Author: BRWC

  • Ghostbusters Ratings Highlight Negative Perception Of Female-Led Films

    Ghostbusters Ratings Highlight Negative Perception Of Female-Led Films

    By Natalie Morin.

    The backlash against the recently-released “Ghostbusters” film has proved that the internet can be much scarier than ghosts.

    Many expected the female-led remake of the 1984 male-led classic would prove to be controversial in certain spheres (ahem, Reddit). But ever since the first trailer for the film dropped earlier this year, a barrage of pointed judgements and hate from superfans of the original film (the most outspoken of which are men) have littered “Ghostbusters’” path with slime.

    After its release on March 3, the “Ghostbusters” trailer was the most disliked promo in YouTube history. (To put this in perspective, it’s up there with the most disliked video overall, Justin Bieber’s “Baby” music video, which features the then-16-year-old dance-battling in a bowling alley. It received almost 6 million dislikes.) Male fans on Reddit vowed to skip the film’s opening and play the “Ghostbusters” video game instead. One of the leads of the film, Leslie Jones, deleted her Twitter account after receiving an overwhelming amount of racist and sexist tweets. Then they came for the internet ratings.

    FiveThirtyEight’s Walt Hickey published an analysis of IMDb’s user rating skew for television shows. His takeaway was that data shows that across the board, men tend to drag down the ratings of shows aimed at female audiences. PrettyFamous, an entertainment data site by Graphiq, hypothesized that this trend extends to movies that feature female-dominated casts. To test this theory, PrettyFamous looked at the overall IMDb ratings of notable female ensemble films* since 2000. Then, they broke down the votes by gender.

    *Note: PrettyFamous regarded ensemble films as those with three or more female principal characters, coming out after the year 2000. The list is not fully comprehensive, but includes most of the major female ensemble films of the last 16 years.

    In each case, male users rate movies with female leads lower than female users. Even critically acclaimed “The Help,” which has the highest overall IMDb score of the group (8.1/10), was given an average rating of 7.9 by male users (161,746 votes) and 8.4 by female users (108,173 votes).

    The preliminary rating for “Ghostbusters” is no exception. In fact, out of this group of films, “Ghostbusters” has by far the highest disparity between male and female rankings.

    The movie’s measly 5.2 (out of 10) IMDb rating is yanked down due to more than 19,000 men who gave it an average of 4.5, while about 6,000 women rated the movie a respectable 8.1. The next-biggest leap between ratings was the “Sex and the City” movie, based on the famous 1990s-era HBO show. It received an overall rating of 5.5, where men gave it an average of 4.7 compared to 6.5 from women.

    Perhaps this is just a case of women being more forgiving online and rating all movies generally more favorably than men. However, Hickey in his FiveThirtyEight analysis found that this wasn’t the case for the most popular TV shows. He writes, “Women gave their top 100 shows, on average, a 7.8 rating, about the same score they gave the top 100 male-dominated programs, 8.0. Men gave their top 100 an average score of 8.2 but gave the top 100 female-skewed shows a mere 6.9 average ratings.” Though all of these top shows are notable, men consistently rate female-oriented work lower.

    Though tastes in films vary widely from person to person, ratings systems such as IMDb hold weight in many critics’ circles. Whether conscious of it or not, consumer ratings have the ability to influence the public’s perception of a film (at least to some extent).

    Oscar-worthiness aside, “Ghostbusters” promised to be a film that, armed with its predominantly female cast, would be a significant step toward diversity within the film industry. According to the data, however, it seems as though its critical fate was already determined long before it hit the silver screen.

    Research Your Favorite Movies on PrettyFamous

  • Remembering Alan Rickman

    Remembering Alan Rickman

    To celebrate the release of Entertainment One’s Eye in the Sky we look back at the life and career of one of the most influential and spectacular British actor’s in Hollywood filming history. Born in Acton, London the British great was known prominently for his influences in both the filming and theatrical world.

    Trained at the Royal Academy of Dramatic Art in London and starring in his first Hollywood role as one of the most legendary villains in Hollywood history Hans Gruber in Die Hard there was simply nothing Rickman could not do to the highest aptitude.

