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From Disney and creative genius Tim Burton (Alice In Wonderland, The Nightmare Before Christmas) comes the hilarious and offbeat Frankenweenie, a heartwarming tale about a boy and his dog.

After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life – with just a few minor adjustments. He tries to hide his home-sewn creation – but when Sparky gets out, Victor’s fellow students, teachers and the entire town learn that getting a new ‘leash on life’ can be monstrous.

Boasting an electrifying variety of bonus materials on Blu-ray and DVD, the stop-motion animated masterpiece is filled with quirky characters and unexpected twists. The madcap movie features an all-star cast including the voices of Catherine O’Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, Robert Capron, Conchata Ferrell and Winona Ryder.

We chat to acclaimed actress Catherine O’Hara – who plays Mrs. Frankenstein, Weird Girl and Gym Teacher in the movie – to find out more…

What did you think of the animation of Frankenweenie when you saw it for the first time? 

I was blown away by the stop-frame animation. I love the film. You totally appreciate it as a story and you care about the characters. This is such a beautiful, touching, funny, great film – and the animation is incredible. It’s almost impossible to appreciate the work involved. To try to imagine the meticulous millisecond-by-millisecond handling of the characters, the sets, the lighting… it’s mind-boggling

What scenes or characters stand out for you? 

Sparky is such an important character in Frankenweenie, and I love his expressive face and the way he moves and jumps around with his cute little bum and tail. He seems so alive. As for scenes, I am really happy with the lovely scenes between Victor and his parents. I love how they all look, and Charlie’s voice is wonderful as Victor.

What else stands out for you? 

Whisker’s transformation scene is madness. Can you imagine working on that scene? It must have taken six months to shoot that! That is crazy. It’s like you see every atom in its body change. It’s creepy and hilarious at the same time.

What went through your mind when you were offered the opportunity to voice three characters in Frankenweenie? 

When I first got the call telling me Tim wanted me to go in and do three voices, I was just really happy that I was going to see him again because I don’t get to see him very often. I’d loved [the original, live-action short] Frankenweenie and was more than happy to go in and audition for a few characters for the feature. It turned out I already had the job!

What were you told about the characters? 

Before the first session, all I’d been told were the characters’ names. I thought, “Weird Girl? Ha, that’s great!” Before recording anything, Tim and Allison showed me the gorgeous character sketches and several storyboards. It was all very inspiring.

How did you come up with the voices for your characters? 

Tim’s a great director, so he guides you through the process. He’ll laugh at something and say: “Yes, go there, go there. Go with that.” or, “Right, what about going back to what you were doing before? Go there again.” You play around and experiment for the first couple of sessions – then you zero in on who the characters are.

Do you record the voices for all three characters in the same recording session? 

Yes, I recorded all three characters in most sessions, but it was one at a time. It usually started with the mother, because hers is the closest to my voice Tim would play a recording of what he liked from the last session to put me in the right frame of mind. I’d always end the session with the gym teacher because she yells a lot and that would tire my throat.

How tough was it to come up with the voices? 

It was challenging and scary because you want to do well and you want to honor these characters that have been in Tim’s head for so many years. If you see how stop-frame animation works, you know that hundreds of artists have put so much beautiful work into creating these characters and the sets and the story around them, so you want to treat it respectfully and do it justice. You also hope to add something to it.

How difficult is it to convey emotion just through your voice? 

You have to stay very focused when you’re recording your voice.  You’ve got these big headphones on and you can get hyper-aware of every breath or swallow you take. It can be very distracting if you’re not totally in character. But if you’re doing your job, the emotion comes through.

How different is it from live-action? 

On the set with a live-action project, you have a hundred people around you, all involved in shooting the scene. But when you’re recording for animation, it’s just the director, the sound engineer and you.

Which of the three characters you play do you hold closest to your heart? 

I’d love to be as kind and nurturing a mother as Mrs. Frankenstein. I try, but I’m sure my kids would say I’m not quite pulling it off

Martin Short plays Mr. Frankenstein in the movie. Did you get to record any material together in the sound booth? 

Yes, we did – and I thought that was very smart on Tim’s part. The lovely tone for the film is set in part by Victor’s home life with his parents and I know having Marty and me record together helped us get the intimacy that we needed for those scenes.

You’ve worked with Tim Burton on a variety of projects. How has he changed over the years? 

He hasn’t changed at all. Everyone around him has changed, but he’s the same guy he’s always been. Tim is great fun and he’s inspiring. Plus, his art is so beautiful. He’s really fun to work with, too. He’s very collaborative and he’s got a great, dark sense of humor that I appreciate. He makes you feel like you have lots to offer, which is great.

What was it like to see him again for Frankenweenie? 

It was great because he was just the same as he was on the set of Beetlejuice. He is open and loose, but he absolutely knows what he wants. It’s scary, that moment when you first dare to voice your character – whether it’s for live action or animation – but Tim makes you feel very safe, so you jump in and you start playing. I’ve only had a great time working with Tim and I hope to do it again soon.

The film is about a child named Victor who is a bit of an outsider at school. Were you one of the popular kids, or were you an outsider? Neither. 

I never felt like I needed to be connected to any kind of club at school because I’m one of seven kids and I always felt like I was already part of a great club. In high school I’d sometimes eat lunch with the tech kids and other times with the sorority kids, and they’d get mad at me for moving around. I was in a sorority, but it was on the lowest rung of sororities at my school.  I was a cheerleader but that was because the gym teacher was determined not to have the most attractive girls as cheerleaders. Ha. I wasn’t particularly popular, but I was fine. Like Victor, I was lucky enough to be given self-confidence at home. I knew I was safe at home and I was appreciated there.

