Author: Ben Gummery

  • Movie Gem Of The Week: War, Inc. (2008)

    Movie Gem Of The Week: War, Inc. (2008)

    WAR. WHAT IS IT GOD FOR?

    There exists a great tradition in cinema of political satires that highlight current and future issues ironically through their use of dark comedy; whilst not actually featuring factual characters or events (i.e. The Manchurian Candidate)…this is one such film.

    http://upload.wikimedia.org/wikipedia/en/thumb/6/68/WarIncPoster.jpg/220px-WarIncPoster.jpg

    War Inc. is the 2008 dystopian satire from director Joshua Seftel and writers Mark Leyner, Jeremy Pikser and John Cusack; starring John Cusack, Hillary Duff, Marisa Tomei, Dan Aykroyd, Joan Cusack and Ben Kingsley.

    The film is set in the fictional middle-eastern country Turaqistan (a not so subtle play on words); which has been taken over by an American corporation that is run by a former US Vice President (Aykroyd). In order to ease their commercial efforts in region they enlist the help of unstable hit-man Brand Hauser (John Cusack) who we are introduced to in a short action sequence which opens the film. Hauser’s cover is producer of the corporations military trade show but he is hindered in his assassination attempts by looking after celebrity singer Yonica Babyyea (Duff) whilst at the same time being pursued by investigative journalist Natalie Hegalhuzen (Tomei).

    Response to the film has been mixed and it has been accused of overstating the situation but personally I took it for the ‘larger than life’  political satire that it is. I particularly enjoyed Joan Cusack’s comic yet controlled performance as authoritarian Marsha Dillon. There is also highly enjoyable performances from John Cusack and Dan Aykroyd.

    warinc1

    3/5


    Assassin Brand Hauser is sent to Turaqistan to carry out a hit. Occupied by the US corporation Tamerlane, Turaqistan is a potential corporate goldmine just waiting to be exploited. Unfortunately, a Middle Eastern oil minister stands in the way of Tamerlane sucking the region dry of all its resources. Hired to dispose of the meddling minister, Hauser must pretend he is producing a trade show for Tamerlane while he plots the hit

  • Review: Motivational Growth (2013)

    Review: Motivational Growth (2013)

    By Benjamin Gummery.

    Motivational Growth‘ is the 2013 dark comedy/horror film from Writer/Director Don Thacker and has already been well received on the festival circuit; winning several awards.

    The story revolves around Ian Folivor (Adrian DiGiovanni); a reclusive slacker who dispels his own schizophrenic, self-effacing view of the world. The film opens with an excellent stylised montage of  retro trash TV as Folivor flicks between channels on his old TV set ‘Kent’; his only companion as he spends his life on the couch. When the set malfunctions Folivor attempts to bring an end to his miserable existence; he wakes up after knocking himself unconscious only to discover The Mold (voiced by horror veteran Jeffrey Combs) is talking to him. He starts to take advice from The Mold and begins to clean up his act but as the story continues we see this relationship turn sinister; think Little Shop of Horrors but without the songs.

    DiGiovanni pulls off a transformative performance as Foliver, a character that jumps around from scene to scene whilst never losing the essence of himself. Cut-aways both live-action and animated put Foliver inside the TV shows he used to watch and the TV set becomes almost a character in itself here. Foliver is also confronted with interference from the outside world in the form of his violent Landlord ‘Box’ (Pete Giovagnoli), TV repairmen, a grocery delivery girl and a neighbour, Leah (Danielle Doetsch) who becomes his love interest. This all feels slightly dis-jointed and perhaps distracts from the core of the story some what; confused further by a mix of character narration, straight drama and fourth-wall storytelling.

    Motivational Growth2

    The special effects are reasonable but what really makes The Mold standout is the exceptional voice work of Combs, which makes this a menacing, believable horror baddie even though it is fairly static in terms of actual action; this is great trick in the toolbox for any low budget film-maker (the budget was estimated at $176,200).

    The production design and visual style excel here. The score and titles imitate retro 8-bit video games which while not particularly related to the story does give the piece a unique ‘mishmash’ style; perhaps an attempt to cash in on rise of ‘geek culture’.  Despite taking place largely on one set consisting of just two rooms the film is never visually boring or oppressive.