    So this being said – here are Alan Rickman’s top 5 starring roles…

    5: Sweeney Todd: The Demon Barber of Fleet Street (Burton, 2006) – Judge Turpin

    Known for his influence in theatrical theatre Alan Rickman puts in one monumental performance as the villainous Judge Turpin in Tim Burton’s remake of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street. Rickman’s ability to sing hugely renowned, powerful ballads like ‘Pretty Women’ and ‘Johanna’ furthermore underlined Rickman’s sheer versatility as an actor – resulting in this being one of his finest and most renowned on-screen appearances.

    4: Love Actually (Curtis, 2003) – Harry

    Even with a plethora of stars ranging from the likes of Hugh Grant, Colin Firth and Kiera Knightley, Alan Rickman is still the standout performer in Curtis’s Christmas ‘romcom’. Rickman plays Harry – a middle-aged man toying between the fidelity of his long term marriage and the prospect of an ‘office-fling’ with his feisty new assistant Mia. Most notably stand out scenes like ‘the ribbon scene’ performance alongside co-star Rowan Atkinson will be forever cemented as one of Rickman’s finest acting moments.

    3: Robin Hood: Prince of Thieves (Reynolds, 1991) – Sherriff George of Nottingham

    Not only one of Rickman’s most sinister characters, but also was one of his most successful in regards to awards won. Rickman’s supporting role won him his first major acting award – picking up the BAFTA for Best Actor in a Supporting Role. Rickman’s performance was praised by many with most notably the current Sherriff of Nottingham stating that, ‘There are many actors who have played the role of Sheriff of Nottingham, but few have done so as memorably as Alan Rickman in Robin Hood: Prince Of Thieves.’

    2: Die Hard (McTiernan, 1988) – Hans Gruber

    ‘Do you really think you have a chance against us, Mr. Cowboy?’… ‘Yippee-ki-yay, mother******’. This could have quite easily been titled Rickman’s finest motion picture, and to many people reading this I’m sure it absolutely is. This was Rickman’s first appearance in a major blockbuster and with so created one of the most iconic villains to have ever graced Hollywood, with website gamesradar voting the character the 15th greatest movie villain of all time in their list of 100.

    1: The Harry Potter franchise (2001-2011) – Severus Snape

    ‘There will be no foolish wand-waving or silly incantations in this class.’ Was there any other option but to title this as Alan Rickman’s finest character ever? Rickman’s performance as Severus Snape, the menacing professor at Hogwarts School of Witchcraft and Wizardry captured the hearts and imaginations of people of all ages of the world. Rickman’s passing rocked the Harry Potter community to pieces with fans of the franchise erecting a temporary ‘Alan Rickman plaque’ outside platform 9 ¾ at King’s Cross Station. Cast and crew flooded commemorative tributes by the dozens when news hit of Rickman’s passing – with most notably author of the franchise J.K Rowling tweeting, ‘There are no words to express how shocked and devastated I am to hear of Alan Rickman’s death. He was a magnificent actor & a wonderful man.’

    Fall in love with the brilliance of Alan Rickman one last time and take home Gavin Hood’s EYE IN THE SKY. Available on Blu-Ray and DVD on the 15th August.

  • Six Of The Best Jazz Films Ever Made

    Six Of The Best Jazz Films Ever Made

    Dedicated to Jon Crespo.

    Given that the first ever feature length film with synchronized sound, The Jazz Singer was a film about Jazz, it’s no surprise that Hollywood has such a rich history within the genre.  The latest addition to the jazz film category, Miles Ahead is a standout.  Available on digital platforms on 15th August and on Blu-ray and DVD from 22nd August, 2016, Miles Ahead is a bio-pic that offers a deeply moving view into the darker periods that plagued the musical genius Miles Davis’ tumultuous career.

    As Miles Davis and Dave Braden, a Rolling Stones journalist who foregoes his own reporting agenda to help the unstable Davis save a precious tape of original music from greedy music executives, Don Cheadle (Captain America: Civil War, Ocean’s Thirteen) and Ewan McGregor (August: Osage County, Trainspotting 2) deliver career defining performances.

