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  • A Tribute To Actors Tragically Lost

    A Tribute To Actors Tragically Lost

    A Tribute To Actors Tragically Lost To Overdose. By Maggie Potter.

    Drug use in Hollywood is nothing new.  That’s kind of an easy statement to gloss over, isn’t it?  Doesn’t that make you a bit sad when you really think about it? 

    As a culture, we’ve seemed to accept the fact that many celebrities take drugs. Some have been very upfront about their usage and have even publicly checked into rehab facilities. Others tend to keep their addictions hidden until tragedy strikes and the public learns about their struggles with addiction by reading about their deaths due to overdose. 

    The opioid problem certainly isn’t limited to Hollywood. It’s a major issue all across the country. In fact, drug overdose is the number one cause of death for adults under the age of 50. 

    Even though it’s easy to assume that famous actors have everything they could ever want, and maybe when it comes to materialistic things, that’s true. But actors and depression often go hand-in-hand, causing many of them to turn to drugs as coping mechanisms. That has resulted in many beloved actors taking their own lives with drugs over the years. 

    Let’s dive a little deeper into the impact of drug use in Hollywood, and pay tribute to some of the best actors that were taken from us too soon. 

    The Pressures of Hollywood

    It’s easy to think that actors have nothing but free time, but Hollywood itself places a lot of pressure on celebrities to stay relevant, to stay beautiful, and to stay popular. Many actors work 15+ hour days when they’re on set, thanks to everything from location changes to hair and makeup. While they may not be shooting movies or TV shows all year, they spend a lot of their free time traveling to promote what they’ve been working on, doing interviews, photoshoots, and training. It’s not always the “life of luxury” that we assume it to be. 

    In addition to some pretty intense working conditions, there are a lot of pressures in the film and television industry to look a certain way. 

    For some actors, that means things like restrictive diets or working out more than the average person. Sometimes, even a specific role can cause an actor to have to modify their body in an extreme way. Zac Efron had to get down to 5% body fat in just 12 weeks for his role on Baywatch, combining weight loss and bodybuilding techniques to transform his physique. Christian Bale lost a dangerous 63 pounds for his role in The Machinistby only eating one can of tuna and an apple each day. 

    Body image issues and the pressure to look a certain way can lead to mental health conditions like: 

    • Depression
    • Anxiety
    • Body dysmorphia

    When actors feel they have to look a certain way, either to fit into the celebrity culture or for a specific role, it creates a pressure that most of us don’t have to deal with on a regular basis. Some use drugs as a way to cope or to feel better about those pressures. 

    Glamorizing Drugs on Screen

    Hollywood has never been shy about showing drugs on-screen and even glamorizing their usage. Unfortunately, some movies fail to show the huge risks of drug usage or the consequences that could come from it. 

    Actors are just that. The drugs they portray using in movies aren’t real. But it’s a culture that can sometimes feel more accepting of drug use than others. Because of the pressures of Hollywood and the culture itself, we’ve unfortunately lost some incredible, legendary actors through the years, including: 

    • Philip Seymour Hoffman
    • Judy Garland
    • John Belushi
    • Chris Farley
    • Brittany Murphy

    While some of these actors struggled with drug use for years, others dealt with addiction in silence until their deaths. While that should make the awareness of drug use and mental health in Hollywood more important than ever, not much has changed when it comes to the film and television industries’ fight against drugs. 

    Actors Gone Too Soon

    Opioids and other harmful drugs aren’t only problematic for adults. According to the Department of Health & Human Services, 3.6% of youths ages 12-17 reported misusing opioids, and that number doubled for those ages 18-25. 

    Young actors aren’t immune to the drug crisis facing America. Even if they might have bright, successful futures ahead, they can face the same pressures from Hollywood that veteran actors have to deal with. In fact, they might even be under more stress when it comes to appearing youthful and energetic, combined with having a demanding schedule. 

    Some of the most notable actors who died incredibly young due to an overdose or a combination with alcohol include: 

    Even the classic Hollywood star Marilyn Monroe died of an overdose at just 36 years old. 

    The stories of young actors struggling with depression, the pressure to perform, to look perfect, and to really “make it” in Hollywood seem to be far too common. It’s difficult to think of an umbrella solution to the problem, since drug use is so prominent throughout the country, and the world, but for the Hollywood elite and up-and-coming actors, making mental health a priority and finding healthy ways to cope with the pressures of an acting career can help to lower the risk of developing addictions. As a result, hopefully, we’ll see fewer news headlines about a beloved actor taking their own life with drugs. 

