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  • The One And Only Ivan: Review

    The One And Only Ivan: Review

    While trapped in a cage at the Exit 8 Big Top Mall and Video Arcade, a gorilla named Ivan (voice of Sam Rockwell) teams up with a caring elephant named Stella (voice of Angelina Jolie) to piece together his mysterious past and hatch a cunning escape from their shared captivity.

    Thea Sharrock’s The One and Only Ivan is one of those movies that you can put on for your kids in the background while they are playing on their tablets or just running around the house. It may capture their attention for a few minutes, but I genuinely cannot see them getting completely sucked into this story which is disappointing considering the fact that it’s based on a true story that is actually quite dark and emotionally moving.

    Instead of telling this story in a powerful way that does the real-life story justice, the film panders so much to children that it sometimes comes across as a little bit cringeworthy. There are dozens of lazy one-liners that some youngsters are going to laugh at, but anybody over the age of four is probably going to find tiresome and more frustrating than some dad jokes even.

    But aside from the weak humor, the film’s moments of genuine compassion and heartfelt character dynamics are too few and far between. The best parts of the entire movie have to revolve around the relationship between Ivan, Stella, and her daughter Ruby. Ivan knows what it’s like to be stuck in a cage and be forced to perform in front of dozens of little kids every single day. He knows that out in the wild, he can be free and live a peaceful life without having to always put on a show for people. Ruby is too young and innocent to realize the dangers of being trapped in a cage her whole life which is why Ivan wants to do his best to break Ruby and the others out of the circus so they can roam free and have a wonderful life.

    At its core, it’s a sweet tale of a gorilla that feels like he cannot have a life of his own and wants to do whatever he can in order to gain his freedom. The problem with The One and Only Ivan isn’t the actual plotline of the movie, just the execution. Screenwriter Mike White just simply doesn’t take the story as seriously as he should have. If you actually go and look into the real-life story which I have, you will find that it’s actually quite heartbreaking but ultimately rewarding. This film however is just a mindless series of events that really don’t amount to much because the film’s tone is far too comedic to be taken seriously.

    If there is something worthy of praise here, it’s most certainly the voice acting from the entire cast. Sam Rockwell is wonderfully energetic and full of charisma as the titular Ivan, and Angelina Jolie feels quiet and reserved but ever-so endearing as Stella. There truly isn’t a weak link among the entire cast. Bryan Cranston can be a little bit goofy and over-the-top in the role of Mack, who owns the Big Top Mall but even still, he is a delight to watch and delivers yet another good performance in his filmography.

    https://www.youtube.com/watch?v=I-uIQDRS4a8

    Not only that but the motion capture work here is absolutely stellar. Just like Andy Serkis in the Planet of the Apes trilogy, Ivan the gorilla looks so lifelike it’s a little bit uncanny. Yes, he does talk in the movie but it never detracts away from the fact that this fake gorilla looks like an actual gorilla. The other animals in the film look incredibly real as well, and I have to give props to the motion capture and visual effects team here.

    Plus, the ending, while extremely predictable even for those who are unfamiliar with the true story, is without a doubt heartwarming and is sure to bring a smile on your face. It’s just a big shame that the rest of The One and Only Ivan wasn’t as endearing and fun as its conclusion.

    The One and Only Ivan constantly settles for cheesy humor and is a giant missed opportunity to tell a genuinely heartfelt and inspiring story.

  • Unhinged: The BRWC Review

    Unhinged: The BRWC Review

    Pegging itself as the first nationwide COVID19 release, Unhinged has boldly asserted itself in pole position during a time where Hollywood trepidatiously approaches the re-opening of theaters. This lean-and-mean pulpy thriller will never be considered high-art by returning audiences, yet it does deliver an agreeable genre throwback throttled forward by its dedicated Oscar-winning star.

    Unhinged follows Rachel (Caren Pistorius), a down-on-her-luck mom trying to get her life in order amidst a recent divorce. While driving her son (Gabriel Bateman) to school, a road rage incident involving a mysterious man (Russell Crowe) turns deadly when the man begins to track her down for her actions.