    To celebrate the release of this poignant account of one of the greatest Jazz musicians in history, here’s a look back at some of the best Jazz films to grace the silver screen over the years.

    Miles Ahead

    Miles Ahead
    Don Cheadle

    Don Cheadle’s directorial debut, and a pet project in development for over 10 years, Miles Ahead takes on the challenging perspective of the darkest period of legendary jazz musician Miles Davis’ career.  It’s 1979 and the prolific musician has not performed publicly in six years, let alone pick up a trumpet in three.  Secluded from the world in a wrecked Upper West Side apartment, Davis’ biggest obstacle is himself.  He is fighting severe drug addiction and depression, and trying to protect the last piece of music that belongs to only him.  Meanwhile, the outside world has caught wind of the possibility that the mercurial music genius still holds on to one tape of original music.  An eager Rolling Stones reporter, Dave Braden decides to befriend Davis with the hidden agenda to get the inside scoop on the mysterious tape.  In a thrilling turn, Braden’s loyalty to music and the respected musician overcomes his ambitions and he finds himself helping Davis save his music from unappreciative music execs eager to get their hands on new material at any cost.

    The Jazz Singer

    Categorized as one of the best American films of all time by the American Film Institute in 1998, Warner Brothers and Alan Crosland’s 1927 The Jazz Singer is a piece of cinematic history.   With its introduction of synchronized sound to a moving picture, The Jazz Singer is largely responsible for the turning point in cinema from silent films to “the talkie,” as they called pictures with synchronised sound in the 20’s and 30’s.  Starring Al Jolson as Jackie Rabinowitz, or as he is later called, Jack Robin, The Jazz singer tells the story of the son of a Jewish Cantor, who prefers singing Jazz to the music of the synagogue.  Disowned by his father, the young musician finds success as a Jazz performer.  The father and son are reconciled when Jack forgoes the biggest performance of his career to sing the sacred Kol Nidre at his father’s synagogue on Yom Kippur when the old man is dying.  In the final scene we see Jack performing at one of the biggest theatres in New York.  He is finally living his dream.

    Stormy Weather

    Stormy Weather
    Stormy Weather

    Starring respected dancer Bill “Bo jangles” Robinson, and the beautifully talented singer, Lena Horne, Stormy Weather is a 1943 Jazz Musical that made its mark on history as one of the first mainstream Hollywood musical productions to cast African American performers in leading roles.  The story of a soldier that returns home from World War I with ambitions to become a dancer, the charming 77 minute film features 20 impressing musical numbers from some of the top music and dance performers of the time including Cab Calloway, Fats Waller, The Nicholas Brothers, and Ada Brown.  In 2001, the film was selected for the National Film Registry by the United States Library of Congress for its significant relevance to the field of cultural history.

    Lady Sings The Blues

    Named for Billie Holiday’s 1965 album and single “Lady Sings the Blues,” and the autobiography by the acclaimed singer the same year, Lady Sings the Blues is 1972 bio-pic based on the mesmerizing singer’s dramatic life and career.  The moving film was legendary vocalist Diana Ross’ first fore into acting, yet her portrayal of the Holiday’s turbulent ascent to fame won the actress both Academy Award and Golden Globe award nominations for best actress.  The film itself was nominated for five academy awards, and the soundtrack sold over 2 million copies making it the fourth best-selling R&B album and fifth best-selling Pop album of 1973.

    The Fabulous Baker Boys

    The Fabulous Baker Boys
    The Fabulous Baker Boys

    A combination of sibling loyalty, a love story, and the classic predicament of every great artist: creative freedom vs. making a buck; all underscored by the beautiful melodies of classic jazz, The Fabulous Baker Boys is every bit as fabulous as the title would suggest.  Jeff (The Giver, True Grit) and Beau Bridges (The Descendents, Evel Knievel) star as Jack and Frank Baker, a jazz duo performing gimmicky jazz to sustain a living.  Frank acts as the duo’s manager, while playboy Jack, the real talent of the family, struggles to find his way between a desire to play real experimental jazz, and a life of endless partying and one night stands.  When an eccentric but strikingly talented singer with a chequered past, Susie Diamond, played by Michelle Pfeiffer (What Lies Beneath, Hairspray),  joins the band, she forces the brothers to re-evaluate their partnership.  When Jack and Susie get involved romantically, the band is ruined.  However, Jack is finally inspired to spread his wings and pursue the solo career for which is he is destined.

