tina Turner (formerly known as Anne Mae Bullock), her rise to fame, and her struggle to find the courage to leave an abusive husband.  Tina Turner is one of Bassett’s most memorable roles.  Bassett’s moving performance garnered the actress a Golden Globe Award, and her first Academy Award nomination.   In this film, Bassett not only demonstrated impressive acting chops, but also some killer dance moves.

    Strange Days | Mace

    Bassett illustrates no role is beyond her scope of capability in Kathryn Bigelow’s 1995 racially charged, science fiction thriller Strange Days, starring as a divorced single mother, body guard, and limo driver all rolled into one.  As Lornette “Mace” Mason, Bassett is at the centre of some pretty intense action, including car chases, police raids, and race riots.  Once again, Bassett is not only keeping up with the boys, she is also leading the pack.

    How Stella Got Her Groove Back | Stella

    It is impossible not to love Angela Bassett in the 1998 Rom-Com, How Stella Got Her Groove Back.  Not only is Stella a ball-busting stockbroker working her butt off to raise her son as a single mother, after taking a well- deserved vacation to Jamaica, she captures the heart of Winston Shakespeare, played by the handsome Taye Diggs, twenty years her junior.  Cougar alert!  That’s pretty bad-ass.

    American Horror Story | Marie Laveau

    As well as bossing it on the silver screen, Bassett has also stood out in Ryan Murphy’s acclaimed TV series American Horror Story.  In the series’ third season American Horror Story: Coven, Bassett took on the epic role of Voodoo Queen, Marie Laveau; ageless, timeless, and forever unforgiving.  Bassett’s outstanding performance as the Voodoo Queen not only garnered an Emmy nomination, but also the opportunity to return in different roles in each subsequent season.

    LONDON HAS FALLEN – On digital platforms now.  On Blu-ray & DVD from 18th July, 2016.  Courtesy of Lionsgate Home Entertainment.

  • The Killing$ Of Tony Blair: The BRWC Review

    The Killing$ Of Tony Blair: The BRWC Review

    Covering the three titular killings of Tony Blair’s career, filmmakers Sanne van den Bergh, Daniel Turi and Greg Ward explore the fall of Old Labour, the abhorrent decision to lead the UK to war in Afghanistan and Iraq, which saw the death of countless thousands and the financial killing made as a public speaker and political adviser in the years that followed.

    Produced, co-written and featuring George Galloway, this Kickstarter project was never going to be anything less than impassioned.

    Having such a notable ex-MP steering the ship meant that while the documentary may be informative it is also un-tempered, the execution coming across something akin to the work of Michael Moore. There’s a charisma to

    Striking within weeks of the Chilcot Report and the wholly divisive Brexit referendum the timing for this feature couldn’t be more perfect. It appears that a twenty-year roadmap to our current political malady and a nation’s disillusionment with the financial sector is laid out within this exposé. Teflon Tony’s dalliances with media moguls, banking behemoths and deadly dictators are recounted, reducing the man to a chameleon figure with a beaming grin and staggering net worth.

    The filmmakers deftly handle the dynamic of news footage and contemporary interviews with notable figures including Francis Beckett, Noam Chomsky, Will Self and Rt. Hon. Clare Short. While the “new and unexplored ground” promised doesn’t quite live up to expectations there is still a great deal here to digest. With some occasional graphic footage of the horrors of war the execution of certain scenes is hard to swallow. Unflinching in its approach, this documentary illustrates the full extent of Blair’s ambitions and the grave consequences caused by his decisions over past two decades.

    Unfortunately, of the three specific sections mentioned in the opening reel, the rise of New Labour in the shadow of Margaret Thatcher gets the least attention. The lack of balance in the subjects seems a pity, as the attention to detail laid out regarding the war and post-war are impressive, if far from exhaustive.

    Overall, The Killing$ of Tony Blair manages an admirable barrage of shots fired into a political and economical ecosystem that requires more scrutiny from the public and greater consequences for those who abuse their position and power.

    The Killing$ of Tony Blair opens in the UK, with a world premiere with Q&A at Curzon Soho, London July 27th.  Followed by nationwide Q&A tour with George Galloway.  Released on DVD & DIGITAL HD on 15th August 2016.

  • The Most Popular Album Of Every Year Since 1956

    The Most Popular Album Of Every Year Since 1956

    By Emily von Hoffmann.

    Can you name even one song popular the year you were born? Odds are, your parents can. Maybe it was playing on the radio as they drove to the hospital, or perhaps it was on their birth mix. To fortify your reminiscences with period-appropriate details, PrettyFamous, an entertainment site by Graphiq, compiled a list of Billboard’s best-selling album for each of the past 60 years.

    From our findings, it’s clear that Broadway musicals were once ultra-mainstream; the soundtracks of shows with their original Broadway casts led sales for six years between 1956-1961, and have not done so since. Filling that space to an extent are the soundtracks of musicals on film, which were best-sellers for seven years on our list, most recently with “High School Musical” in 2006. The list contains many debut albums, including those by Jimi Hendrix, Peter Frampton and Whitney Houston, among others. Conspicuously absent are some of the most obvious artists you might name — neither The Beatles nor Led Zeppelin appear here, for example.