  • Election, Nightcrawler, Hellraiser: Quarantine Streaming

    Election, Nightcrawler, Hellraiser: Quarantine Streaming

    Election, Nightcrawler, Hellraiser: Quarantine Streaming – Lockdown remains kind of in full force (I mean, it was never really in full force, but I don’t want to go all political on you) and although theirs is talk of opening schools (I promise I’m not getting political) and going back to work if you can and not if you can’t (because that’s easy to understand… still not getting political, folks), most of us will still be staying at home, not going out much, and in need of something to watch… and that’s good. Stay home. Don’t listen to the rambling nonsense that comes out of No 10 (sorry, I went political).

    So, once again, I’ve decided to brave the depths of online streaming to see what I might be able to find for you guys. I don’t know if this does anyone any good, but I certainly enjoy taking a look through the various streaming services offering us quality content (and also Disney+) to see what’s on offer.

    Are you sitting comfortably? Good, then I’ll begin.

    ELECTION (1999) – BBC iPlayer

    Alexander Payne’s hilarious comedy/satire featuring Matthew Broderick in what is, in my opinion at least, his best role post-Ferris Bueller, as everyone’s favorite teacher, and a scene-stealing turn from Reese Witherspoon as a know-it-all busy body is a genuinely smart, funny, and absolutely savage takedown of politics. To say too much would be to spoil the fun, but the basic plot sees Witherspoon’s Tracy Flick running unopposed as Class President in her high school election. However, motivated by his own personal disliking of Flick, civics teacher Jim McAllistar decides to convince a popular school footballer to run against her. What follows is a dirty game of manipulation, blackmail, adultery and bee stings as the entire situation spirals further and further out of control. I would consider Election a must-see.

    ATTACK THE BLOCK (2011) – All4

    The John Carpenter influences are strong in Joe Cornish’s 2011 comedy/horror about a group of council estate teenagers who must battle a deadly alien species. You’ll recognize plenty of the cast, from a young John Boyega, to Nick Frost as a drug dealer, and Jodie Whittaker as a young woman caught up in the chaos. What makes the film work is its masterful balance of witty humor and moments of absolute terror. It also doesn’t shy away from the gore. There’s a definite 80s vibe to proceedings, with the core group almost becoming a sort of modern-day, British version of The Goonies, and it’s a genuine travesty that this didn’t get more love when it was first released. Attack the Block is a lot of fun and you should definitely check it out.

    NIGHTCRAWLER (2014) – Netflix

    Jake Gyllenhaal stars in this moody crime thriller from writer/director Dan Gilroy. It tells the story of Lou Bloom, a petty thief who, when he discovers he can make money selling photographs and footage of crime scenes to local television news, begins to work his way up the ranks of the profession through less than ethical means. Proving once again that Gyllenhaal deserves way more recognition as one of our generation’s finest performers, here he is absolutely spellbinding as the villainess protagonist. His portrayal is the real highlight of the film, which also sees Rene Russo, Riz Ahmed, and Bill Paxton all on top form. The film skirts close to satire and manages to capture a real sense of uneasiness in its atmosphere, slowly revealing Bloom’s ambitions as how far he is willing to go to meet them.

    THE LORD OF THE RINGS (2001, 2002, 2003) – Amazon Prime

    Because when the complete Lord of the Rings trilogy is available for recommendation you recommend it. Peter Jackson’s groundbreaking, trendsetting, world changing adaptation of J R R Tolkien’s epic fantasy is a brilliant now as it was when it was first unleashed upon the world. The cast are all incredible, many of them utterly iconic in their roles, while visuals, locations, practical and digital effects, and overall impressiveness of the films is almost unparalleled. The decision to shoot all three movies back to back means that there is a genuine fluidity through each part of the trilogy, and while Amazon does have only the theatrical cuts, that doesn’t mean they’re not worth your time. All three films are pure cinematic magic, and I recommend setting aside an entire day, getting some snacks in, and sitting down to watch this massive marvel and incredible achievement in filmmaking all in one go.

    10 THINGS I HATE ABOUT YOU (1999) – Disney+

    This late 90s teen rom com might not seem like all that, but there are some tricks up its silly, somewhat childish sleeves. Whether it be the smart updating of Taming of the Shrew, or the somewhat impressive before-they-were-famous cast list (which includes the likes of Julia Stiles, Heath Ledger and Joseph Gordon Levitt), there’s a funny sort of subversive nature to Gil Junger’s directorial debut. It may not be the greatest of teen rom coms, but it’s a smart, witty take on old material that’s elevated by some solid performances from its young cast, and a killer soundtrack that really enhances the experience.