    The film is reminiscent thematically and visually of the Coen Brother’s ‘The Big Lebowski‘ and Danny Boyle’s ‘Trainspotting‘; there is a strong element of visceral ‘hyper-reality’ while at the same time featuring a lot of surreal sequences. The writing is strong overall although the story does tend to wonder off on tangents of a bizarre nature but is compelling as a whole; this is one of those films you have to watch if only out of sheer curiosity of where the plot will go.

    4/5

    www.motivationalgrowth.com

  • Interview: Marilyn Ghigliotti – Star Of ‘Clerks’ 20 Years On

    Interview: Marilyn Ghigliotti – Star Of ‘Clerks’ 20 Years On

    By Benjamin Gummery.

    To mark the anniversary of the release of the indie hit film Clerks(1994) from writer/director Kevin Smith we talk to actress Marilyn Ghigliotti who played Veronica; one of the female protagonists in the film.

     Born in New York, Marilyn started her acting career in local theatre after moving to New Jersey before getting her big screen debut with Clerks in 1994. She has since gone on to play a variety of roles in indie horror, comedy & action films. 20 years on, we ask her about the experience of making the film
    as well as her life and work since.

    “I have many moments of dreading getting up the next day to go to work the day job, but I’ve never had those thoughts when I have to get up at anywhere from 4 – 6 in the morning to go on set. Never, because I love every moment of the experience.”

    “Asking me to pick a favorite role or character is like asking me which is my favorite child.” 

    Can you tell us about what led you to become a film actor?
    Well a change in my life, a divorce to be exact. I’d always had creative interests when growing up, but I never knew or thought it’s something to make a living from. Even though it’s what people were doing, it’s not how I saw it and I grew up in a modest middle income home where you worked hard to get what you needed. Other interests included dancing and drawing, but were never encouraged or cultivated. So when growing up I was encouraged to get a secretarial job because it was safe and secure, but also not rewarding. So (I was) doing the usual; work, get married, have children and then it disintegrated. I started to search for myself and found my way into acting and I can’t be happy anywhere else, unless it’s also the hair/makeup and photography that I do, but acting is at the top of the list.

    How did things change when you moved from the stage to the screen?
    The only thing to really change is the way it’s delivered and the way it’s shot. The work and preparation will always be the same into delving into the character and finding them within yourself and what makes the character come to life. With any kind of acting, you need to be honest and real. But on the stage you almost feel a bit unnatural because you’re trying to reach the audience all the way in the back of the theater for them to hear and see you and still make it seem natural. With film it’s all about the subtleties and (making it) as natural as possible, because the camera will pick-up so much. It’s been told that comedy is harder than drama, which it is. But I also feel that out of all genres, horror has to be the hardest. It’s so easy to go over the top and cheeky. But if the film isn’t calling for that, it’ll wind up as a disaster.

    Any tips for aspiring actresses wanting to get into independent film acting?
    Training is so important I feel. People watching movies are so critical of the actors and think they can do better until they have a camera and all eyes on them to perform and remember all the lines that they have to deliver in the way the director wants them to and to hit their mark and do certain actions at certain times and at the same time on every take as much as possible so that the shots match up for continuity. People have NO idea how much is involved in this business in general, never mind as an actor, director or any part of the making of a film. Training in all the various (areas) will help. And it doesn’t have to be college. There’s plenty of training that doesn’t involve college. Getting training on set is also great by starting out doing background extra work to get to know the etiquette of being on set and knowing what happens. But it’s also learning that there’s a lot of sitting around and waiting, but not your time to slack off. That’s the time to pay attention to what everyone is doing and learn from it and not take the time to be hitting up on the person you just happen to spot and try to make a date with. Being on a film set is the best training ground you can get and if you can happen to get hired to do some grunt work when they don’t need you as an actor, it’s a great time to do that and start making some connections in the business to show how invaluable you are to them in the future.

    What do you think makes New Jersey the source of so much creative talent?
    It’s really quite hard to say. I can’t really say that it is or isn’t, but when you do start to take notice from where people are, it’s hard not to notice how many NY and NJ people have made a name for themselves in the business.

