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  • Monstro! Review

    Monstro! Review

    What happens when three murderous vixens come up against the Kraken? Well If Stuart Simpson has anything to do with it, there will be blood!

    Monstro! A low budget film by Stuart Simpson is a simple story with a grind-house / early Tarantino feel and aesthetic.

    This bizarre film follows ‘Beretta’ (Nelli Scarlet) a tough as nails leader who knows how to keep her girls happy.  ‘Blondie’ (Karli Madden) a nasty piece of work who has mastered the blade and finally ‘Snowball’ (Kate Watts) the sexiest of the trio with the ability to slice and dice with no regret.

    At the opening of the film we see the trio in their murderous ways, which leads them to hide out in a small beach side community.

    Here they meet locals ‘Hannah’ (Kyrie Capri) and her grandfather who have both lost family to the sea creature.  The grandfather warns the trio not to enter the water but being the rebellious murderers they are, ignore the old man and jump right in.

    This leads to the arrival of ‘The Kraken’ and some rather laughable but entertaining CGI along with a chance at redemption for ‘Hannah’ and her grandfather.

    Simpson has created a highly stylised film which begins in black and white and converges into colour with spurting blood and gore, he uses a large mixture of jump cuts and low angles to keep the film interesting and captures the Australian countryside in a great way.  The film makes the most of its low tech CGI but unfortunately lacks in the more important acting and storyline areas.

    A great nod to films of the grind-house era but a film that just simply doesn’t stand out on its own.

  • Tarzan Trailer Swings In From Deutschland

    Tarzan Trailer Swings In From Deutschland

    There have been quite a fair few adaptations of Edgar Rice Burroughs’s classic tale of the man raised by apes, and while I must admit never to being much of a fan of the vine swinging pant-less wonder, this teaser trailer of the new adaptation from Germany looks visually sumptuous with no Phil Collins in sight (still can’t forgive him for beating Matt Stone and Trey Parker at the Oscars).

    The Amazon Rainforest looks stunning.

    While not giving much away in terms of story, it is a teaser after all, it remains to be seen whether the advanced mo-cap of Kellan Lutz (The Immortals) will fall too far into uncanny valley or be a visual delight. At the moment, his face looks a bit odd, but his hair looks glorious.

    The trailer can be seen here

    Directed by Reinhard Klooss, Tarzan will be released in 2013. 

     

  • Sleeper’s Wake Trailer

    Sleeper’s Wake Trailer

    Sleeper’s Wake is the haunting debut film from Barry Berk which has been nominated for the 56th BFI London Film Festival’s Sutherland Award for Directorial Debut. The award recognises the most original and imaginative first feature in the festival. SLEEPER’S WAKE was selected for its exemplary cast and unsettling qualities, evoking the suspenseful drama of intelligent thrillers like Winter’s Bone and Lantana.

    Adapted from the award-winning novel by Alistair Morgan, the film is a very skilful debut feature which explores the dark secrets and unsettling world of an eerie and remote coastal area in South Africa, portrayed with haunting beauty on the screen. On a deeper level the film investigates themes of healing and guilt which are never far from the surface in a country still reckoning with the pain of its past and where the truth may still need to be confronted.

    John Wraith is in his mid-forties and is regaining consciousness in hospital. With a fresh big scar across his face, he is more than a little stupefied by drugs and amnesia. Learning that his wife and daughter have died in a car accident because he fell asleep at the wheel, and troubled by guilt, he retreats to an isolated coastal village to recuperate. Here he meets Jackie, a vulnerable teenage girl who, with her father and brother, is also traumatised by loss. Jackie is struggling to come to terms with the murder of her mother after a violent robbery. The teenager manipulatively seduces John, and when their liaison is inevitably consummated, the result has explosive consequences.

  • SIX OF THE BEST: Jennifer Ulrich

    SIX OF THE BEST: Jennifer Ulrich

    Welcome to another edition of SIX OF THE BEST, the semi regular part of BRWC where we fire six questions at lovely people.  This time, we chat to the beautiful Jennifer Ulrich who stars in We Are The Night.

    So, tell me about We Are The Night. What’s it all about?

    – “We are the Night” is a film about 3 vampire ladies biting her way through Berlin nighlife and coming across a young girl called Lena. A lonesome rider longing for things in her life to change. The leader of the pack, Louise, is biting her in a nightclub and making her one of them. First enjoying her new gained self confidence and independence Lena realizes more and more that she doesn’t wanna be part of this killing complot anymore. But once she’s in there’s no way out again and she discovers that also the other ladies are struggling with their situation, everyone in its own way.

    Tell me a bit more about your role.

    – Charlotte was an actress in the mute film era of the 20ies who really enjoyed being a vampire first because she was hungry for life. When we meet her in the film, about 90 years later, she has become a woman filled with bitterness, still dressing like in the 20ies to express her longing back for her old human life. Charlotte is the quiet, deliberate and thoughtful woman in the backround. She’s an observer with a cold appearance but a very vulnerable soul. She symbolizes the sad side of being a vampire who seems to give up more and more throughout the film. She misses her family and feels almost no excitement about being a vampire anymore.

    Did you have any input in your character, or the script at all?

    – We had a week of rehearsals before the shoot and we talked a lot about our characters, their relationships to each other and their personal backstories. That made it possible that even the supporting roles like Charlotte and Nora have their own individual story that makes them come to life on screen. Dennis Gansel is very open to changes, ideas and inputs from his actors which makes the work with him even more enriching. We were all creating our characters with him hand in hand.

    What were the greatest challenges on set?

    – Charlotte is completely different to everything I played before. She is so different to who I am personally that it was a big challenge physically and emotionally for me. The way she moves, the way she talks and her outer appearance hiding something secret. That was a wonderful multilayered character work. All the stunt work was pretty challenging too. In Germany there are not many action films done and especially for women there are not many roles that you can work on as physical as in this film. We had a week full of stunt and gun training before the shoot to be well prepared and it was a lot of fun and my first experience with stunts.

    What appealed to you about being in We Are The Night?

    – First of all it’s the first german vampire movie since a long time. On the one hand Dennis Gansel comes back to the old fashioned kind of vampires that are driven by thurst with their typical supernatural powers and the typical ways of killing them. And on the other hand he shows modern women in our money driven society being free and independent but longing for love. Kind of “Lost Boys” meets “Sex and the City”. I have never seen a vampire film with such strong women in the leads before which was also one of the reasons I was willing to be part of this. It was a great chance for me to play something completely different and to get in contact with the horror genre.

    What are you hoping for when it’s out?

    – Well, I hope that the people in the UK love it as much as I do and that they jump on that adventurous journey of these 4 vampire women and enjoy the film. The DVD market for horror movies is so strong and I hope a lot of people get to see the film.

  • Latest Bond Girl In Normal Sex Industry Film

    Latest Bond Girl In Normal Sex Industry Film

    Featuring the latest ‘Bond Girl’ Tonia Sotiropoulou, Normal explores a world far removed from the glamorous international playground of 007. Normal is a creative documentary using performers to tell the real life stories of male, female and transgender migrants working in the sex industry.

    Normal – Real Stories from the Sex Industry – Trailer from Nicola Mai on Vimeo.