    Whiplash

    Winner of three Academy Awards, with nominations for two more including Best Picture and Best Adapted Screenplay, the 2014 drama Whiplash was initially planned for only domestic release in limited theatres across the U.S. and Canada.  After being selected as one of the top U.S. dramatic films at the prestigious Sundance Film Festival in 2014, the indie film with a 3.3 million dollar budget expanded to over 500 theatres; grossing an estimated 49 million dollars over its 6 month run in theatres.  Starring Miles Teller (Project X, Spectacular Now), and  JK Simmons (Spiderman Trilogy, The Closer), Whiplash follows the first year of talented Jazz musician, Andrew Niemen (Teller), who has been accepted to a prestigious New York City Jazz school.  Niemen is accepted to the upper level band where he suffers under the derision of an abusively rigorous conductor, Terence Fletcher (J.K. Simmons).  Niemen eventually triumphs over Fletcher in the film’s memorable last scene when the talented drummer leads the entire band in a defiant performance of “Caravan.”  The defeated conductor has no choice but to follow along with his band.

    Miles Ahead

    MILES AHEAD ON DIGITAL PLATFORMS ON 15TH AUGUST BLU-RAY AND DVD FROM 22ND AUGUST, 2016, COURTESY OF ICON FILM DISTRIBUTION

  • Messi (2014): DVD Review

    Messi (2014): DVD Review

    By Last Caress.

    Messi, the documentary by Alex de la Iglesia (Acción mutante, 1993), looks back at the life of Lionel Messi, the diminutive Argentinian footballer who, despite being diagnosed with growth hormone deficiency at the age of ten, went on to star for Catalan giants FC Barcelona and for Argentina, and to become arguably the most gifted exponent of the sport of Association Football the world has ever seen.

    Messi1
    Javier Mascherano: Couldn’t displace Hayden Mullins at West Ham United

    The movie takes the form of Messi’s sporting contemporaries – mentor Johan Cruyff, teammates Andrés Iniesta, Javier Mascherano, a host of others – sitting at tables in an informal restaurant/bar alongside friends, teachers and other significant members of Messi’s upbringing, chatting in stilted, semi-scripted “casual” manner to writer Jorge Valdano about Lionel: The boy, the man, the footballer. This interminable get-together is interspersed with videoclips gleaned mostly from Lionel’s father’s private home collection, with glimpses here and there of Messi’s skills as we are familiar with them today, and – far too often – with dramatised reconstructions of this reminiscence or that. But is the man inside Barca’s no.10 shirt as thrilling as his own fancy footwork?

    Well, no.

    Messi2
    Young Messi, imploring Frank Rijkaard for his first senior start at Barca

    The fatal flaw with Messi is that a fantastic sportsman does not a fantastic character study make. The Damned United  (Hooper, 2009) was an interesting dramatization of a time in a football icon’s career because the late Brian Clough was and remains inherently interesting. Senna (Kapadia, 2010) was an interesting documentary because Ayrton Senna was interesting. Zidane, un portrait du 21e siècle  (Gordon/Parreno, 2006) was interesting because it kept its focus lazer-pointed at the area in which Zinedine Zidane excels like no other: The football pitch (this is an approach which would have undoubtedly worked well for Messi). There are thousands of biopics, documentaries, books, theses and papers dedicated to Muhammad Ali, but why? For his (admittedly sublime) in-ring skills alone?

    Of course, even if sporting prowess alone guaranteed a fascinating subject for scrutiny and Lionel Messi was therefore by that token the most obvious candidate on earth for study, Messi would still be a dud, set as it is within a framework (that of friends/colleagues sat around in a restaurant, reminiscing) which, whilst attempting something fresh, really doesn’t work. His sporting peers seem uncomfortable, his mentors and guardians of old seem to lack much insight beyond recalling that he was quite good with a football. And the “reconstructions” of those recollections – sh*tting crikey! They make the reconstructions on Crimewatch look like clips from Lawrence of Arabia (Lean, 1962).