    What is your relationship with technology? Do you regularly use a smartphone and/or tablet
    As soon as technology started making its mark on the world I knew that I would have to get comfortable with it and self-taught myself on the computer and have kept up with the times. I wouldn’t say I’m a genius, but considering the fact it’s something I had to do in my adult life, I’m not bad for no schooling on it. I have a smartphone and tablet. In this business, (a) smartphone is necessary because when you’re busy, you need to have access to whatever means possible to get your sides for an audition that you might need to do on a moment’s notice or have to record your voice for one as well to send out as soon as possible; so one has to keep up with the times.

    What was the experience like for you as an actor making the film ‘Clerks’?
    It was frightening, exciting, challenging and uncharted territory; but an experience to never forget. Memorizing lines is always a fear for me and with film, sure there are second takes, but you want to get it right on the first one. You don’t get the rehearsal time with film that you get with stage, so the process is going to be much quicker in learning and doing the process that you’re used to doing for the stage and hopefully get the same result if not better. But I was happy that I did have some familiar ground in working with Brian (O’Halloran) since we’ve worked together on the stage a few times prior to Clerks.

    What can you say about working with Kevin Smith compared to any other directors you’ve worked with?
    (I) worked with Kevin at a time when we were all finding ourselves in a new area in this business and now Kevin has 20 years’ experience and finding his trademark. I’ve worked with many others that were starting out and to many who’ve been doing it for many years; usually in my background extra days. But the best sets that I’ve worked on is where there are no egos and it’s a collaborative effort on all parties and everyone puts in the time and effort, be it big or small and no one is on eggshells. For me working with Kevin was a great experience and I treasure those moments in the convenience store in the very late hours shooting and barely getting any sleep while I was also working. I have many moments of dreading getting up the next day to go to work the day job, but I’ve never had those thoughts when I have to get up at anywhere from 4 – 6 in the morning to go on set.        Never, because I love every moment of the experience.

     Can you tell us a little bit about your work outside of film?
    I still do currently have a day job as they say, because I don’t work enough as an actor to make a living as one. I work as a stylist at a salon, but I also do freelance work doing hair and makeup on weddings, film and infomercials as well as some photography mostly doing headshots. Always being creative.

    If you weren’t an actor, what would you most like to do?
    When I got into the salon business 32 years ago, honestly I thought that’s what I was going to be dong the rest of my life and did think that I eventually would be working the trade shows and such, until my life took the turn I talked about earlier.

    What has your experience been like as a woman in the film industry and how do you feel things have changed since you started?
    I don’t know that the successes or none that I’ve had as an actor in this business really has to do with the fact of whether I’m a woman or not. At least I haven’t looked at it that way. I’ve had many challenges. One of them being that although I gained exposure early on in my career, I didn’t gain notoriety in the sense that people were killing to work with me. And honestly I don’t blame them. I was new and years down the road I realized I wasn’t ready. I also had tremendous fear. I remember being at Sundance with Clerks and seeing that things were looking very positive on this being picked up and that our lives could be changed forever. And my fear of losing my anonymity was very real. Very often people criticize actors for hating the paparazzi for their constant relentlessness to get that shot of the “celebrity” where ever it is, but a good majority of the actors in this business are not in this business because of the fame and fortune, because let’s face it, it’s a crap shoot and your odds are better in Vegas. Most of us get into it because we can’t see anything else. It’s a passion that was ignited in us that is too difficult to let go. But there’s also a lot that comes with it and that’s when you find out who’s strong and fearless, almost.

    What is your favorite acting role/character to date and why?
    Asking me to pick a favourite role or character is like asking me which is my favourite child. They all have special moments for me, because they all had a piece of me for different reasons; some more challenging than others and some more real than others. But I’ve tried to have diversity with the roles that I’ve done through the years so that I can try to un-stereotype myself with the people in this business. But honestly, can’t choose.

    You have recently started some voice work for audio books; how do you find this experience compared to film acting and is this something you wish to pursue?
    I’d always been interested in possibly doing some voice work and with technology today, it’s made it easier to get started with working on audio books. The voice area in the business is very hard to break into, but with more and more books going into the audio world, there are places where one can stand out among the low volume of people that were doing this work exclusively but on a higher exclusive level. I find that now I’m using skills that I’ve acquired with the experience that I’ve gained as an actor. Before, I was storytelling visually, but now I get to do it audibly. And as I edit what I’ve narrated I can hear what works and what doesn’t so that now I can even better judge myself and my work.