    Like a caged lion gnawing to break free, Russell Crowe has an absolute blast sinking his teeth into his villainous role (this clip will give you a good idea of what to expect). Playing “The Man” with a sweaty ferocity and an unnerving menace, it’s a joy to watch Crowe fully embrace the twisted tendencies of the stalker character, putting his all into the performance with his looming physicality and wide-eyed glaze. What could have been a familiar foe in lesser hands becomes a memorably sinister figure under Crowe’s command, reminding us again of the actor’s storied talents. Caren Pistorius and Gabriel Bateman also deserve mention for their committed performances as victims of Crowe’s wrath, selling their torment with authenticity and weight.

    Unhinged B-movie thrills are self-awarely constructed from director Derrick Borte’s assured effort. He wisely keeps his film moving at a fast and furious clip, rarely taking a detour from the taunt atmosphere established in the opening frames. Borte’s craftmanship satisfies that genre movie itch, executing a plethora of hard-hitting car crashes and eerie frames with workmanlike effectiveness (Borte and Cinematographer Brendan Galvin nail the kind of intimidating villain shots you would see typically in a horror movie). It’s refreshing to watch a film that knows exactly what it wants to be and approaches its goal with shameless dedication.

    Unhinged has thrills to spare, but seldomly rises above its fatigued conventions. Carl Ellsworth’s screenplay does his characters no favors, with a melodramatic first third doing a poor job of setting them up as anything more than mere cliches. Any attempts at elevating its trappings, including a vague commentary on society’s casual cruelty towards each other, fail to render a substantive throughline, leaving audiences with a disposable thriller that won’t stick in your memories. With a vehicle like this though, I expect to be in it for a good time rather than an experience that will linger long past the closing credits.

    Russell Crowe’s deranged performance elevates Unhinged into a satisfying B-movie throwback.

  • Random Acts Of Violence: The BRWC Review

    Random Acts Of Violence: The BRWC Review

    Todd (Jesse Williams) and Ezra (Jay Baruchel) are a couple of comic book writers who created the successful and yet controversial, Slasherman comic book series which was inspired by a real-life serial killer. Todd’s wife, Kathy (Jordanna Brewster) is also inspired by her husband’s work, although she intends to write a book about the victims of Slasherman to reveal their stories and to discuss the use of real-life tragedies as entertainment where the real stories affect real people every single day.

    The conflict between Todd and Kathy’s work is leading to a long overdue confrontation, but after Todd receives a strange phone call over the air whilst being dragged across the coals by a radio presenter, Todd starts to realise that his work may have inspired a serial killer to mimic his best work.

    Random Acts of Violence is the feature debut of director Jay Baruchel who co-wrote the screenplay, based on the comic book of the same name written by Justin Gray and Jimmy Palmiotti and is coming to Shudder.

    What could be described as a postmodern horror movie taken from a postmodern comic, Random Acts of Violence is not your typical slasher movie. Random Acts of Violence not only talks about the validity of horror as entertainment (particular true crime horror), but it also talks about the responsibility of authors when creating material which could then be interpreted in a way that the author never intended.

    However, while all these small discussions are going on in a movie about comic book writers that’s based on a comic about comic book writers writing a comic that could be in a horror movie (with me so far?) it all seems to be delivering mixed messages.

    Whereas the comic book could give its readers some time to pause for thought about what the deeper messages of writing all means, the movie doesn’t have the luxury of doing it for the audience.

    So, by the final act Random Acts of Violence seems to be delivering to its audience what it knows horror fans will want and not enough time for them to breathe and really think about its wider implications.

  • Elvis: That’s The Way It Is – Review

    Elvis: That’s The Way It Is – Review

    Elvis: That’s The Way It Is – Review. What can I say about Elvis Presley that hasn’t already been said? He is an artist among a small pool of unique icons. When we think Elvis we think of legends like The Beatles, Michael Jackson, The Rolling Stones, or Frank Sinatra.

