Blade Runner
The soundtrack to the 1982 Harrison Ford classic is regarded as a historically important piece in the genre of electronic music. The neo-noir science fiction film directed by Ridley Scott required a score that matched the futuristic nature of the movie. Composer Vangelis heavily relied on synthesizers alongside a classical composition to create the gloomy, electronic sound.
The film is, somewhat disconcertingly, set in a dystopian ‘future’ Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on off-world colonies. The Blade Runner music score created some of the most memorable atmospheric soundscapes from the 80’s and, like the film, was designed as a look in to the supposed technological future.

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[…] without exception, captured by splendid camerawork and underscored with subtle, stirring, electronic music […]
[…] marching score from Andrew Morgan Smith that feels like a mix between composers Frank De Vol and Ennio Morricone (in their war and western films). It’s the big standout of the movie, while it signals to the […]