Ghostroads – Review

COVER_Ghostroads_-_A_Japanese_Rock_n_Roll_Ghost_Story_-_still_1

Hello there. Welcome to BRWC. You should follow us on Twitter, or listen to a FiLMiX, or browse around for interesting reviews, interviews and features. Don't forget to subscribe to our newsletter, and tell your friends. BRWC is short for battleroyalewithcheese.


Ghostroads: a Japanese rock’n roll ghost story.

With a title as explicit as it gets, Ghostroads (2017, Mike Rogers, Enrico Ciccu, Les Decidious Jr., and Ken Nishikawa) proposes a classical rock’n roll tale (main character having to decide between fame and friends-band-girlfriend-integrity) and it delivers exactly what it promises on the title; including a storyline similar-paying homage to- the extremely entertaining and an example of a type of movies that aren’t done nowadays due to lack of courage and funds Crossroads (1986, Walter Hill).

Tony is the leader of The Screamin’ Telstars, a weekend rock band with no particular success. Tired of seeing how his archrival, represented by his ex girlfriend and all time sweetheart, becomes a rock legend, Tony burns up and so does his amp. That leads him to the acquisition of a magic amp that carries the ghost of an old bluesman inside. Through him, Tony will compose the best hooks, play the best riffs and amaze with unbelievable guitar solos. The only condition Peanut Butter, the blues ghost of Christmas past, demands is for Tony to get rid of the rest of his band; for good. And so the drama is served.

Enter your email address to subscribe to our BRWC Newsletter:

Delivered by FeedBurner

The film is narrated by a mysterious storyteller that announces what’s to come in each chapter and offers small pills of day-to-day philosophy, and in general it relies more on aesthetic and style than in story (as you’ve probably guessed by now): long music scenes, a non-stopping soundtrack and visual effects that are more effective than visually appealing. My personal view is that is a funny and enjoyable-to-watch movie providing you’re tolerant to low budget productions or homemade filmmaking techniques. As part of the “western audience” of the film, it instantly reminded me (somehow) to the way Tarantino develops some of his stories; the truth though is that Tarantino reminds to Japanese visual story telling because that’s where he gets lots of his trademarks.



Returning to the Crossroads reference, I felt kind of disappointed when the expected guitar duel between Tony and Peanut Butter is resolved in a very rushed and not detailed at all sequence. Having previously established that the actors of the film can play (it is shown in many of the music scenes in the movie), why not make the climactic beat as memorable as possible?

Being as it may, if you’re the kind of person that reads: Ghostroads, a Japanese Rock’n Roll Ghost Story, and gets immediately hooked, you’ll probably enjoy this little movie. If you are taken aback by its title, think no more and pick something else or you may get irritated or extremely confused.

Born and bred in Barcelona, Martí lived in Italy before moving to London to finish his film studies. After graduating with distinction at the London Film School Screenwriting Masters, he has established himself in London where he has worked as: an au-pair (yup), an intern at Sayle Screen Talent Agency, a Sales Assistant at Entertainment One TV Intl, and a script and book reporter for Creative England and Penguin Random House amongst others. In the meantime, he has never stopped working on his own projects including: a novel and a comic book both represented by a Spanish agency, several feature scripts and his first professional short film (which takes place at the sea; personal advice: never, ever, shoot there…). Some of the films he loves are: The Godfather, Amarcord and Terminator 2 (yup).