    HELLRAISER (1987) – Shudder

    A film that absolutely petrified me as a kid, but became something of an obsession, Clive Barker’s Hellraiser is a gloopy, atmospheric, creepy oddity of a movie that revels in its unusualness. Most famous for introducing Doug Bradley’s iconic villain Pinhead to the world, Hellraiser has far more going for it than a single horror icon. It features some absolutely spellbinding and impressive practical effects work (including a sequence which sees a body slowly pieced back together from nothing layer by layer), and a genuinely uncomfortable and creepy atmosphere. It’s also a smart movie, with big ideas and intriguing concepts right at its center. Barker is never content to simply allow the film to fall back on cliched genre tropes, and although he doesn’t always stick the landing, he aims high and, for the most part, the film delivers on his aspirations. Watch with the lights off, guys. – Election, Nightcrawler, Hellraiser: Quarantine Streaming

  • Anne Boleyn Edition: Bits & Pieces

    Anne Boleyn Edition: Bits & Pieces

    Anne Boleyn Edition: Bits & Pieces – The body of a legendary Manchester DJ is discovered twenty years after his mysterious disappearance from Ibiza. When his sister returns to the beautiful Spanish island to find out what happened, her investigation leads her through a thrilling world of dance clubs, lies and cover-ups, forcing her to confront the darker sides of her own character in a place where people live life on the edge.

    A father faces a personal crisis when he discovers his estranged son fleeing a botched drug deal. The two men embark on a violent odyssey that grapples with themes of fatherhood, family and fate.

    Grace Greene is clawing her way back to the middle.  Five years after her big break turned out to be a big flop, a struggling actress asks herself how much humiliation she’s willing to endure for another chance to make it.

    BANANA SPLIT is a heartfelt and hilarious coming of age story about teenage relationships and what happens when friendships and romance get in the way of each other. Starring, produced and co-written by Hannah Marks (Dirk Gently’s Holistic Detective AgencyDaniel Isn’t Real),one of Rolling Stone’s ‘25 Under 25 Young Musicians, Actors, Activists Changing the World’, and starring Dylan Sprouse (The Suite Life of Zack & CodyDismissed) and Liana Liberato (To the BoneLight as a Feather), BANANA SPLIT comes to digital download in the UK on 8th June 2020.

    With Brittany Snow making her debut as producer, HOOKING UP is a fresh take on modern romance and relationships starring Brittany Snow (Pitch Perfect, Someone Great), Sam Richardson (Good Boys, Bad Neighbours 2) and Jordana Brewster (Fast And Furious franchise). With a thrillingly clever and funny script from co-writer and director Nico Raineau, HOOKING UP comes to digital download in the UK on 8th June 2020.

    On the same day in 1989, forty-three infants are inexplicably born to random, unconnected women who showed no signs of pregnancy the day before. Seven are adopted by a billionaire who creates The Umbrella Academy and prepares his “children” to save the world. Now, the six surviving members reunite upon the news of their father’s passing and must work together to solve a mystery surrounding his death. But the estranged family begins to come apart due to their divergent personalities and abilities, not to mention the imminent threat of a global apocalypse.

    Eureka Entertainment to release MR. VAMPIRE, Ricky Lau’s influential and genre bending horror-comedy, presented from a brand new 2K restoration making its worldwide debut on Blu-ray as part of the Eureka Classics range from 20 July 2020. The first print-run of 2000 copies will feature a Limited Edition O-Card Slipcase and Collector’s Booklet.

    Anne Boleyn Edition: Bits & Pieces

  • Clementine: Review

    Clementine: Review

    Clementine is the story of Karen. A young woman who has just broken up from a long relationship and is, understandably shattered by the experience, decides to go to a lake house that is owned by an ex of hers. However, there she meets Lana, and things get complicated again. It is a mix of being a coming of age drama and a thriller, I guess, about a hurt woman in a new relationship.

    What I liked about this film was that there was an obvious passion for the project. The cast does well enough. They clearly have talent and their chemistry, particularly when they are wordlessly acting against each other. I can’t say that I am familiar with either of them, but I wouldn’t be against seeing either of them in more down the line. While I don’t have much of an ear for music, I thought that the score was very atmospheric and added to what tension the film had.

    I also loved the long shots. At times there is an almost Hitchcockian in nature. They capture the character’s feeling of loneliness and emptiness perfectly. It is in these moments that the score accompanies so well. At times Clementine feels as melancholy as a Lars Von Trier film. I mean that as a positive.