    You have spoke about wanting to try your hand at directing, can you tell us any more about this?
    Directing is something that I’ve thought about for a long time and about 13 years ago I had a friend do a short film that I was helping out with in several areas is where I found that I could direct. I made sure not to give my input, unless needed or asked, but I also found that I knew more in more ways that I ever imagined. Also with Technology today, the ease of making one’s own project and the many things available as well as wanting to just work, I feel it’s time. But I also want to do it right. So I’m not going to just take it (and) run, but I won’t take my time with it. I have to make sure that I have the full effort needed. So I have some projects that need to be finished and handled before taking on a full on film project. It’s not something to do half assed.

    You have appeared in several horror films; how do you find working in this genre as an actor compared to the other work you have done?
    I’ve done several horror films, but playing the lead in a short horror film recently gave me the full on impact on how hard it is compared to comedy and drama. I want to give authenticity to the role and not be overly campy or cheesy, unless of course the role calls for it. But this one didn’t. And I had moments that I had to keep an intensity for several hours on end to film different scenes and then the different angles on one especially when there are also technical issues that come up. Not easy.

    You are appearing at some conventions, how do you find the experience of interacting with fans?
    I love going to the conventions and meeting everyone there; from the fans to those that I’m a fan of as well. Talking with the fans and knowing that in some small way you’ve helped them in their life and made a difference or impact. Many have told me they were inspired to follow their dreams, or it’s fond memories they got to share with someone that has since passed. Just so many wonderful stories.

    What can you tell us about your involvement with ‘Clerks III’?
    I’m in it! lol. Honestly, all I know is that I will be reprising my role as Veronica. I haven’t seen a script, Brian is under gag order to not reveal anything even to me. Back when Kevin was writing Clerks, I had many ask me about it and if I would be in it, but they as usual are barking up the wrong tree. We as actors, unless have a stake in the pie, have no say on what we well be acting in. When Kevin was doing his tour with Jason on the Jay and Silent Bob animated feature and doing their Q & A’s were asked who would be coming back, I was told my name was mentioned. I told the fan, send me a link, while keeping my reps informed on anything that was happening regarding Clerks III. A link was sent to me where Kevin had indeed mentioned my name attached to the role of Veronica and after messaging him on (facebook), because that was my only way of contacting him, he confirmed with a quick response that I was indeed in the film and that once things are in full mode, contracts would be sent. But as many know, filming has been postponed a few times already. I get all of my updates with google alerts.

    You can see Marilyn in the action/sci-fi Starship Rising which is now available online as well as the soon to be released horror Lake Eerie; starring alongside Lance Henriksen(Aliens/Terminator) and Betsy Baker(The Evil Dead); screening at Horror Hound’s film festival in Indianapolis. She will also star in the upcoming horror/thriller Dracula’s War; playing Detective Jekyll.

    Find out more about Marilyn’s work on the links below:

    www.marilynghigliotti.com

    www.imdb.com/Marilyn_Ghigliotti

    Please also check out my interview with fellow Clerks cast member Scott Schiaffo (Chewlies Gum Guy)

  • Interview: Scott Schiaffo – Character Actor From ‘Clerks’ 20 Years On

    Interview: Scott Schiaffo – Character Actor From ‘Clerks’ 20 Years On

    By Benjamin Gummery.

    To mark the anniversary of the release of the indie hit film Clerks (1994) from writer/director Kevin Smith we talk to character actor/musician Scott Schiaffo who played ‘Chewlies Gum Guy’; a memorable comic character part in the film.

    A native of New Jersey, Scott got his big screen début in 1994 with Clerks but has gone on to appear in many independent films and shorts; including another notable character part as Travis Lee in the film Vulgar (2000) from director Brian Johnson and executive producers Kevin Smith/Scott Mosier. 

    “Take classes and network with other actors, stay hungry and humble always”

    Can you tell us about what lead you to become a film actor?
    From a young age I was drawn to music and film/TV. I was raised by a single mother and she had her hands full with me for sure. But I was not much for sports but my earliest memories were being taught who the Beatles were by an awesome older cousin I had. He also got me into films and television at a young age and I remember always being fascinated by the power that music and visual story telling had on me and anyone who embraced it passionately.