    There will truly never be another Elvis. “Elvis: That’s The Way It Is” is a digitally remastered documentary from 1970 that follows Elvis’s journey and return to the stage in 1969 after he had been absent from concerts for a decade.

    We get to see Elvis in the recording studio and at his rehearsals up until the arc of the film when we finally got to see him on the Las Vegas stage. What was most interesting to me about this piece is that we got to see Elvis as he truly was, an artist.

    The name Elvis is synonymous with an image, much like someone like Marilyn Monroe, Elvis’s image has almost been overused to the point of abuse; I have to admit I even own a set of Elvis dishes, matching cups, and salt and pepper shakers I picked up at an estate sale not long ago. I think the novelty of Elvis really made people lose sight of who he actually was, a man of true talent from the golden days of music who was completely immersed in his craft and cared deeply about it.

    It would be difficult for someone like Elvis to be made famous today, his baritone voice so unique and rare that I can’t imagine modern pop record label executives wanting to invest money into developing his artistry, or even having an ear for it. Elvis’s music, voice, and performance style are unique and timeless. He is unforgettable, and so many of his songs ring true today.

    In the latter third of the film I was reminded of his song “In The Ghetto” which, as someone from and currently residing in Chicago, I really appreciated this song and felt Elvis’s awareness of these issues were not only pure and sincere, but also ahead of their time. This song is not only still culturally relevant, but for this type of artist to draw attention to the unfair and inescapable conditions people are born into was a big step for the music industry and entertainment as a whole.

    Elvis truly is the King. After a decade offstage for him to come back with such a mesmerising performance was a treat to watch. Not only was his voice still smooth and his performance flawless, but he had such a charm and great interaction with his audience.

    Though his fans put him up on a pedestal, Elvis literally leaned down from the stage to kiss them and show them appreciation and love. He even walked through the crowd, though this may be a move you couldn’t do in today’s world, it was nonetheless risky, but that seemed to be who Elvis was. A risk taker for his craft, his concerts, and his life. It is a shame the world lost an icon too soon, but thankfully Elvis’s memory lives, and we can always go back and marvel at the artist who spawned arguably one of the most unique images ever created in the music industry.

    At the risk of sounding cheesy, I tip my hat to the original filmmaker, the late Denis Sanders, and think I speak for all of us when I say “thank you, thank you very much.”

  • The Crown Edition: Bits & Pieces

    The Crown Edition: Bits & Pieces

    The Crown Edition: Bits & Pieces – Budgeting fintech bank, thinkmoney, have uncovered the ‘real’ salaries of 14 of the wealthiest and most popular TV characters, before calculating the cost of their fictional homes to reveal which ones could truly afford their lifestyles. And, it appears, not all can…

    An authentic extension of Katherine’s stand-up comedian stage persona, The Duchess explores the unique world view of a fashionably disruptive all-round bad person whose redeeming quality is that she’ll sacrifice everything to be a good parent. Olive is the love of Katherine’s life, and The Duchess wonderfully illuminates the intricacies of very modern and celebrated single motherhood in London.

    An atmospheric, coming-of-age love story steeped in eerie mystery; a reimagining of Sheridan Le Fanu’s 19th century novella of the same name.  15-year-old Lara (Hannah Rae) lives with her father (Greg Wise) and her strict governess, Miss Fontaine (Jessica Raine), in total isolation and is struggling to find an outlet for her curiosity and burgeoning sexuality. When a carriage crash nearby brings a young girl into the family home to recuperate, Lara is enchanted by the eponymous Carmilla (Devrim Lingnau).

    A small Texas town awakes when a high school wrestler gets involved with a drifter and her ruthless lover. Lives intertwine and spiral violently out of control once he becomes her escort driver and risks everything to save her.

    Premiering on Demand August 28, this Australian horror film took home 6 major awards at the Melbourne Underground Film Festival including Best Director and Best Film.

