Francis Lee, who first impressed audiences with his 2017 Bafta-nominated debut God’s Own Country, never quite creates the same magic with his sophomore feature Ammonite, a well-produced yet flawed rom...
Festival season is upon us, which means hours spent glued to computer screens due to the current COVID conditions. While the situation does put a damper on the typical festival spirit, it does allow c...
It’s been almost twenty years since Ken Fero’s highly controversial documentary Injustice was released (a film that was banned from television and effectively banished Fero from the mainstream), but h...
By John Battiston. The jarring transition from the broodingly dour opening of Summer of 85 into the thick of its titular milieu is only the first of the film’s many overtly purposeful choices. B...
Matt Fifer’s feature debut (co-directed with Kieran Mulcare) is a deeply personal one; a semi-autobiographical story about a bisexual man who struggles with intimacy due to a traumatic childhood exper...