    All of which gives me cause to wonder for whom this documentary has been made. Not enough new or revelatory information to interest a fan, not enough of his exceptional footballing ability to appease either a fan of Messi OR a football neutral who simply appreciates a bit of skill, and too awkwardly congratulatory for even the man himself or his very closest relatives and sycophants.

    Messi3
    Puberty, and Lionel’s first w@nk proved revelatory

    For the record, the DVD presentation of Messi courtesy of SODA Pictures is in Spanish of course with optional English subtitles and a choice of 2.0 or 5.1 audio, and no extra features whatsoever. Own goal!

    You know what would make a genuinely riveting Lionel Messi documentary? One of those fan-made compilation videos of his finest moments on the pitch. And there are already hundreds of them on YouTube. Give Messi a swerve and watch one of those instead.

    Messi4

    Messi is available at all good DVD retailers. It’s your dime.

  • Matt Damon Is On Pace To Have Hollywood’s Best Career Ever

    Matt Damon Is On Pace To Have Hollywood’s Best Career Ever

    By Ben Taylor.

    Jason Bourne” will be Matt Damon’s 57th feature film, depending on how you’re counting. Damon is a leading man by trade, but he’s peppered his résumé with voice acting and surprise cameos, ensemble films and documentary narration. It’s this versatility that’s made Damon one of the busiest stars in Hollywood — an A-list actor with a filmography longer than a career television extra.

    By almost any measure, the Bourne series has been a big success for the actor, and July 29’s “Jason Bourne” will only add to the series’ legacy. But just how successful has Damon been throughout the course of his full career? PrettyFamous — an entertainment site from Graphiq — set out to answer that question in two steps. First, the team ranked all 56 Damon films, then compared his track record to other top leading men in Hollywood.

    In the list below, Damon’s movies are ranked by PrettyFamous’ Smart Rating, which calculates a single score from zero to 100 based on six factors:

    1. Rotten Tomatoes‘ Critic Tomatometer
    2. Rotten Tomatoes’ Audience Score
    3. Metacritic’s Metascore
    4. IMDb Rating
    5. Gracenote‘s movie rating
    6. U.S. box office performance (inflation-adjusted)

    Damon’s top five are a murderer’s row of award winners, each nominated for best picture. Still, you’d find a similar result among many leading actors, from Tom Hanks to Tom Cruise. Instead, it’s the sheer number of great films that makes Damon a standout. He notches 33 movies with a Smart Rating over 80 — a bonafide, top-shelf film with consistently high scores from the critics.
    Compare Damon’s 33 great films with the counts for other high-profile leading men.*

    *Specifically, PrettyFamous referenced The Numbers’ bankability ranking to compile a list of today’s high-profile male actors.

    Damon ranks fifth among his fellow male stars. Consider, however, that Damon is a tender 45 years old, the fourth-youngest star on the list. The four actors above him are all in their 60s and 70s. At his current clip — about 1.2 great films per year — Damon would match Robert de Niro’s 43 in just eight years. That’s 19 years earlier than the “Goodfellas” star.

    The two highest-scoring Damon contemporaries — Will Smith (47) and Leonardo DiCaprio (41) — each have a respectable record of brilliant films, but they are unlikely to catch Damon for the same key reason: output. By PrettyFamous estimates, Damon churns out more than three feature films per year, 20 percent more than DiCaprio and twice as much as Smith.

    That said, there are a few caveats here. First, the list only covers men, not women. While Hollywood tends to cast a lot more guys than gals — thus giving the Damons of the world an inherent advantage — a similar analysis could be done for Hollywood’s leading ladies. Second, this list has a modern bias: it only covers top movie stars since the mid-1980s. Finally, this analysis is a bit light on box office, heavier on critical reviews. History may wind up concluding that Hanks was more bankable than Damon, even if Damon runs up the score on quality films.

    With those caveats in mind, however, it’s Damon’s combination of productivity and quality that position him to achieve Hollywood’s best male career in modern times. “Jason Bourne” is his next chance to build the legacy.

    More: Is Jason Bourne the Best Action Series Since 2000?