Just In Case: Review. By Robert Ewing.

Bipolar disorder is a serious mental health condition that I feel has never been accurately portrayed in media. Silver Linings Playbook is a notable example of depicting bipolar disorder, but even then, the film faced heavy controversy over its portrayal of mental health. So, heading into Just In Case, I was intrigued to see how it would depict bipolar disorder, especially as it is written by and stars April Kelley, who has bipolar disorder. I knew this film was coming from a place of authenticity to portray what it is like to live with this condition accurately, and it ultimately achieves this goal by masterfully using the art of filmmaking.

We open on Mark (Philip Glenister) and his daughter Rachel (April Kelley) as they drive and stop at a service station for a cup of tea and a chat. Mark wants to ensure his daughter is doing well, how he can help, and come to an understanding of what she feels. Rachel details how this helps her and expresses her goal of making it to 30. However, as Rachel talks, a ringing sound occurs, and when Mark goes to get Rachel another drink, something shifts. Rachel begins to discuss that she has written a “just in case” letter for when what she is going through becomes too much to bear.

A fundamental concept of filmmaking is the 180-degree rule; to put it simply, the camera should remain on one side of an imaginary line between two characters. Staying on the same side allows for a consistent spatial relationship and prevents the audience from becoming disoriented. Just In Case breaks this rule, which does disorient you, yet it perfectly captures how Rachel feels, and the mood swings associated with bipolar disorder. What begins as a decent conversation about Rachel’s mental health suddenly turns dark and centres around suicide. It is emotionally impactful and accurately depicts how someone with bipolar disorder may perceive the world.

Filmmaking aside, April Kelley and Philip Glenister are superb as Rachel and Mark. They feel like real individuals engaged in an uncomfortable but necessary discussion. You are truly captivated by their performances, allowing the emotional beats to resonate profoundly. This is further amplified by April Kelley’s exceptional writing; every line of dialogue is impactful and contributes to the accurate depiction of bipolar disorder.

Just In Case is a genuinely remarkable film that is powerful. It packs so much into a 14-minute runtime, showcasing extraordinary performances, writing, and filmmaking. Just In Case is a must-watch short film.

5 Stars

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