    Do you have any tips for aspiring actors wanting to get into independent film acting?
    Hopefully they are getting into it for the artistic expression and the power of the medium, and not for a hopeful blast of fleeting fame or recognition. Because wow, it is a very tough business, even when you are fortunate to get some breaks.

    As actors we hear and receive more rejection than acceptance or accolades. I encourage anyone to follow their heart and their dreams, but be prepared for a very bumpy ride. Take classes and network with other actors, stay hungry and humble always.

    What do you think makes New Jersey the source of so much creative talent?
    I think being so close to New York City, one of the greatest cities in the world for the arts is what makes all of us in the peripheral hungry and creative. There is a palpable creative energy on the east coast unlike anywhere else; at least that is what I believe. We’re a tough no nonsense type of place, but that said we are all heart too.

    What is your relationship with technology?
    I LOVE any and all technology – period! I am a total geek for computers though, I am a PC guy not a MAC maven but I am not at all a MAC hater. I am just so invested in Windows based technology in my home studio that I have stayed with it now since Windows 98 more or less.

    I hopped on board with computers very late too. I did not have any real interest or exposure to computers until 1998. At that time my mother bought me my first PC and I just stared at it for like a week! LOL The internet really intrigued me and I wanted to be able to have a promotional website for my acting/music career. Then as I learned and began to immerse myself in the technology I was totally taken away with it and by it.

    I just built 2 new really kick A$$ power PCs for my home studio this summer! I do full multi-track recording and video editing at my place. I had been fortunate along the way to also score and edit a few of the indie films I have been an actor in too, so I really was able to branch out and keep semi employed in many ways which is a good thing in indie film!

    What was the experience like for you as an actor making the film ‘Clerks’?
    It was an amazing ride from day one for me. I was chomping at the bit to get deep into the indie film community on the east coast at the time. It was all so new and exciting with people like Jarmusch, Hartley, Nick Zedd and just too many to laundry list here. But it seemed the possibilities in indie film were limitless and also there were more opportunities for a rogue non SAG actor like myself to break in being 3000 miles from Hollywood-land too!

    But Kevin blew me away once I got to talk with him after I was cast. The guy has such a command of language, a real wordsmith ya know? I think we all felt in our gut we were making something very cool and different, but no clue how it would really come to be embraced worldwide and 20 years later he is on Clerks III! And that was also a character actor’s dream role, if you were not cast as one of the leads in that film; The Gum Guy and Rick Derris were the cherry character roles!

    What was different about the experience of making the film ‘Vulgar’ compared to ‘Clerks’ and which do you prefer?
    I could never pick one or a fave out of those 2; they are both so special and such centrepieces to my entire career. Bryan Johnson is another one of these really intense and intelligent cats, that guy’s mind is on another level; anyone who can go head to head with Smith has to be on that higher level. Sharp, witty and biting, both of those cats! And again I get to go toe to toe with consummate pro and one hell of as nice guy Brian O’Halloran – win – win!

    Some people may not be aware you also have a music career, can you tell us a bit about this and your recent album?

    My main instrument is guitar. I also play keyboards, bass and harmonica. Music is my first true love and I have been passionate about music and have been listening and playing since childhood.

    Christmas 2013 I released a CD of film music entitled “The Shoestring Serenade” on Amazon. It is a collection of instrumental music that I wrote and recorded for a number of independent films over the last fifteen years. I am fortunate to be able to also work in film as a composer and I have also done some non-linear editing too.

    You have worked in film, music and have published a book of poetry. Is there one of these areas you enjoy more or do you like being ‘multi-media’?
    I do enjoy all mediums very much, and because one can flex different muscles in each it is hard to pick one as a fave. Writing is painful for me; well it is in a sense. It does not come easy at all; I think all writers suffer their muses. I do not write very much either, my book was written many moons ago and I was in many different altered states during the writing so I had a real artistic license. But writers who write novels, screenplays I really, really respect. That takes such discipline and dedication (…).

    Music is the thing that is the most organic and brings me great joy whether it is professionally or just for my own enjoyment. And acting for a camera is the medium that intrigues me most; I respect the theatre and actors that take on theatre, which is like a damn sporting event. But the nuance and subtly of film, film knows when you are lying brother! LOL

    You are a regular on the convention circuit, how do you find the experience of interacting with fans?
    When I set out to pursue film acting seriously, the one thing I hoped for was to be cast in a “character or lead” role in a film that would be a cult classic. I grew up on Eraserhead, Rocky Horror, Repo Man and all of these cult-like films that had tons of style and people embraced them for many years after their release.