    Billboard creates their ranking of best-selling albums, called the Billboard 200, using Nielsen SoundScan data. Before 1991, however, the Billboard chart was based on a representative sample of retail outlets. Navigate through to find out which album might have been the soundtrack to your birth.

    Scroll through the slideshows below to discover the most popular albums of the past seven decades:

    The 1950s

    The 1960s

    The 1970s

    The 1980s

    The 1990s

    The 2000s

    The 2010s

    Research More Albums on PrettyFamous

  • Top 10 Sports Documentaries

    Top 10 Sports Documentaries

    Widely considered the greatest footballer ever to grace the pitch, Lionel Messi is now the star of an all-new documentary that takes a magnifying glass to his life and career, detailing in minute detail how he rose to become so widely regarded.

    The film is the latest in a long line of documentaries that set about examining how sporting icons from across the world start, continue and sometimes end their careers in sometimes sensational, sometimes tragic circumstances. From football to basketball to bodybuilding, the documentary format has long been the go-to genre to explore such complex and richly observed true-life narratives.

    To celebrate the release of MESSI, available on DVD and digital HD from 25 August, we’ve listed ten of the very best sports documentaries ever made.

    Messi (2016)
    From Spanish filmmaker Álex de la Iglesia comes Messi, a fascinating documentary exploring the man behind the legend. Through the opinions of major footballing icons, teammates and friends, Iglesia explores what makes Argentinian icon Lionel Messi the undisputed greatest football player in the world. The result is a documentary that weaves home videos and archive footage with roundtable interviews, to illustrate Messi’s incredible journey and rise to the top.

    Next Goal Wins (2014)
    This British documentary follows the national football team of American Samoa, a team who have been dogged by defeat since their famous 31-0 loss to Australia in 2001. Following their hopes to qualify for the 2014 FIFA World Cup, the film is an inspiring story about underdogs who push themselves to be the best they can, despite the cost. It was widely acclaimed by critics, who praised the film as a charming, uplifting documentary.

    The Class of ’92 (2013)
    Following the story of six young Manchester United footballers at the start of their career with the club in 1992, filmmakers Ben and Gabe Turner gained full access to the stars of their film. Charting the success of the club’s top players David Beckham, Nicky Butt, Ryan Giggs, Gary Neville, Phil Neville and Paul Scholes, the documentary weaves exclusive interviews with archive footage to follow their rise to the top, from the FA Youth Cup to their Champions League triumph in 1999, which rounded off the Treble-winning 1988-89 season.

    Undefeated (2011)
    The Academy Award-wining documentary follows the struggles of an underfunded and underprivileged high school football team in Memphis as they attempt a winning season after years of losses. The film looks at The Manassas Tigers who attempt to turn their luck around with the help of their coach Bill Courtney, who ends up transforming the young men into an academic team worthy of the championship title.

    Senna (2010)
    The BAFTA-award winning film by Amy (2016) director Asif Kapadia follows the career of Brazilian Formula One racing driver Ayrton Senna, from his debut at the 1984 Brazilian Grand Prix to his fatal death at the 1994 San Marino Grand Prix. Kapadia chose to construct his story by using archive racetrack footage and personal home videos without the heavy use of narration, to tell the story in Senna’s own words. The film follows his rise to the top of the sport, rivalry with teammate Alain Prost and his battle to improve the sport’s safety. The emotionally moving story was widely acclaimed by critics who praised both the filmmaking and the narrative that leads into Senna’s tragic accident.

    Zidane: A 21st Century Portrait (2006)
    This experimental documentary follows French footballer Zinedine Zidane during the Spanish league match between Real Madrid and Villareal CF on 23 April 2005. The match was filmed in real time using 17 synchronized cameras. Though the match ended in disappointment for Zidane, who was sent off during the last minutes of the match, as a result of a brawl.

    Dogtown and Z-Boys (2001)
    This Sundance-award winning documentary follows the pioneering of the Zephyr skateboard team in the 1970s, who invented the aerial and sliding skate moves. Written and directed by former Zephyr skateboarder Stacy Peralta, the film uses a mix of archive footage shot in the 1970s and contemporary interviews, to tell a story about a group of teenage skateboarders and their influence on skateboarding culture.

    Hoop Dreams (1994)
    Often regarded as the best documentary of all-time, Hoop Dreams follows two African-American high school students in Chicago and their dream of becoming professional basketball players. The film follows the young boys’ struggle at school, their downfalls and successes, all while commenting on issues concerning race, social class and economic division in the United States. Director Steve James ended up filming 250 hours of footage over eight years, but the result paid off.

    When We Were Kings (1996)
    Telling the story of the infamous ‘Rumble in the Jungle’ heavyweight championship match in Zaire between Muhammed Ali and George Foreman, When We Were Kings was in production for 22 years before it was released in 1996. The Academy Award winning documentary follows the build up to the fight, featuring archive footage of both Ali being adored by the people of Zaire and the intense fight itself. The film was critically acclaimed upon its release, and it is frequently hailed as one of the best boxing documentaries ever made.

    Pumping Iron (1977)
    Before his was Conan and the Terminator, Arnold Schwarzenegger was – well, Arnold Schwarzenegger. He stars as himself in this bodybuilding docudrama which follows his competition with a pre-Incredible Hulk Lou Ferrigno for the title of the 1975 title of Mr Olympia. The film became a box office success and Schwarzenegger quickly became a household name, shortly before he turned to acting.