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The deluxe Blu-ray set will be available to own in the UK in a limited edition SteelBook™ showcasing the original poster artwork as well as a standard edition case with newly illustrated artwork. Both editions will be available on 18th November and come loaded with a selection of classic interviews, featurettes and newly created never-before-seen special features as well as an in-depth 52-page collector’s booklet featuring new writing on the film and archives interviews with director Philip Kaufman and screenwriter W. D. Richter and more.

On the new set, Arrow Video’s Blu-ray producer, Francesco Simeoni says “It was a great pleasure and great privilege to produce the UK Blu-ray of this wonderful film, one that has grown in my esteem since working on it (can it be better than the original? Yes, quite possibly.) We were very fortunate to be working from a lovely new restoration carried out by MGM. We were very pleased to be able to release the film in HD for the first time in the UK but on closer inspection further pleased to restore the original audio for the first time anywhere on Blu-ray (the scene in which Donald Sutherland and Brooke Adams are being driven by Don Siegel’s taxi driver had audio missing which is very important since it’s eventually quite clear that the radio announcer is a pod person adding a subtle creepiness to the scene!) Finally the film can be seen in glorious HD and heard as it was meant to be in both stereo and 5.1 surround sound!”

When health official Elizabeth Driscoll (Brooke Adams) notices that her lover has become strangely distant, this sets in train a series of shocking discoveries that sees both her and colleague Matthew Bennell (Donald Sutherland) fleeing for their lives to the sound of ear-piercing alien screams.

Remakes of great films are usually on a hiding to nothing, but Philip Kaufman’s brilliant update of the 1956 classic is a rare and memorable exception. Transposing the action to the heart of San Francisco allows Kaufman to retain all the suspense of Jack Finney’s original story while adding caustic social commentary about the selfishness of the 1970s “me generation” that remains all too relevant today.

But it’s a paranoid thriller first and foremost, based on one of the most psychologically terrifying of all premises – what happens when you can no longer trust not just the authorities but even your nearest and dearest?

Special Features

· High Definition Blu-ray (1080p) presentation of the film
· Original uncompressed Stereo 2.0 audio / 5.1 DTS-HD Master Audio
· Optional English SDH subtitles for the deaf and hard of hearing
· Audio commentary with director Philip Kaufman

· Discussing the Pod: A new panel conversation about ‘Invasion of the Body Snatchers’ and invasion cinema featuring critic Kim Newman and filmmakers Ben Wheatley and Norman J. Warren

· Dissecting the Pod: A new interview with Kaufman biographer Annette Insdorf

· Writing the Pod: A new interview with Jack Seabrook, author of ‘Stealing through Time: On the Writings of Jack Finney’ about Finney’s original novel ‘The Body Snatchers’

· Re-Visitors from Outer Space: Or, How I Learned to Stop Worrying and Love the Pod – a documentary on the making of the film featuring Philip Kaufman, Donald Sutherland, writer W.D. Richter and more

· The Man Behind the Scream: The Sound Effects Pod – a look at the film’s pioneering sound effects

· The Invasion Will Be Televised: The Cinematography Pod – cinematographer Michael Chapman (Taxi Driver, Raging Bull) discusses the look of and influences on the visual style of the film

· Practical Magic: The Special Effect Pod – A look at the creation of the special effects from the opening space sequence

· Original Theatrical Trailer
· Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh [Amaray version only]

· 52-page collector’s booklet featuring new writing on the film by critic David Cairns, as well as re-prints of classic articles including contemporary interviews with Philip Kaufman and W.D. Richter, illustrated with original archive stills and posters

Turbo is out, so here’s a clip called ‘That Snail is Fast!’

Featuring a colossal voice cast that includes Ryan Reynolds, Paul Giamatti, Bill Hader, Michelle Rodriguez, Maya Rudolph, Snoop Dogg (a.k.a. Snoop Lion), and Samuel L. Jackson.

From the makers of MADAGASCAR and KUNG FU PANDA, TURBO is a high-velocity 3D comedy about an ordinary snail who dares to dream big – and fast. After a freak accident miraculously gives him the power of super-speed, Turbo kicks his dreaming into overdrive and embarks on an extraordinary journey to achieve the seemingly impossible: racing against famed driver Guy Gagne. With the help of Turbo’s tricked-out streetwise snail crew, this ultimate underdog puts his heart and shell on the line to prove that no dream is too big, and no dreamer too small.

Discover more about Turbo and his Snail Crew at 

Actors Alan Cumming and the new Doctor Who Peter Capaldi have confirmed they are to take part in a new series of online art films which aims to unlock big ideas that have shaped art history.

‘Unlock Art’ is a collaboration between Tate and Le Méridien Hotels & Resorts, and offers the culturally curious a stimulating, imaginative and witty introduction to the world of art.

In Unlock Art: Bringing performance art to life – the first film in the series writer, comedian, actor and art enthusiast Frank Skinner explores Performance Art and its origins; from DADA and Surrealism through to Yoko Ono and Joseph Beuys. The film also explores how Performance Art has helped to challenge oppressive regimes, and how it makes us question the way we perceive the world around us.

This is the first of eight films which will be released on a monthly basis. Viewers will be taken on an engaging journey through various art movements and themes, from the history of the nude and humour in art, to Surrealism and Pop – offering the need-to-know facts, and making the arts more accessible to a wider audience.

Unlock Art is part of Le Méridien’s ongoing commitment to provide a new perspective on the hotel experience through a curated approach to culture. Its support of the Outset/Frieze Art Fair Fund to benefit the Tate Collection, which is in its sixth consecutive year, enables Tate to buy work by emerging artists at Frieze.