    Needless to say early on I was blessed with my dream come true gig. Granted we did not know this at the time that 20 years later people would still be celebrating Clerks worldwide, but wow talk about really hitting the jackpot as far as seeing my dream come true in my lifetime.

    It is an honour and a privilege to be invited to these conventions and meet all of the fans who love Kevin’s films as much as I do, because indeed I am super partial, but I love all the guy’s stuff – period! I am a total fan boy at heart myself so it is the ultimate celebration for myself and the fans. And I get to see and spend time with Brian O’Halloran, Marilyn Ghigliotti and that Rick Derris guy Ernie O’Donnell, total win – win for me sir!

    What can you tell us about your involvement with fan film  Shooting Clerks?
    Those guys are the coolest peeps going man! Have you seen Get Greedo? I mean holy frikkin crap, all heart! I am thrilled to death to be on board playing “Donald Smith”. More I really cannot say now, but there is a ton out there to find on the project!

    What was your experience like being on the AMC TV show Comic Book Men?
    That was another truly awesome experience too. I love those guys and getting to beat their butts in bowling did my heart good! No, just being silly! What was a lot of fun was getting see everyone in one place for the day while we shot the “bowl off”. A nicer bunch of down to earth folks you’d be hard pressed to find.

    I had not seen Jay Mewes in person for a very long time, not since Vulgar! He is a very sweet guy and got me all caught up on all the awesome stuff he was doing like an eager or excited nephew! Have you seen his animated film, Jay & Silent Bob’s Super Groovy Cartoon Movie? WOW he hit that out of the park! And the crew that works on Comic Book Men are top notch! It was a banner day for me both professionally and personally. I lost my “reality show cherry” LOL

    Scott’s CD ‘The Shoestring Serenade‘ is available on Amazon.

    Also his book ‘Vicious Dogs Attack Me in Sleepless Nights of Summer: A Collection of Prose, Tales, and Streams of Semi-Consciousness‘.

    Find out more about Scott’s work on the links below: www.ScottSchiaffo.com
    www.imdb.com/Scott_Schiaffo 

    Please also check out my Interview with fellow ‘Clerks’ star Marilyn Ghigliotti (Veronica)

  • Movie Gem Of The Week: Safety Not Guaranteed (2012)

    Movie Gem Of The Week: Safety Not Guaranteed (2012)

    By Benjamin Gummery.

    Safety Not Guaranteed is the big screen debut from American director Colin Trevorrow & writer Derek Connoly (both currently at the helm of the new Jurassic Park sequel ‘Jurassic World’) and stars Aubrey Plaza, Mark Duplass & Jake Johnson. Producers Peter Saraf and Mark Turtletaub were also involved with 2006 indie hit ‘Little Miss Sunshine’.

    The film centres around a magazine reporter Jeff(Jake Johnson) who spots a potential story when finding a classified ad seeking a time-travelling companion with the tag-line ‘Safety Not Guaranteed’. With the help of his two interns (Aubrey Plaza/Karan Soni) Jeff tracks down the writer of the ad Kenneth Calloway (Duplass); who is working as a clerk at a local convenience store. Kenneth is paranoid to the nth degree and therefore the team opt to use intern Darius (Aubrey Plaza) to pose as a respondent to the advert and help her to ingratiate herself with Kenneth.

    Part comedy, part thriller (with a little bit of sci-fi thrown in for good measure) the screenplay is incredibly warm, compelling and well paced. This is a great example of a ‘high on content – low on frills’ independent film; shot for around $750,000 and is executed brilliantly.  Duplass’s performance is incredibly believable; managing to capture the instability of Kenneth while at the same time not exaggerating it and this is well matched by the confident, sassy yet naive character created by Aubrey Plaza as Darius.

    Whilst not an action packed thriller, sci-fi hit or laugh out loud comedy; the direction has us questioning whether Kenneth is a paranoid schizophrenic or quiet genius throughout and the screenplay and characters suck you in. Highly recommended and one of the true gems of 2012.

    4/5