Someone once told me that every generation has the impression that it is living in end times. I could have done without their patronising tone—after all, the apocalypse can feel disconcertingly close at times—but I could see their point. We don’t have a monopoly on catastrophe: History is full of
Opus Zero: Review. Discussing the worlds big questions of life and death in film is no easy feat. It is so easy to ramble your answers into an echo chamber, only to realise you didn’t have anything to say. Daniel Graham’s “Opus Zero” falls victim to this, yet it remains an
The Hunt, Serkis, Apes: Weekly Round Up Right, so… um. Let’s get this out the way first, and then we can move on to other stuff, because I could rant about this thing all day and I’m pretty sure that’s not what you guys are all here to find out about.
Scary Stories To Tell In The Dark: The BRWC Review. It's 1968 in America. Change is blowing in the wind
Benjamin: The BRWC Review ‘What’s your film about?’ ‘How I’m unable to love.’ So Benjamin blurts to a French singer with whom he may be falling in love - and the fumbling exchange is a neatly self-reflexive logline for the film, too. Benjamin is Simon Amstell’s self-conscious and semi-autobiographical bittersweet comedy about a neurotic filmmaker