    Unfortunately, there is a major issue with Clementine. You see, the point of a film is to entertain you. Now, this can mean a bit of fun – mindless or lighthearted – which is what the film world is filled with lately. Or it could mean something that is slow, methodical and demands you to think – the questions posed, and the artistry of the project can be entertaining in their own right.

    The Evil Dead is fun, The Witch is not, but The Witch is so masterfully crafted and keeps you guessing and thinking long after it’s done that it is still entertaining. It is all about how the film engages with the audience. I bring this up because Clementine is one of the least engaging films I have seen in some time.

    The story has the potential to be something great – a close look into Karen’s mind that will be relatable to those who have had a rough breakup. But despite the suspense we don’t really go anywhere with it, or at least it feels like we don’t. Things happen, certainly, but they all feel small in the big picture. And when the actors talk it is with that very slow, quiet whispering – the same way that all people speak in an M Night Shyamalan film. The dialogue suffers as a result, falling flat and making the film feel more uninteresting.

    There are also times when the score and camerawork came as a detriment. While the long shots are effective and the opening scenes are gorgeous, the rest felt pedestrian and just disengaging. The score is loud in this film, perfect for quieter scenes but it gets annoying and distracting in the louder or more dialogue heavy ones.

    Despite some promise I simply did not enjoy Clementine. It feels like the bad points were just missing the mark and more practice would sort it out. It felt like one more draft of the script or adjusting the shots the slightest bit would have helped matters. As it is, I find it hard to recommend. If it sounds of interest then give it a go, otherwise I wouldn’t bother.

  • Mars Needs Moms: Disney+ Talk

    Mars Needs Moms: Disney+ Talk

    With the continuous rise in quality films (and the buying of existing properties), it’s hard to believe that Disney have had huge flops. However, the company have had their fair share of box office failures…but none as big as ‘Mars Needs Moms’.

    ‘Mars Needs Moms’ was released in 2011, and is a motion capture animated feature, based on the book by Berkeley Breathed. After Martians kidnap his mum, Milo travels to Mars in order to rescue her, with the help of human Gribble and rebel Martian Ki. He also learns to appreciate and love his mother along the way.

    The film took two years to make, using state of the art motion capture to make the CGI animation as realistic as possible. Unfortunately, this is mainly where the film’s downfall was, as the realistic approach made the animation creepy, plus most of the budget went towards this department. In summary, the budget for ‘Mars Needs Moms’ was $150million, and it grossed just over $39million worldwide at the time of writing, making it one of Disney’s biggest box office flops and the 22nd worst box office opening ever.

    While the film definitely has its flaws, I enjoyed it.

    The plot is interesting and, at the time, unique. The voice acting is also fantastic; Seth Dusky brings a mischievous charm to Milo and, while it’s a little difficult to sympathise with him at the beginning, he grows into a likeable character. Dan Fogler (Fantastic Beasts and Where To Find Them) voices Gribble, a man who’s been trapped on Mars for 20 years. Because of this, he still has the child-like charm and wonder that is delightful. Both voice actors have great chemistry together that immediately works beautifully. 

    However, like previously mentioned, ‘Mars Needs Moms’ isn’t without its flaws.

    The first aspect that needs to be talked about are the visuals. While the background animation is excellent, the realistic character animation is unsettling, and the mouth movements of each character is even a little out of sync at times. This is something that occurs throughout the film. Instead of going for a realistic approach, ‘Mars Needs Moms’ should’ve followed in the footsteps of 2006’s ‘Monster House’: using motion capture as a reference, then overlaying it with a cartoon-ish structure. The fact that Robert Zemeckis was involved in both films meant that this film could’ve been great. However, that’s not the case unfortunately.

    ‘Mars Needs Moms’ has pacing issues, especially in the second half of the film; a lot of scenes serve no purpose to the story and should’ve been left on the cutting room floor, while a few others go on for far too long. An example of this is Gribble’s introduction, which seems to drag on; all that that scene needed to do was introduce him and reveal that he had created a Martian translator. But, instead, the film wastes its running time on this one scene, when Gribble serves as a key character in the plot. His story arc is interesting, but should’ve been revealed slowly: he was the previous child who lost his mum to the Martian’s procedure, but never made it back to Earth, thus spending 20 years trapped there. 

    While ‘Mars Needs Moms’ has its glaring flaws, it’s a fairly decent film. The voice acting and music is fantastic, and the plot is interesting. But it could’ve been a lot better with another edit, and less of the budget going towards the animation.