    Gutting the Sacred Cow is a unique movie podcast that takes a whole distinct look at the movie review genre. Each episode, hosts and comedians Kevin Gootee and Kevin Israel invite on a guest to “take down” a beloved, critically acclaimed, of a financially successful film – anyone can trash Friday the Thirteenth: Part VIII, but it takes some effort to go after Star Wars or The Godfather. There are tons of movie review podcasts and even more comedy podcasts, but Gutting the Sacred Cow combines the two with an original format and the sharp wit of its seasoned comedy hosts.

    Filmmaker John Scheinfeld’s (Chasing Trane: The John Coltrane Documentary, The US vs John Lennon) documentary Herb Alpert Is a passionate and inspiring exploration of Alpert’s personal and creative journey that reveals the critical events, experiences and challenges that have shaped an extraordinary life and instilled deep within the Grammy-winning trumpeter the desire to make a difference each and every day.  Colleagues ranging from Questlove to Sting to Bill Moyers bring their unique voices and perspectives to telling this remarkable story.

    Three childhood Kung Fu prodigies have grown into washed-up, middle-aged men – now one kick away from pulling their hamstrings. But when their master is murdered, they must juggle their dead-end jobs, dad duties, and overcome old grudges to avenge his death.

    Eureka Entertainment to release Stephen King’s SLEEPWALKERS; a supernatural thriller about the small-town exploits of shape-shifting, incestuous, psychic vampires; on Blu-ray for the first time in the UK as part of the Eureka Classics range from 19 October 2020, featuring a Limited Edition O-Card Slipcase and Collector’s Booklet [First Print Run of 2000 copies ONLY].

    Anime Limited is delighted to reveal that the hauntingly beautiful Children of the Sea, which features a score by legendary Studio Ghibli collaborator Joe Hisaishi (Spirited Away), will headline the latest curated line-up of their Screen Anime online film festival from 25th August. This marks the first wide release of the film in the United Kingdom & Ireland, following appearances at film festivals such as Scotland Loves Anime, where it screened in competition.

    https://www.youtube.com/watch?v=bsWymJmR7O4&feature=youtu.be

    After months of being closed due to lockdown, cinemas are back, rolling out the red carpet for audiences to experience the sheer joy of escaping for a couple of hours, leaving their everyday lives behind and enjoying a film in all its technicolour glory, asserting that now more than ever, stories need to be seen on the big screen.

    Ahead of the upcoming release of David Attenborough: A Life On Our Planet, which will premiere in cinemas across the globe on Monday 28th September 2020, we are delighted to share the first official clip taken from the film.

    Thomas Vernay’s Miss Chazelles shares the tale of a rivalry between two beauty queens and their families, only for things to take an unexpected turn. This live-action short has won many high profile Awards including the Best Drama Award at the 2019 Aesthetica Short Film Festival and the Best Actress Award (Megan Northam) at the 2020 Clermont-Ferrand International Short Film Festival. It has been selected to be screen at the Oscar-qualifying Odense International Film Festival in August.

    Having just completed another round of treatment for chronic anorexia, acclaimed war photographer Stephanie (Sian Brooke) is working hard to reconnect with her family. Her mother Susan (Amanda Burton) is supportive but preoccupied by her forthcoming wedding to Annette (Kazia Pelka). Meanwhile Stephanie’s teenage daughter, competitive swimmer Pearl (Fabienne Piolini-Castle), is angry and full of resentment, refusing to give her mother a second chance. Stephanie will need all her strength to keep her head above water.

    Jeff Schneider’s captivating new horror film Evil Under the Skin, starring Helen Udy (My Bloody Valentine, The Dead Zone), arrives on DVD and Digital September 8.

    Today, the powerful title track “Rising Phoenix” written and performed by George Dorman (known as georgetragic), Toni Hickman and Keith Jones, and written and produced by Daniel Pemberton is released on streaming services. The artists, who all have a disability, form part of the artist collective Krip Hop Nation. Krip Hop Nation is led by Leroy F Moore whose mission is to shine a light on the talent, history, rights and marketability of Hip-Hop artists and other musicians with disabilities – The Crown Edition: Bits & Pieces