Frankenweenie is out on DVD & Blu-ray 25^th February.

 

From Disney and creative genius Tim Burton (Alice In Wonderland, The Nightmare Before Christmas) comes the hilarious and offbeat Frankenweenie, a heartwarming tale about a boy and his dog.

After unexpectedly losing his beloved dog Sparky, young Victor harnesses the power of science to bring his best friend back to life – with just a few minor adjustments. He tries to hide his home-sewn creation – but when Sparky gets out, Victor’s fellow students, teachers and the entire town learn that getting a new ‘leash on life’ can be monstrous.

Boasting an electrifying variety of bonus materials on Blu-ray and DVD, the stop-motion animated masterpiece is filled with quirky characters and unexpected twists. The madcap movie features an all-star cast including the voices of Catherine O’Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, Robert Capron, Conchata Ferrell and Winona Ryder.

We chat to acclaimed actor Martin Short – who plays Mr. Frankenstein, Mayor Burgemeister and Nassor in the movie – to find out more…

What went through your mind when you were offered the chance to voice three characters in a new Tim Burton stop-motion project? 

I was thrilled to hear that I would have the opportunity to work with Tim Burton again, and I loved the idea of doing three characters. It was an exciting idea. You know what? When you get to work with the best directors working today, you think to yourself, ‘Wow, this is a lucky phone call.’ It was spectacular. Also, you know that if Tim is going to revisit something that is close to his heart, this is going to be a work of passion for him. That makes you think on an extra level that you’re thrilled to be part of it.

What’s it like to work with Tim Burton? 

It’s very, very exciting to work with Tim Burton because he’s still thrilled and excited by everything. When I worked with him on Mars Attacks, he wasn’t what I thought he’d be at all. He was a playful, funny guy who enjoyed jokes and who laughed at everything. We shared a similar sense of humor. If something happened, he’d find it funny and I’d find it funny. I wasn’t expecting that. He isn’t particularly dark at all, but just joyful and really enthusiastic.

How collaborative is Tim Burton to work with? 

Tim is very collaborative – and for an actor, it’s a very rewarding experience to work alongside him. At the end of the day, the actor’s job is just to give paints to fill the palate of the director. He is the person who’s going to work with an editor to make this film and finish it – but Tim very much wants to hear your take on everything.

How did you come up with the voices of your three characters in Frankenweenie? 

You create these characters with the help of Tim. He guides you through. In the beginning, you see a sketch of your character and then for the first session or two, Tim wants to hear how you see it. And when he starts laughing, then you know you’re on the right track. He’s not necessarily laughing because something funny has been said, but he’s laughing because it’s fitting into how he saw it.

How did you come up with the voice of New Holland’s mayor, Mr. Burgemeister? 

Tim had images of Burgemeister, but he didn’t know what he would sound like. He knew that he should be disturbing, weird and odd. At one point, I said, “What if he had been a four-packs-a-day smoker but had recently quit?” With Tim, that’s the kind of thing he’s looking for.

What else helped you come up with the voice of Burgemeister? 

When Tim started on the character, he had an idea in his mind that this neighbor was sinister and spooky and creepy – but he didn’t know what that meant. Burgemeister could be from any part of the world, or he could be from the United States. You start off with more of an attitude as opposed to a specific voice – but then Tim hears something he likes and that becomes the character.

How did you come up with the voice of Nassor in the movie?

I remember when we had this idea that Nassor would sound like Boris Karloff. I kept looking at YouTube to see old Boris Karloff clips and then I’d do my lines quickly. But then, at one take I was doing, I had more of a lisp and Tim said, “Oh, the lisp part is good. Yes, go with the lisp.” But I had to reel it in sometimes. Tim would also tell me, “Now you’re doing it too much.” However, the lisp stayed with the character.

Which of the three characters you voice in the movie do you hold closest to your heart? 

Burgemeister is a creepy guy. I loved doing that character the best, but I probably feel closest to the father, Mr. Frankenstein.

Catherine O’Hara plays Mrs. Frankenstein in the movie. Did you get to record any material together in the sound booth? 

Yes, we did. Usually in animation, you record all of your material by yourself – but Catherine and I recorded scenes together for this, which was great.

On an animation like Frankenweenie, is it more or less difficult to communicate emotion through your voice alone? 

It’s all about using a different muscle as an actor. That’s like saying, “Is it more difficult to work on film than in theater?” It’s just a different exercise. To be honest, I’ve always felt that I have a face for animation!

Victor is a bit of an outsider at school. Were you one of the popular kids, or were you an outsider? 

When I was growing up, I spent a lot of time in my attic pretending to have my own imaginary television show. People were outside playing hockey and I was in the attic with a mike, reel to reel and an applause record. I wasn’t unusual!

When did you finally feel popular; the time you finally felt like you’d made it? 

In show business? I don’t think you ever feel like you’ve made it. When you’re still striving and facing the precipice continually, I don’t think you ever sit back and say, “I made it.”

What advice would you give to youngsters who want to pursue a career in acting? 

You need to treat this like a business and not take things personally. As a young actor, I remember going on auditions and thinking, ‘I nailed it… I nailed it.’ And then you don’t get the job and you think, ‘What? I’m confused.’ After that, you realize that it wasn’t about whether you’re good or bad at acting, but the actress is 6 foot 7 and you’re a midget. That pairing doesn’t work together on screen. There can be many other elements, too. You’re too old or you’re too young or you’re not famous enough. There can be many reasons behind any decision, so don’t take anything personally.

Frankenweenie is out on DVD & Blu-ray 25^th February